Der erste Europäische Straßenatlas

ABSTRACT

Imitations of famous Dutch wall maps originally produced in Amsterdam by F. de Wit and W. J. Blaeu have recently been rediscovered in Italy. In Bologna, in the archive of Opera Pia dei Poveri Vergognosi, is a set of Blaeu's four wall maps of the continents, engraved on new plates by Pietro Todeschi and published by Giuseppe Longhi. The value of the discovery lies in the completeness of the exemplars, which also bear the publisher's imprint and date of publication, hitherto unknown: Europe 1677; Africa 1678; Asia 1679; America 1679/1680(?). An undated version of de Wit's world wall map, also published by Longhi, has come to light in the same archive. A copy of the same map, this time published by Giovanni Giacomo de' Rossi in Rome in 1675, was then found in Modena in the Seminario Metropolitano. Comparison of the two copies has provided a date for Longhi's undated issue; Longhi's map came after de' Rossi's, that is after 1675.     

通景画与郎世宁遗产研究

通景画是乾隆朝中西艺术交流的顶峰,但直到近年才有人开始对其进行深入的研究。耶稣会士、意大利画家郎世宁在完善这些非同寻常的作品中起了至关重要的作用,尤其是将中国传统绘画母题、审美趣味与欧洲富有纪念性的奇幻绘画相结合。尽管郎世宁在通景画创作方面享有盛誉,但并非所有的通景画都是由其独立完成,其中许多是由他的学生创作,但这些人的生平却鲜为人知。     

郎世宁与他的中国合作者

本文在以表格形式梳理清代意大利来华耶稣会士画家郎世宁与其十位中国合作者的工作内容、时间之外,简要探讨了他与其中几位合作者之间的微妙关系,这不仅可从一个侧面展现出郎世宁在华期间的工作、生活以及交游情况,同时也有助于我们客观看待和把握其在皇帝眼中的地位及在中国的整体处境。     

Local government and the meanings of political representation: A case study of Bologna between 1860 and 1915

Since the early nineteenth century political opposition became a central concept of political representation in constitutional monarchies. While this concept marked the political language of unified Italy on the national level, in local administration the legitimacy of political opposition remained an issue of dispute, as illustrated in this analysis of the political language in Bologna's local council. Local perceptions of national events, like the government's reaction to Garibaldi's unsuccessful Mentana-campaign, assumed major symbolic meaning in local politics and challenged traditional understandings of municipal administration by introducing the concept of political opposition. In Bologna, after Rome the second city of the former Papal State, the Moderates were able to grow into a position of political hegemony after the Unification of Italy and remained the predominant political force also after Italy's “parliamentary revolution” of 1876 and the electoral reforms of the 1880s. As a consequence of its limited influence on the local administration, Bologna's Left defined its ideological profile earlier and more clearly than the Left in other parts of Italy and integrated issues of national importance into local political discourse. Analysing the relationship between central administration and periphery, the article reveals the development of political language and the changing meanings of political representation between Unification and World War One and explains on this basis the escalation of social and political conflict in Finesecolo Italy.     

Thought and action? Perspectives on Mazzini and Garibaldi on the bicentenaries of their births

Abstract

The introduction provides a context for the six papers that were presented at two different symposia marking the birth bicentenaries of Giuseppe Mazzini and Giuseppe Garibaldi. The papers, revised for publication, address specific contributions made by these two founding figures of the modern Italian nation to the history of the Risorgimento, the ideologies of republicanism, democracy and nationality. The papers also make room for a discussion of their contrasting political modes, and look at their politics before and after Italy's political unification in 1860–61. The comparative approach highlights differences and similarities between Mazzini's and Garibaldi's political strategies and illuminates the choices available to those who wanted to unify the peninsula. The broad themes around which these papers are organized restore to these two figures the broad cosmopolitan dimensions that made the Risorgimento a movement of global impact.     

谈清宫皇帝后妃油画半身像

油画对于中国来说是一个外来的画种,经过美术史家多年的努力,它东传的时间和途径已然大致明确。但研究中还是有很多缺环。近些年来对清朝宫廷绘画实物及相关资料的发现,为欧洲油画东传的过程提供了更多的信息。本文通过对流传至今的清宫油画作品进行梳理,提出一些想法,或可补充关于"西画东渐"的叙述。     

Italian universities,Fascism and the promotion of corporative studies

This article deals with a specific aspect of the development of corporativism as ‘unofficial’ doctrine of Fascist Italy: its presence in Italian universities. It argues that corporatist schools followed the fortune of the ideals they were called to represent, which were definitely eclipsed by the mid-1930s, when the economic crisis called for more direct and effective forms of state intervention in economic life. In the universities, the rise of corporativism as a specific field of study, and the broader project of creating an ideologically educated future ruling class, challenged the domination exercised by the powerful faculties of law in particular, which traditionally were the key paths for access to the legal profession and the civil service. The resistance of the conservative university establishment meant that the plans to promote corporatist curricula had failed well before the fall of the regime, but many of those appointed to teach Corporative Studies under Fascism maintained their academic positions in Italy's ‘de-Fascistized’ post-war law faculties, and made innovative contributions to Italian social and economic thought.     

Maps,Painting and Lies Portraying Napoleon's Battlefields in Northern Italy

A comparison of Giuseppe Bagetti's landscape sketches, watercolours, oil paintings and engravings with contemporary maps and the existing landscape reveals that in the creation of Bagetti's landscapes, narrative played a role that differed in cartographic and artistic representations. The comparison also demonstrates that his images were powerful constructions that were more successful in reflecting a narrative of glorious conquest than was possible through cartography. This paper offers a critical examination of Bagetti's representations of Napoleon's northern Italian campaign, which he sketched and painted between 1802 and 1809. Bagetti's paintings were neither pacifist nor an expression of Piedmontese patriotism but instead were inspired by, and constructed according to, a narrative about the conquest that reflected the views of the French authorities. The narrative found expression in formal written instructions from the central cartographical office in the Dépôt de la guerre, Paris, in verbal and written instructions from Bagetti's immediate superior, Jean François Martinel, and in letters personally addressed to Bagetti from the officer commanding the Dépôt. It is clear from a careful reading of the correspondence and from a comparison of Bagetti's paintings with both the present landscape and maps made at the time that Bagetti's disputes with his supervisors revolved around protecting his artistic integrity and reputation rather than resisting the authority of a foreign regime.     

The body speaks Italian: Giuseppe Liceti and the conflict of philosophy and medicine in the Renaissance

Giuseppe Liceti (d. 1599) has been entirely forgotten in the history of philosophy. This article seeks to demonstrate that Liceti’s two vernacular dialogues are crucial sources for understanding the Renaissance debate on the conflict between medicine and philosophy. Liceti’s main dialogue, La nobiltà (1590), stages a contest about the nobility of the main bodily organs, which I discuss by placing it in its medical and literary context. I then proceed to expounding Liceti’s interpretation of the conflict between Galenism and Aristotelianism, and trace the specific topic of the seat of rationality in the body. In the conclusion I claim that the outcome of the contest in La nobiltà is not as obvious as it might seem, and that Liceti implies an alternative conclusion to the “official” one. This opens up a different scenario with regard to the interpretation of human uniqueness from medical and philosophical points of view.