Die Fotografie – ein neues Bildmedium im Wissenschaftspanorama des 19. Jahrhunderts. Einführung in das Symposium

Photography – a novel medium of scientific representation in the XIXth century array of arts and sciences. To delve into various nineteenth century academic disciplines under the heading ‘photography in the arts and sciences’ as did last year's annual conference of the History of Science Society – the interest in such a topic only partly stems from the ‘iconic turn’ that has generally enlarged the scope of the social sciences in recent years. A more poignant feature in any such present day study will probably be a basic scepticism facing the fact that in public use photographs have been manipulated in many respects. Yet, while shying away from any simple success story, a historically minded approach to changing ‘visual paradigms’ (Historische Bildwissenschaft) has begun to emerge. In this context, it has proved of considerable heuristic value to reconsider the role of early photography in an array of science, arts and technology: Since the reliance on the traditional ways of sketching reality persisted, in many an instance where photography was introduced, the thoughts the pioneer photographers had about their new, seemingly automated business, call for close attention. Thus scholarship sets up a parallel ‘discussion room’; the lively debate on the benefit of academic drawings as opposed to photographic portraits is a case in point. Some fairly specialised reports on photographically based analyses, such as electron microscopy, point to a borderline where the very idea of representation as a correspondence of reality and imagination gets blurred. Even though any ‘visual culture’ will have to shoulder the ‘burden of representation’, it is equally likely that it will offer a deeper sensibility for the intricacies entailed in the variegated ways of illustrating or mapping chosen subjects of scientific interest. Scholarship may thus somewhat control the disillusionment that by now has become the epitome of writing on photographic history. Provided with a renewed methodological awareness for the perception process and its photographic transition, historians may strike a better balance between the ever present tendencies of a realistic and an aesthetic way of picturing the world we live in.     

Was zählt der Preis? Dogmengeschichte und Wissensgeschichte der Ökonomie

What’s in a Price? History of Economic Ideologies vs. History of Economic Ideas. This paper suggests applying the approach of a historical epistemology to the field of economics. We observe that an assumedly fundamental opposition between the market and the state dominates popular images of the history of economic ideas. Two conflicting ideologies are roughly assigned to the two opposing sides in the Cold War. To this historical narrative the paper opposes a different view. The argument is that when taking the technical practices of economic knowledge production in the twentieth century into view, similarities abound across ideological ruptures. The chief characteristic change in the recent history of economics was a radical turn towards quantification, measurement, and mathematical modelling. A historical epistemology of economics could show how deeply both, admirers of the state and of the market, share a history. The paper concludes that to-date critique of political economy should also take into consideration a critical perspective towards the unfolding of this measurement revolution in the social sciences.     

Folgen der Emigration deutscher und österreichischer Wissenschaftstheoretiker und Logiker zwischen 1933 und 1945

The paper begins by delimiting the scope of ‘logic’ and ‘philosophy of science’ and goes on to present the biographies and select bibliographies of 36 émigré scholars from Germany and Austria working in these fields. An evaluation of this material, and of data on societies, congresses, lecture series, books and periodicals on logic and philosophy of science, is then undertaken. Against the rich background of activity in the 20s and 30s of our century, there is manifest a rapid decline of high-ranking research in the philosophy of science and (to a lesser degree) in logic in Germany and Austria. Since, with one exception, émigré logicians and philosophers of science did not return after the breakdown of the Third Reich, recovery in these fields has been extremely slow. Pertinent knowledge had to be re-imported, and a satisfactory level has been reached only with the coming of a new generation.     

Popul?r oder elit?r? Anmerkungen zum Kulturbegriff in der Geschichtswissenschaft

While the Historische Kulturwissenschaft (new cultural history) is introduced as a new way of writing history the question has to be answered what Kultur (civilization) means or how it should be interpreted. The paper deals primarily with the special German notion of ‘Kultur’. The distinction between ‘intension’ and ‘extension’ is made and contrasted with both the narrow and the wide concept of ‘Kultur’. Writing history as new cultural history is shaped at least by five aspects: space, perspective, language, acting and time (particularly memory) which are discussed in this thesis. The intension of ‘Kultur’ in Historische Kulturwissenschaft leads to popularisation. The sense of the popular approach to history emphasizes modality in the conception and writing of history.     

Zur Historisierung der Staatswissenschaften Von der Kameralistik zur historischen Schule der Nationalökonomie

At the beginning of the nineteenth century the mostly practically orientated and speculative patterns of economic theory of the eighteenth-century cameralists result with interrupted (but on the whole remarkable) traditional bands in the German Historical School of National Economy, which prevailed most of the German universities after 1870. This school of thought developed, although in the Germany of the beginning nineteenth century the cameralist encyclopedias and the reception of traditional theories of economic liberalism declined. The school of National Economy proved to be determined by traditional professional impacts (training of government officials), regional differences and specific regional changes of the English model, by the historical attitude of National Economy in relation to the arts sciences - this was however not a defined economic science concerning method and contents -, and by continuing the aims of a welfare state within late industrialized authoritarian governments.