Working with images and texts: Elio Vittorini’s Il Politecnico

Il Politecnico (1945–47) is the most relevant Italian cultural journal in the immediate aftermath of WWII. It is also the most anomalous; the systematic integration in its graphic layout of textual and visual elements made it more similar to the illustrated magazines of the time than to other cultural journals. The choice to present highbrow contents in a graphic layout associated with popular mass media served to complicate the already tricky relationship between the editor – the writer Elio Vittorini – and the intellectuals working in the cultural agencies planning the journal: the Italian Communist Party and the publishing house Einaudi. A reconstruction of the intellectual network surrounding Il Politecnico and of how it began shrinking during the months of its lifespan shows how this conflict developed and finally led to its closure.     

From Risorgimento to Il Politecnico: impegno and intellectual networks in the Einaudi publishing house, 1945

The article unveils the (dis)continuities between two post-WWII journals, Risorgimento and Il Politecnico, both published by Einaudi in 1945. By reassessing the publishing history of Risorgimento from a genealogical perspective, the article aims to chart the evolutions of the then current intellectual debate on impegno. Specifically, by analysing the relevant contributors’ correspondence and the essays that were published in the journals, the article examines the journals as sites of networking but also tension between different intellectual habitus. This will illuminate not only how the two editors-in-chief (Salinari and Vittorini, respectively) took different positions in relation to both the literary field and the PCI (Italian Communist Party), but also the opposition of editorial staffs – based, respectively, in Rome and in Milan – in relation to the publisher Einaudi.     

Fabio Luca Cavazza,the New Frontier and the opening to the left in Italy

This article focuses on the key role played by Fabio Luca Cavazza, founder of the publishing house Il Mulino, in the development of cultural relations between the US and Italy in the early Cold War by drawing on Cavazza’s personal papers, an as yet unexplored archival source. The Department of State and the Eisenhower administration opposed a government that included the Socialists. However, thanks to the special relationship he had with the ‘New Frontier’s men’, in particular Arthur Schlesinger Jr., Cavazza was able to revive the issue, showing how it was in line with Kennedy’s New Frontier policy.