Lessons in Seeing: Art,Religion and Class in the East End of London, 1881–1898

In 1881 the Reverend Samuel Barnett, Anglican incumbent of St Jude's Church, Whitechapel, established the Whitechapel Fine Art Exhibitions with his wife Henrietta. These quickly became an important part of the parochial programme ofSt Jude's. The Barnetts followed the art theories of John Ruskin and Matthew Arnold and argued that exhibiting famous and beautiful paintings would revive the spirituality of poor East Enders. In order to test this theory, they introduced the practice of ‘Voting for Your Favourite Picture’. The result, however, did not bear out straightforwardly the Barnetts' belief that paintings are ‘Windows into the other World’. The gap between the intended outcome and the actual reception of the Whitechapel Exhibitions reveals that, although they may not have adopted the Barnetts' religious aestheticism, working-class visitors were keen to engage with art on their own terms.     

Cora Du Bois,Henrietta Schmerler,and the Role of Women in Mid-Twentieth Century American Anthropology

Cora Du Bois (1903–1991) achieved distinction in anthropology and the U.S. government—including leadership roles in the Office of Strategic Services and the State Department, a professorship at Harvard, and the presidency of the American Anthropological Association. Her contemporary, Henrietta Schmerler (1908–1931), suffered rape and murder while conducting her first summer of ethnographic fieldwork. Despite these stark differences, when taken together, Schmerler’s and Du Bois’s careers and reputations shed light on sexism and homophobia in and around the discipline, changing approaches to fieldwork and cultural analysis, and the political and public contexts of American anthropology in the mid-20th century.