Neutron activation analysis of stone from the Chadron Formation and a Clovis Site on the Great Plains

Cryptocrystalline silicates from the Chadron Formation were widely used by prehistoric human groups in the Great Plains of North America. There are two documented quarry areas: Flattop Butte in Colorado and the White River Badlands of South Dakota. Cryptocrystalline silicates from these sources are visually indistinguishable, making it difficult to determine the sources of artefacts found at archaeological sites. In this investigation, neutron activation analysis is used to distinguish the two sources. This technique also identifies lithic material from the Clovis-age Eckles site in Kansas as being from Flattop Butte.     

Bringing Chinese Law in Line with Western Standards? Problematizing “Chinese” and “Western” in the Late Qing Debate over the New Criminal Code of Great Qing

This article examines the intense debates over the New Criminal Code of Great Qing (Da-Qing xin xinglü) in the National Assembly (Zizheng yuan) during the Qing empire’s New Policy Reform (1901–11). The focus is on the conflict between those who drafted and supported the new code and those who expressed reservations, especially over reform of the laws on filial piety and fornication. The issue of reconfiguring the family and social order through law was closely related to the overarching agenda of twentieth century legal reform in China—making an empire that “ruled through the principle of filial piety” into a modern nation-state that had direct relationships with its citizens. More importantly, an analysis of the late Qing debate over family law enables this article to problematize such concepts as “Chinese” and “Western” during this crucial moment of China’s empire-to-nation transformation. It showcases the paradox of China’s modern-era reforms—a contradiction between imposing Western-inspired order with a largely indigenous logic and maintaining existing sociopolitical order in the name of preserving national identity.     

Doing Great Basin archaeology recently: Coping with variability

Great Basin archaeologists spent the 1970s and most of the 1980s tearing down the Desert Culture hypothesis without presenting compelling means for dealing with the empirical variability that made it untenable. Recent research seeks to understand this variability by examining the effect of key variables in extreme environmental contexts, especially in wetlands and at high altitudes, and by developing and refining models of optimality that anticipate variability as the local expression of general evolutionary ecological principles. Research on intraregional and ethnic variability has lagged behind—the former because it is said to be costly, the latter because it is problematical in theory.     

Diasporic identifications: exile,nostalgia and the Famine past in Irish and Irish North-American popular fiction, 1871–1891

During the nineteenth century, “exile” became a key term to describe the Irish-diasporic community in North America. More recently, scholars in the fields of diaspora studies and Irish studies have described this community as a “victim diaspora” with connotations of forced expulsion, exile, and nostalgia for the homeland. Moreover, among scholars and within the Irish-American community, the notion exists that the Great Irish Famine (1845–1851) constitutes the Irish-American “charter myth”, that it was the starting point of an Irish-American identity. This article sheds a different light on these (self-)identifications by discussing the concepts of origin myth, exile and nostalgia and also considers the concept of diasporic belonging in the context of Irish and Irish North-American works of popular “Famine fiction” written between 1871 and 1891. Consequently, the impact of these late nineteenth-century literary considerations on present-day conceptualisations of the Irish-American community as a victim diaspora are discussed.     

The Sherwood Foresters of 1916: memories and memorials

ABSTRACT

This paper examines the memorialisation of the Sherwood Foresters who fought during the Easter Rising of 1916 in Dublin. These men, from Nottinghamshire and Derbyshire in the English midlands, suffered the greatest casualties of the British regiments involved in the insurrection, and participated in the firing squads that executed the rebel leaders. Yet the public and artistic memorialising of these English soldiers is not widely known, and this interdisciplinary paper seeks to tell the unfamiliar story of what happened to the Sherwood Foresters after the fighting of Easter Week ceased. We use archival material in order to explore how, at the time of the Rising, these men believed that they would be remembered. We examine the way that the Sherwood Foresters of Easter Week subsequently appeared in literature and drama. And we analyse the way that those soldiers have been commemorated in funerary memorials.     

‘As imperialistic as our masters’? Relations between British and Irish communists, 1920–1941

ABSTRACT

Soon after its formation, the Communist Party of Great Britain (CPGB) was tasked by the Communist International with assisting their Irish comrades to develop their organisation. This article outlines the relations between British and Irish communists from 1920 to 1941 and argues that, notwithstanding the selfless work of some British communists, the CPGB on the whole exhibited a patronising and paternalistic demeanour towards the Irish that failed to consider the latter’s perspective on an equal footing to its own, even in their own affairs. This attitude, combined with its position within the heart of the British Empire, is indicative of ‘cultural imperialism’.     

New Philadelphia: using augmented reality to interpret slavery and reconstruction era historical sites

Does a historical site lose its significance or become less worthy of interpretation if there are no surviving buildings? Can technology help present the stories of disadvantaged and disenfranchised groups whose heritage lacks well-preserved architecture or material culture? The emerging technology of augmented reality (AR) offers new ways of designing and shaping the public’s experience when visiting landmarks by enabling an unprecedented means to combine 3D historical visualization with historical landmarks. This especially applies to underrepresented groups whose heritages have not been well served by traditional modes of preservation and interpretation due to a variety of factors. These range from disadvantages relating to material culture to a greater emphasis on intangible heritage which have placed them outside the bounds of what archaeologist Laurajane Smith calls authorised heritage discourse. A project at the New Philadelphia National Historic Landmark, located in Pike County Illinois, seeks to address these issues through AR. The technology, while offering opportunities for historical interpretation, poses challenges in terms of designing AR systems that coordinate content presentation with specific locations as well as developing virtual historical content with varying levels of source materials.     

Railway Architecture: The Great Northern Railway (Ireland) at Dundalk

ABSTRACT

This article is adapted from the dissertation ‘Railway Architecture: The Great Northern Railway (Ireland) at Dundalk’, completed by Siobhan Osgood for the MPhil in Art History: Art + Ireland, where it was awarded a distinction. The study provides an historical analysis in the context of architectural development and broader railway culture in Ireland to provide an interpretation and understanding of the use of polychromatic yellow, red and black brickwork to create a visual identity for railway architecture. The use of accented colours to pick out key features is repeated across a series of buildings, thus creating a distinctive style of ‘brick-branding’. These are most prominent in the town of Dundalk, where the GNRI had its central engineering works at the halfway point on the Dublin to Belfast mainline and at the point where the Irish North line extended west and north. The buildings were each intricately designed by the GNRI's first chief engineer, William Hemingway Mills, a second-generation railway engineer who merged the roles of architect and engineer using an amalgamation of architectural designs from his earlier career in Derby, Scotland, Mexico and Spain. Mills thus created his own ‘Millsian’ style of industrial architectural design.     

What Remains: Repatriating and Entombing a Canadian Unknown Soldier of the Great War in the Nation’s Capital

This article chronicles and contextualizes the creation of a Tomb of the Unknown Soldier in Canada’s capital. In so doing, it traces the myriad considerations, as well as complexities — political, procedural, and practical — that abounded in bringing this major memorial installation into being, namely the repatriation, from a Commonwealth War Graves Commission cemetery in France, of a Canadian unknown soldier of the Great War and his ceremonial reburial in Ottawa. Moreover, it argues that the Tomb of the Unknown Soldier, situated within an existing monumental space, functions, in the coinage of geographer Owen Dwyer, as an allied symbolic accretion to the National War Memorial.     

The Awkward Squad: Arts Graduates from British Tropical Africa Before 1940

ABSTRACT

Before the Second World War, most Africans from British Tropical Africa who studied abroad were seeking qualifications in three professions: law, medicine and the Church. In all these, they could be reasonably sure of employment on their return. True, government employment was problematic, but law and medicine did offer the alternative – often more lucrative – of private practice. Much more threatening to colonial authority were arts students: those who read philosophy, literature, politics or sociology. This article focuses on several men who graduated in Britain or the USA: Kobina Sekyi, J.B. Danquah, James Aggrey, Bankole Awoonor-Renner (Gold Coast); Eyo Ita, Nathaniel Fadipe, Nnamdi Azikiwe – and his (mostly Igbo) protégés (Nigeria); Hosea Nyabongo, Balamu Mukasa, Ernest Kalibala (Uganda); Peter Koinange (Kenya). It concludes by surveying the career of Nicholas Ballanta-Taylor (Sierra Leone), who studied music in New York and in 1927 won a fellowship from the Guggenheim Foundation for musicological research in Africa. Of these pioneer African Africanists, four wrote successful doctoral theses, Azikiwe published an academic study. Aggrey and Fadipe died prematurely. Danquah applied his intellect to essentially non-academic pursuits. Ballanta, worked as a practical musician in the 1930s, but his African research remains virtually unpublished.