The Revolution of 1959 brought forth changes in the mission, theoretical orientation, and organization of archaeology in Cuba and created a role for, and constraints on, the profession that are unique in the Western Hemisphere. This paper draws upon examples from substantive field and laboratory research to examine the methods and theoretical perspectives of Cuban archaeology since the Revolution, focusing on the period from 1962 until the collapse of the Soviet Union. Archaeological practice during the Revolutionary period in Cuba has reflected the aims of the Revolutionary government, the influence of Soviet archaeology, the legacy of pre-Revolutionary approaches in North American archaeology, and the Cuban sense ofpatria. 相似文献
Madagascar's culture is a unique fusion of elements drawn from the western, northern, and eastern shores of the Indian Ocean, and its past has fascinated many scholars, yet systematic archaeological research is relatively recent on the island. The oldest traces of visitors are from the first century AD. Coastal settlements, with clear evidence of ties to the western Indian Ocean trading network, were established in several places over the next millennium. Important environmental changes of both plant and animal communities are documented over this period, including the extinctions of almost all large animal species. Urban life in Madagascar began with the establishment of the entrepôt of Mahilaka on the northwest coast of the island in the twelfth century. At about the same time, communities with ties to the trade network were established around the island's coasts. From the fourteenth to the sixteenth century, social hierarchies developed in several regions of the island. During the succeeding two centuries, Madagascar saw the development of state polities. 相似文献
This article examines the meteoric rise and enormous popularity of a Marathi stage actor and singer, Bal Gandharva, in early twentieth-century western India. Gandharva was distinctive because he was a male artist who dressed and acted as a woman on stage and was adulated by both women and men for his powerful female roles. The article argues that Gandharva embodied ‘fuzzy’ boundaries between man and woman, drawing from indigenous traditions of gender fluidity. While maintaining strict boundaries between being a man in his personal life and a woman on stage, Gandharva tapped into alternative notions of masculinity. I argue that the adulation he experienced for his acting and singing as a woman points to transgressive possibilities in the otherwise conservative middle-class imagination and challenges what are colonial constructions of hyper-masculinity. 相似文献
Khan, M.A., Babar, M.A., Akhtar, M., Iliopoulos, G., Rakha, A. & Noor, T., November 2015. Gazella (Bovidae, Ruminantia) remains from the Siwalik Group of Pakistan. Alcheringa 40, xxx–xxx. ISSN 0311-5518.
New gazelle fossils are described from the Siwalik Group of Pakistan. The material includes horncores, maxilla and mandible fragments, and isolated teeth. The available samples are assigned to three Gazella species: Gazella sp. in the Lower Siwalik Subgroup (ca 14.2–11.2 Ma), and G. lydekkeri and G. superba in the Middle Siwalik Subgroup (ca 10.2–3.4 Ma). Based on a review of the Siwalik Group gazelles, G. padriensis is synonymized with G. lydekkeri. Gazella superba Pilgrim, 1939 sensu stricto is a large form and is a valid species of the genus in the Siwalik Group.
The tradition of fastening planked boats using sewing is characteristic of the Indian Ocean region. Despite known disadvantages of sewn boats, including that perishable materials need regular maintenance and repair, operators of boats used in the sand‐mining industry of Goa still see potential in discarded sewn boats. The problems, raw materials used, technology, and process of re‐sewing and repairing these boats to give them a second life are reported and discussed here. 相似文献
This article argues that Elizabeth Gaskell’s historical novel Sylvia’s Lovers (1863) uses nostalgia as a literary aesthetic and historical context to articulate a narrative of disorientating epochal change. Gaskell’s novel draws on nostalgia’s roots as a psychosomatic disease afflicting soldiers displaced by international conflicts to reassert the traumatic roots of a familiar feeling often understood as superficial and insignificant. Nostalgia began as a disease brought on by migration and only later came to be thought of as a type of sentimental memory; first home was far away and then it was long ago. Gaskell’s novel incorporates both, mingling longing for a place with longing for a past. This double distancing articulates an experience of transition within her historical novel. She draws on an eighteenth-century trope used by figures such as Jean-Jacques Rousseau and William Wordsworth, repurposed for the demands of prose fiction. The homesick soldier who was the first sufferer with pathological nostalgia is cast as the central protagonist of historical transformation and an emblem of uneasy transitions. Sylvia’s Lovers has received scant critical notice to date and, perhaps for this reason, its explicit allusions to nostalgia, and the role they play in Gaskell’s historical imagination, have been left entirely unremarked. 相似文献
Sound is very much a part of identity. While identities are neither singular nor stable, they can be expressed through sound in daily life. Scholars have used soundscapes in geography to understand urban environments within cities, rural national park systems, and provide musical insights into cultural landscapes. However, furthering discussion on the role of sound in identity can move concepts of soundscape and cultural landscape forward. The goal of this paper is to investigate how identity and culture, though they are dynamic, can be performed and stabilized through sound in particular moments and yet also exist banally. Soundscapes through both spoken language and music can give geographers further insights on identity and place. Sound can also show how non-dominant identities distinguish themselves from larger national identities. With research in Tamil Nadu, India and Cleveland, OH, this paper examines sound’s role in identity, belonging, and community through lived experience and performance. Focusing on intersections and tensions between soundscapes, this paper investigates how the Tamil soundscape is used to assert and perform identity. 相似文献