The Judgment of God and the Immeasurable: Political Theology and Organizations of Power

Abstract

This article considers how political theologies understand and organize power. It begins with an axiomatic understanding of politics as concerned with the organization of power. This understanding of politics requires a theological inquiry, as it is concerned with questions of piety and belief that underlie and direct power within these conscious organizations. It then provides a survey of three dominant forms of political theology: liberal political theology, exemplified by John D. Caputo; conservative political theology, exemplified by John Milbank; and political anti-theology, exemplified by Gilles Deleuze and Félix Guattari. It ends by way of a speculative account of a political non-theology, based on the non-philosophy of François Laruelle, that makes each of these political theologies relative to the immeasurable itself and thus turns them into simple material that may be used to construct relative different organizations of power with greater situational efficacies.     

The Little Nyonya and Singapore’s national self: reflections on aesthetics,ethnicity and postcolonial state formation

Singapore’s postcolonial state formation process has combined the appeal/distress of a multiracial society with the nationalistic pride of economic development. In recent years, the city-state has witnessed a revival of Peranakan culture and history, referring to the descendants of early Chinese immigrants who integrated into Indigenous societies before becoming prized mediators for British colonisers in the nineteenth and twentieth centuries. We question how these references are strategically deployed as part of the process of postcolonial state formation and how their aesthetic representations support public discussions and debates about what defines contemporary (Chinese) Singaporean identity. By examining Peranakan representations in the television series The Little Nyonya from a Deleuzian perspective, it will be argued that Peranakan history and culture are mobilised to de-territorialise previous meanings of national ethnic markers, specifically Chineseness, and to re-territorialise a local sense of Indigeneity. In reaction to concerns over Mainlander identity, representations of Peranakan culture and history in The Little Nyonya support the indigenisation of a specific Chinese identity that is accessible to all Singaporeans, offering an aesthetic framework in which the ongoing process of negotiating between Singapore’s national self and other unfolds.     

WRITING THE HISTORY OF SPINOZISM

In this essay I reflect on Knox Peden's Spinoza contra Phenomenology, a history of French rationalist Spinozism in the mid‐twentieth century. The book marks an important intervention in modern French and European intellectual history, depicting the importance of Baruch Spinoza's thought in the negotiation of and resistance to the phenomenology that captivated much of twentieth‐century French intellectual life. With philosophical and historical sophistication, Peden tells the story of several relatively overlooked thinkers while also providing substantially new contexts and interpretations of the well‐known Louis Althusser and Gilles Deleuze. While accounting for Peden's major accomplishment, my aim is also to situate his work among a number of recent works in the history of Spinozism in order to reflect on the specific methodological questions that pertain to the widely varying appropriations of Spinoza's thought since the seventeenth century. In particular, I reflect on Peden's claim that Spinoza's thought cannot provide an actionable politics, a claim that runs counter to nearly two centuries of leftist forms of Spinozism. I offer a short account of some of the ways that theorists have mobilized Spinoza's thought for political purposes, redefining “action” itself in Spinozist terms. I then conclude by reflecting on the dimensions of Spinoza's thought (and recent interpretations of it) that make it possible for such significantly different claims about its political potential to be credible.     

Radical Political Theology

Abstract

This essay investigates the claim, advanced by a number of contributors to Theology and the Political, that the potential for political transformation requires an analogical ontology. I argue that this is not the case, and that an ontology of immanence, as found primarily in the work of Gilles Deleuze, provides an alternative and superior paradigm for political transformation. This argument is advanced by examining the manner in which immanence enables a novel approach to creation. Such immanent creation is distinct in that it departs from analogy's dependence on the transcendent as well as from capitalism's dependence on communication.     

Transcendence and Apocalyptic: A Reply to Barber

Abstract

This essay takes up Dan Barber's challenge to think Christian theology non-analogically. It does so by re-affirming and re-conceiving transcendence according to a kind of apocalyptic exigence. Apocalyptic transcendence, it is argued, occurs according to a mode of action that is irreducible either to the univocal production of pure immanence, or to the analogical mediation of transcendence within immanence. Rather, apocalyptic transcendence is operative as a mode of action by which immanence is suspended and the territorial conceptions of this-worldly sovereignty are denied. Through engagement with the work of John Howard Yoder, it is argued that apocalyptic thus gives way to doxology as that mode of engaged and embodied action that alone exceeds the presumed need for effective ontological production.     

Trance and visibility at dawn: racial dynamics in Goa’s rave scene

The geography of music has recently turned to questions of embodiment and materiality to account for the sensuous specificity of music. Extending this work, this article emphasizes the constitutive work that embodied experience of music and space does for social differences such as race and gender. It criticizes what is perceived as a limited conception of embodiment in non-representational theory. Using ethnographic evidence from the rave tourism scene in Goa, India, it is argued that precisely during the scene's most mystical and hedonistic moments (what will be called the ‘morning phase’), racial dynamics are at their starkest. It is crucial to understand that racial difference is emergent and not automatic. The article then suggests a Deleuzian musicology which conceives music not as form, language or ideology, but as force. Accounting for the richness of musical materiality involves examining the networks of power and inequality through which it necessarily operates.     

Further Forms of Faithfulness

Abstract

In light of recent rehabilitations of the theological doctrine of creation ex nihilo by Jean-Luc Nancy, Slavoj Zizek and others, the present essay examines whether that doctrine can or cannot be a resource for the critique of capitalism. Agreeing with Nancy and Zizek that the doctrine can be of use in the critique of capitalism, the essay takes up their discussions and adds to them by analyzing the relationship between the doctrine and Marx's treatment of human agency and capitalism. By situating Marx's philosophy in relation to Aristotle's and Hegel's discussion of the infinite, I contend that, despite Marx's overt rejection of creation ex nihilo, human activity is conceived by him according to it, and that capitalism, as he presents it and as supplemented with Nancy and Zizek, can be understood to be a "decreation" of the worldhood of the world.     

Erschöpfte Literatur. Über das Neue bei Samuel Beckett

Exhausted Literature. The Emergence of the New in Samuel Beckett's Novels and Plays. The article investigates literary subjectivity in some texts by Samuel Beckett. The article proceeds by relating the ways of how narration and speech acts constitute literary subjectivity to the problems of subjectivity that scientific investigations deal with. While successful self‐regulation of the organism nourishes the roots of subjectivity, i. e. the habits, subjectivity decomposes in states of exhaustion, when self‐regulation breaks down. As soon as a certain threshold is transgressed, fatigue sets in, alters the personality and eventually leads to exhaustion – a state, which psychiatrists compare to mental illness. Notwithstanding the different explanations given, scientists agreed about the effects of exhaustion. According to their investigations, the decomposition of personality by exhaustion generally does not involve apathy, withdrawal from activity or termination of movements, but rather mere action. Similarly, in Beckett's novels and plays exhaustion is much more than tiredness, as French philosopher Gilles Deleuze observed. For Beckett, exhaustion is rather the model for both literary innovation and a new concept of subjectivity, which he explores on the basis of a detailed knowledge of physiology, psychology, and psychiatry, but using his own literary means. The exhausted subject is beyond any calculus of activity. It will perform an activity even if he or she makes mistakes or loses control, and will thus act in an unpredictable way. This unpredictable action is not an exception in the continuation of the habits, but rather points to the moment when a new subjectivity emerges. Such new subjectivity surfaces in Beckett's novels and plays in forms of literary innovation.     

Becoming‐urban,becoming‐forest: a historical geography of urban forest projects in Australia

In recent times, local governments in Australia's major cities have embraced the idea that the trees in their streets, parks, and private gardens are parts of a collective urban forest that can be managed to address complex policy problems and create more liveable and sustainable cities. In light of this proposition, applied and critical urban forest researchers have typically focused on questions of quantity with regard to some of the factors that influence the density and distribution of urban tree cover. In a few cases, however, researchers have documented qualitative changes to the urban trees and woodlands that ostensibly constitute the urban forest, suggesting that it might be apprehended in a more mutable and dynamic way. Building on these accounts, we turn to Deleuze and Guattari's theory of becoming to read the urban forest in an active and malleable light, developing a historical geography of urban forestry in Australia that discerns three urban forest projects we call the ‘forest in a city’, the ‘city forest’, and a new but not yet realised, ‘city in a forest’. This finding renders the urban forest in more contingent, multiple, and mutable terms, leading us to finish the paper with a consideration of what seeing the urban forest as becoming means for future research. There, we suggest that Deleuze and Guattari's becoming directs us to different kinds of empirical, political, and ethical concerns that haven't received significant interest in the current literature. These include asking how, why, and with what consequences do particular styles of urban forestry emerge at particular space‐times. How is qualitative difference and urban forest multiplicity dealt with in practice, as well as focusing on affect and everyday embodied encounters between people and trees in different urban places.     

APHASIA,HISTORY, AND DURESS

This essay celebrates the publication of Duress, explores its concepts and themes, focuses on the way Ann Stoler rejects the notion of historical forgetting and develops a heuristic of “colonial aphasia” in an ethnographic chapter on the emergence of France's Far Right near Marseille in the 1990s. The essay also tracks how postcolonial scholars are using the notion of aphasia, drawing on Stoler's colonial usages in contexts like the Netherlands and Britain as well as using the notion to periodize. Those who came to aphasia before and without Stoler are also present here, and their contributions suggest a range of ways to think through radical, countercultural, and philosophical thought. That Gilles Deleuze and Paolo Virno use aphasia in contrary ways suggests that once aphasia departs from clinical settings, its poetics are rather up for grabs even if contained within activist gestures; both rethink matters of politics, dissent, and language. The example of Kurt Goldstein is also imported to show that clinical aphasia may go with the “detours” of patients, those stricken by war, catastrophe, and these peculiar speech disorders. That “detour” is also a Deleuzian word opens wide a “minor” register to history, speech, and forms of oppression. The semantic spectrum for aphasia in histories of politics and language is wide, from Stoler's colonial version that applies most to the privileged, to Deleuze's poetic transpositions that propose aphasia as an accomplishment, a rebellious refusal of communication. Aphasia has much promise as a historical category in and outside of colonial forms of duress.