WHO SUFFERED FROM THE CRISIS OF HISTORICISM? A DUTCH EXAMPLE

Was the crisis of historicism an exclusively German affair? Or was it a “narrowly academic crisis,” as is sometimes assumed? Answering both questions in the negative, this paper argues that crises of historicism affected not merely intellectual elites, but even working‐class people, not only in Germany, but also in the Netherlands. With an elaborated case study, the article shows that Dutch “neo‐Calvinist” Protestants from the 1930s onward experienced their own crisis of historicism. For a variety of reasons, this religious subgroup came to experience a collapse of its “historicist” worldview. Following recent German scholarship, the paper argues that this historicism was not a matter of Rankean historical methods, but of “historical identifications,” or modes of identity formation in which historical narratives played crucial roles. Based on this Dutch case study, then, the article develops two arguments. In a quantitative mode, it argues that more and different people suffered from the crisis of historicism than is usually assumed. In addition, it offers a qualitative argument: that the crisis was located especially among groups that derived their identity from “historical identifications.” Those who suffered most from the crisis of historicism were those who understood themselves as embedded in narratives that connected past, present, and future in such a way as to offer identity in historical terms.     

THE VIRTUE OF A HISTORIAN: A DIALOGUE BETWEEN HERMAN PAUL AND CHINESE THEORISTS OF HISTORY

This article reflects on the role of scholarly virtues in the Chinese theory of history and compares it with the recent approach proposed by Herman Paul. The first three parts reconstruct what might be called a “Chinese virtue epistemology of history,” starting from Confucian views on sincerity in writing history and then turns to concepts of an “unbiased mind” and the “responsibility of a historian.” The latter ideas were developed by Zhang Xuecheng (1738–1801), who introduced the concept of “the virtue of a historian (shide),” treating it as a sympathetic understanding toward the narrated characters. Interpretations of shide changed along with modern Chinese theorists of history, some of whom elaborated on it in the positivist manner. Thereafter, the article outlines Paul's view on the function of epistemic virtues in the formation of “historical persona.” In the summary, I will draw upon the main similarities and differences between Paul's position and the traditional Chinese view in order to point out the main directions for further research on this topic.     

Boerhaave's Furnace. Exploring Early Modern Chemistry through Working Models

This article discusses the (re)construction and use of an Early modern instrument, better known as Herman Boerhaave's (1668–1738) little furnace. We investigate the origins, history and materiality of this furnace, and examine the dynamic relationship between historical study and reconstructing and handling an object. We argue that combining textual analysis with performative methods allows us to gain a better understanding of both the role of lost material culture in historical chemical practice, pedagogy, and knowledge production, and provide a deeper understanding of the embodied experiences and knowledge of historical actors. Having made and used two versions of Boerhaave's furnace, we provide insight in what present-day working models can tell us about historical materials and practices approximately three centuries ago.     

The Genealogical Society Library of Salt Lake City: A Source of Data for Economic and Social Historians

Abstract. Some important novelists have written a great novel early in their careers and have produced lesser works thereafter, whereas others have improved their work gradually over long periods and have made their major contributions late in their lives. Which of these patterns a novelist follows appears to be systematically related to the nature of his work. Conceptual writers typically have specific goals for their books, and they produce novels that emphasize plot; experimental writers' intentions are often uncertain, and their novels more often stress characterization. By examining the careers of 12 important modern novelists, the author demonstrates that conceptual novelists—including Herman Melville, F. Scott Fitzgerald, and Ernest Hemingway—are generally those who have declined after writing landmark early novels, while, in contrast, experimental novelists—including Charles Dickens, Mark Twain, and Virginia Woolf—have typically arrived at their most important work later in their careers. As is the case for modern painting and poetry, the ranks of great modern novelists have included both conceptual young geniuses and experimental old masters.     

“A Different Kind of Theo-Politics: Abraham Joshua Heschel,the Prophets and the Civil Rights Movement”

ABSTRACT

This paper explores the sharp differences in the understanding of the Hebrew prophets by theologians, Jewish and Protestant, in Germany and the United States, with a particular focus on their invocation of prophetic teachings in relation to social and political movements. The sharp denigrations of the prophets – described as ecstatics (Gunkel) or rural naifs (Troeltsch) rendered the prophets useless as figures of inspiration in Germany in relation to racism, colonialism, and WWI. By contrast, the prophets have played a crucial role in American civil thought, especially in the Civil Rights Movement. The distinctive and influential interpretation of prophetic consciousness developed by the German-American Jewish theologian Abraham Joshua Heschel is examined for its parallels with the prophetic theology of Martin Luther King, Jr., and the political ramifications of Heschel's link between prophetic revelation and political leadership.     

Believing in the USA: Derrida,Melville and the Great American Charlatan

ABSTRACT

This essay considers the relationship between the prophet and the charlatan, particularly as they figure in the contemporary American political landscape. It argues that at moments of democratic political crisis these figures arise and reveal the vacancy of sovereignty within the democratic model. The essay treats Herman Melville’s The Confidence-Man along with Jacques Derrida’s writings on democracy and the apocalyptic tone as resources in this endeavor. It considers as well why recent worries over the status of facts in the era of “fake news” have led to critiques of deconstruction.