‘I want to be all I can Irish’: the role of performance and performativity in the construction of ethnicity

Over the past few decades, ethnicity, amongst third generation and beyond descendants of European immigrants in America, is thought to have evolved from a group-oriented protectorate to a more individualized form of identity. ‘Symbolic ethnicity’ is the name given by sociologists, who, working in the 1980s and 1990s within the confines of traditional assimilation theory, thought this to be the final step in that process. More recently, however, research within the social sciences has moved on, not just in how assimilation is considered, but also to newer immigrant and ethnic groups. In this study, I return to the concept of symbolic ethnicity and to those ‘older’ ethnics who, despite the assimilation process, continue to construct and maintain powerful links to an ethnic ancestry and homeland. From my observations of and interviews with dozens of individuals learning the Irish language throughout North America, I attempt to uncover why this connection persists, beginning with the subjective nature of symbolic ethnicity and ending with concepts of performance and performativity. I argue that these Irish not only knowingly construct their ethnic identities, but also unconsciously conform to a discourse of Irishness based on their perception of authenticity and tradition.     

Ribbonmen and radicals: the cultivation of Irishness and the promotion of active citizenship in mid-Victorian Glasgow

A secular, at times radical, tradition of organising and representing Irishness in Scotland had been moulded before 1861. However, in that year, local branches of a new Dublin-centred organisation, the National Brotherhood of St Patrick (NBSP), appeared, offering a new sense of purpose. As this article will argue, the Brotherhood probably had at its core local Ribbonmen (some of them in all probability with “advanced nationalist” views in that post-1848 period) and they were now keen to engage in an “open” subscriber association less obviously prone to the accusations of conspiracy which their previous clandestine solidarity had generated. The NBSP and a later association, the Irish National Association of Scotland, provided opportunities for a more public leadership to emerge and gave Irish-Scots workers important associational experience. In the longer term, this associational activity represents a key stage in the development of a social radical discourse, later so characteristic of Irish Home Rule politics in Scotland.     

The tyranny of transnational discourse: ‘authenticity’ and Irish diasporic identity in Ireland and England

Through the prism of current state discourses in Ireland on engagement with the Irish diaspora, this article examines the empirical merit of the related concepts of ‘diaspora’ and ‘transnationalism’. Drawing on recent research on how Irish identity is articulated and negotiated by Irish people in England, this study suggests a worked distinction between the concepts of ‘diaspora’ and ‘transnationalism’. Two separate discourses of authenticity are compared and contrasted: they rest on a conceptualisation of Irish identity as transnational and diasporic, respectively. I argue that knowledge of contemporary Ireland is constructed as sufficiently important that claims on diasporic Irishness are constrained by the discourse of authentic Irishness as transnational. I discuss how this affects the identity claims of second‐generation Irish people, the relationship between conceptualisations of Irishness as diasporic within Ireland and ‘lived’ diasporic Irish identities, and implications for state discourses of diaspora engagement.     

‘If I was Irish I'd be crying by now’: Irishness and exteriority,Doyle's Deportees and the Irish plays of Martin McDonagh

While variations on the relationship between Irishness and exteriority resound throughout Irish literature and Irish studies, the implications and applications of the version offered by Roddy Doyle's short story ‘Home to Harlem’ remain underdeveloped. This article explores the particular paradigm of Irishness derivable from Doyle's work, and is motivated by it to revisit and re-examine the Irish plays of Martin McDonagh and the question of audience relation to them. I argue that the constituents of the overly rehearsed ‘McDonagh enigma’ – his reliance on stereotypical representation and his highlighting of artifice – ensure a dynamic of recognition and exteriority in the Irish-identifying audience, which, in turn, enacts an extreme version of the process of Irishness extrapolable from Doyle.     

Challenging Englishness from the racial margins: William Macready's Irishman in London; Or; The Happy African

William Charles Macready's farce The Irishman in London; Or; The Happy African (1792) can be read as an exploration of Englishness in its relationship to Irishness as presented on the London stage in the period following the French Revolution. This article examines Macready's play as a critique of the common identification of Irishness with blackness that uses stock characters and attitudes to examine English identity. Through a marriage plot displaced from the traditional romantic heroes onto their Irish and black servants, we see English as a commercial identity rather than a cultural one. Linking race to culture and culture to nationality, Macready's play presents Irishness and blackness as culturally rich while calling into question the content of Englishness.     

Pedestrian perils on the road to Irish identity in Joyce and Bowen

This article identifies and explores some major facets of an important theme in the works of James Joyce and Elizabeth Bowen that adds to our understanding of the complex ways in which both writers construed Irishness. Striving to acknowledge what they saw as the value of walking without embracing its English nationalist or Romantic associations, these modernists depict walking in late nineteenth- and early twentieth-century Ireland as a beneficial means of expressing and experimenting with different permutations of Irish identity, largely because of the opportunity it presented to negotiate a variety of dangers. By emphasising walking’s taxing and often perilous material realities, Joyce in A Portrait of the Artist as a Young Man and Ulysses and Bowen in Seven Winters and The Last September recast the idealised English Romantic view of walking as a darker and more menacing activity that nevertheless offers a useful strategy for articulating fluctuating conceptions of Irishness during the tumultuous period lasting roughly from the death of Parnell through to the Irish War of Independence.     

Catholic,Irish and Nationalist: evaluating the importance of ethno‐national and ethno‐religious variables in determining nationalist political allegiance in Northern Ireland

Irish national identity, political nationalism and Catholicism are the defining characteristics of the minority community in Northern Ireland. These identifiable ethno‐national and ethno‐religious characteristics have been the basis of communal solidarity that has transcended increasing socio‐economic heterogeneity within that community. Both of the Nationalist political parties in Northern Ireland, Sinn Féin and the Social Democratic and Labour Party (SDLP), draw their support almost exclusively from their community of origin. What is not known, however, is the relative importance of Irishness, Catholicism and Nationalism in shaping support for either party. Which of these ethnic identifiers is of greatest salience in identifying support for Sinn Féin or the SDLP? Drawing upon recent election survey evidence, this article attempts to rectify this information deficit, highlighting the weighting of components of ethnicity in determining intra‐bloc political allegiances.     

Countering exclusion: the ‘St. Pats for all’ parade

The St. Patrick's Day parade in New York City has historically been a crucial site for annually reproducing narratives of Irishness through a very public performative ritual taking place on Fifth Avenue. However, in recent years controversy has surrounded this event, associated with the organizers' decision to ban self-identifying Irish homosexuals, a decision supported by the US Supreme Court. In response, a ‘counter-parade’ now takes place in the neighboring borough of Queens, which is beginning to mount a serious challenge to the more established ritual. Billed as the first all-inclusive St. Patrick's Day parade in the city's history, this ‘St. Pats for All’ parade articulates a very different narrative of Irishness than that paraded on Fifth Avenue. In this article I seek to examine this alternative event and the contested identity politics associated with Irishness in New York City, focusing primarily on the axes of nationalism and sexuality, and the role played by public space.     

Discourses of nation among migrants from Northern Ireland: Irishness,Britishness and the spaces in‐between

Narratives of nation and identity are highly contested in Northern Ireland, with allegiance usually given to an Irish nation or a British nation, or located somewhere along a continuum between the two. The negotiation of one's identity along this continuum can become particularly complex once one migrates outside Northern Ireland. Adopting a sense of belonging to or exclusion from an Irish diasporic community is part of this process of negotiation. This paper explores these negotiations of identity among both Catholic and Protestant migrants from Northern Ireland to England. It utilises an oral history archive of interviews with individuals who migrated in the latter half of the 20th century, and focuses on narratives of nation and identity among these migrants. Drawing on the notion of England as a diaspora space, in order to make sense of these narratives, the intersections between diasporic Irishness and different British identities are untangled in an attempt to draw out the spaces ‘in‐between’ two, often polarised, narratives of nation.