Revolutionary archaeology in Cuba

The Revolution of 1959 brought forth changes in the mission, theoretical orientation, and organization of archaeology in Cuba and created a role for, and constraints on, the profession that are unique in the Western Hemisphere. This paper draws upon examples from substantive field and laboratory research to examine the methods and theoretical perspectives of Cuban archaeology since the Revolution, focusing on the period from 1962 until the collapse of the Soviet Union. Archaeological practice during the Revolutionary period in Cuba has reflected the aims of the Revolutionary government, the influence of Soviet archaeology, the legacy of pre-Revolutionary approaches in North American archaeology, and the Cuban sense ofpatria.     

The culture history of Madagascar

Madagascar's culture is a unique fusion of elements drawn from the western, northern, and eastern shores of the Indian Ocean, and its past has fascinated many scholars, yet systematic archaeological research is relatively recent on the island. The oldest traces of visitors are from the first century AD. Coastal settlements, with clear evidence of ties to the western Indian Ocean trading network, were established in several places over the next millennium. Important environmental changes of both plant and animal communities are documented over this period, including the extinctions of almost all large animal species. Urban life in Madagascar began with the establishment of the entrepôt of Mahilaka on the northwest coast of the island in the twelfth century. At about the same time, communities with ties to the trade network were established around the island's coasts. From the fourteenth to the sixteenth century, social hierarchies developed in several regions of the island. During the succeeding two centuries, Madagascar saw the development of state polities.     

Alternative notions of sexuality and personhood: the case of Bal Gandharva

This article examines the meteoric rise and enormous popularity of a Marathi stage actor and singer, Bal Gandharva, in early twentieth-century western India. Gandharva was distinctive because he was a male artist who dressed and acted as a woman on stage and was adulated by both women and men for his powerful female roles. The article argues that Gandharva embodied ‘fuzzy’ boundaries between man and woman, drawing from indigenous traditions of gender fluidity. While maintaining strict boundaries between being a man in his personal life and a woman on stage, Gandharva tapped into alternative notions of masculinity. I argue that the adulation he experienced for his acting and singing as a woman points to transgressive possibilities in the otherwise conservative middle-class imagination and challenges what are colonial constructions of hyper-masculinity.     

Gazella (Bovidae,Ruminantia) remains from the Siwalik Group of Pakistan

Khan, M.A., Babar, M.A., Akhtar, M., Iliopoulos, G., Rakha, A. & Noor, T., November 2015. Gazella (Bovidae, Ruminantia) remains from the Siwalik Group of Pakistan. Alcheringa 40, xxx–xxx. ISSN 0311-5518.

New gazelle fossils are described from the Siwalik Group of Pakistan. The material includes horncores, maxilla and mandible fragments, and isolated teeth. The available samples are assigned to three Gazella species: Gazella sp. in the Lower Siwalik Subgroup (ca 14.2–11.2 Ma), and G. lydekkeri and G. superba in the Middle Siwalik Subgroup (ca 10.2–3.4 Ma). Based on a review of the Siwalik Group gazelles, G. padriensis is synonymized with G. lydekkeri. Gazella superba Pilgrim, 1939 sensu stricto is a large form and is a valid species of the genus in the Siwalik Group.

Muhammad Akbar Khan [akbaar111@yahoo.ca], Muhammad Adeeb Babar [babar_fcc2005@yahoo.com], Muhammad Akhtar [drakhtarfdrc@hotmail.com], Allah Rakha [babar.441@googlemail.com], Tuba Noor [akbar.zool@pu.edu.pk], Abu Bakr Fossil Display & Research Centre, Department of Zoology, Quid-e-Azam Campus, Punjab University (54590), Lahore, Pakistan; George Iliopoulos [borelakias@gmail.com], Geology Department of the University of Patras, Patras, Greece.     

Re‐sewing the Sewn: An Ethnographic Record of Repair and Reuse of Sewn‐plank River Boats in Goa,India

The tradition of fastening planked boats using sewing is characteristic of the Indian Ocean region. Despite known disadvantages of sewn boats, including that perishable materials need regular maintenance and repair, operators of boats used in the sand‐mining industry of Goa still see potential in discarded sewn boats. The problems, raw materials used, technology, and process of re‐sewing and repairing these boats to give them a second life are reported and discussed here.     

《艾登备忘录》与二战末期英国对藏政策

《艾登备忘录》是英国政府1943年制定的对藏政策。其内容延续了英国一贯主张的“宗主权”理论,并以“西藏自治”来要挟中国政府。古德使团依照此政策在拉萨鼓动西藏自治之后,英国外交部又决定反思其西藏政策,但遭到印度政府和印度事务部的反对。从总体来看,无论《艾登备忘录》的提出,还是英国对藏政策的波动,都是出于英国对华总政策的需要。     

Sound and identity explored through the Indian Tamil diaspora and Tamil Nadu

Sound is very much a part of identity. While identities are neither singular nor stable, they can be expressed through sound in daily life. Scholars have used soundscapes in geography to understand urban environments within cities, rural national park systems, and provide musical insights into cultural landscapes. However, furthering discussion on the role of sound in identity can move concepts of soundscape and cultural landscape forward. The goal of this paper is to investigate how identity and culture, though they are dynamic, can be performed and stabilized through sound in particular moments and yet also exist banally. Soundscapes through both spoken language and music can give geographers further insights on identity and place. Sound can also show how non-dominant identities distinguish themselves from larger national identities. With research in Tamil Nadu, India and Cleveland, OH, this paper examines sound’s role in identity, belonging, and community through lived experience and performance. Focusing on intersections and tensions between soundscapes, this paper investigates how the Tamil soundscape is used to assert and perform identity.     

The story of Comanche: horsepower,heroism and the conquest of the American West

Marked by the Census Bureau’s closure of the frontier; the symbolic end of American Indian resistance at Wounded Knee and powerful articulations on the ‘winning of the West’ from Frederick Jackson Turner and Buffalo Bill Cody, the early 1890s was a critical moment in the history of the American West. It also saw the death of one of the region’s most famous cavalry horses, Comanche, who succumbed to colic in 1891 aged twenty-nine. Famously billed as ‘the only living thing to survive the Battle of the Little Bighorn’, this article uses Comanche as a locus around which to examine the history of warhorses in the military culture of the American West, and, more broadly, to point towards a growing scholarship on war and the environment that emphasises the usefulness of such themes as spatiality and inter-species exchange in embellishing our understanding of the experience, impact and cultural memory of war. Not only does Comanche’s lifespan (c.1862–1891) usefully coincide with the federal government’s final conquest of the West but his equine biography serves as valuable testament to the use of horses in the US military as both practical and symbolic agents of American expansionism.