Recording and Analysis of Ship Graffiti in St Thomas’ Church and Blackfriars Barn Undercroft in Winchelsea,East Sussex,UK

Two assemblages of ship graffiti were recorded using Reflectance Transformation Imaging in the ancient port town of Winchelsea. The engravings show characteristics common to most medieval ship graffiti in England, while displaying different levels of detail, which encouraged a nuanced interpretation. It is suggested that the ship graffiti demonstrate a multifaceted relationship with the sea. The St Thomas’ church graffiti could have been a means of spiritual protection and a devotional practice that cuts across different communities of practice and social groups. The seascape in Blackfriars Barn undercroft can be interpreted as an occasion of informal remembrance of the mustering of a large naval fleet before setting out.     

Archaeological applications of polynomial texture mapping: analysis,conservation and representation

Polynomial Texture Mapping is an image capture and processing technique that was developed by HP Labs in 2000. It enables the recording and representation of subtle surface details using a standard digital camera and lighting, and software that is free for non-commercial use. Cultural heritage applications have been associated with the technology from its earliest stages, including examples in areas such as cuneiform, numismatics, rock art, lithics and Byzantine art. The paper begins by outlining the technical principles involved. It then brings together the extant work in the field. Through examples developed by the University of Southampton in partnership with a range of UK and international bodies it demonstrates the benefits of the technology in the areas of archaeological analysis, conservation and representation. Finally it considers the future possibilities of this technology and ongoing developments.     

Application of X-ray fluorescence imaging to ceramics from the American Southwest

We have used synchrotron-based X-ray fluorescence imaging (XRFI) to examine sherds of painted ceramics from prehistoric cultures of the American Southwest. These sherds are very well suited to XRFI analysis. Paints can generally be detected and distinguished by the fluorescence intensities of their constituent elements. Spatial maps of element distributions yield the spatial distribution of pigments. Pigments can be distinguished that are (or have become) visually similar; layers that have been obscured by overpainting can be examined; and pigment residues can be distinguished from surface contaminants deposited after painting and firing. As a result, XRFI allows the painted motifs to be clarified and hidden features to be revealed. Furthermore, the very rapid scanning and high sensitivity elemental detection possible with synchrotron-based XRFI facilitate measurements on large collections of sherds, allowing an integrative rather than anecdotal analysis.     

北京延庆岔道城明代城墙灰浆失效因素研究

古代砖砌墙体多用灰浆作为黏结材料,其老化失效是墙体损毁的重要原因之一.本文应用红外热成像仪、X-射线荧光分析仪、X-射线衍射仪和离子色谱仪等,分析了北京市延庆地区明代岔道城遗址灰浆及其保存环境状况,通过模拟老化试验探讨了影响其长期保存的主要因素,为此类砖砌墙体保护与维修提供依据.     

Radiologic proof for the Iceman's cause of death (ca. 5’300 BP)

A possible cause of death of the Iceman – a ca. 5’300 BP natural human glacier mummy from the Tyrolean Alps – is an intrathoracic stone arrowhead. The aim of this study was to prove radiologically his enigmatic cause of death. In August 2005, the Iceman underwent his first multislice computed tomography examination. As the main pathologic finding, the left dorsal subclavian artery contures shows a 13 mm-long part where the vessel wall is damaged and a 3 mm-long irregular pseudo-aneurysm – a typical complication of a laceration of the subclavian artery. In the surrounding soft tissue a large haematoma is visible. Historic records highlight the fatal destiny of subclavian artery injuries e.g. due to massive active bleeding and shock-related cardiac arrest. Therefore, the Iceman's cause of death by an arrowhead lacerating among others the left subclavian artery and leading to a deadly hemorrhagic shock can be now postulated with almost complete certainty, especially when taking the environmental (3’210 meters above sea level) and historic (5’300 BP) settings into account.     

CD ROM imaging in osteoarchaeology

This paper describes the potential use of CD ROM in osteoarchaeology. It describes what CD ROM is and how it works, how CD ROM disks are produced and how the technique could be used in osteoarchaeology. The hardware required, both to produce and access compact disks, is outlined together with approximate costs. The possible uses of the technique in osteoarchaeology are suggested. Costs for the hardware are reasonable. However, collaboration between organizations will be essential.