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This study aims to analyse the problem of Vico’s religiosity, still a subject for debate, in the European tradition of universal historiography. Vico’s historical reconstruction has traditionally been considered as orthodox and apologetic. The Neapolitan philosopher, in his major work, New Science, tried to defend not only the historical veracity and authority of biblical narratives as the only source to reconstruct the initial phases of history, but also the temporal and spatial frame of historia salutis, confuting the thesis of a greater antiquity of pagan nations. Nonetheless, it is difficult to conclude that Vico’s historical reconstruction followed the same route of the apologists of his time. Vico demolished not the temporal and spatial sphere, but the unitary frame of historia salutis. In Vico’s setting, all nations formed their civilizations in an autochthonous way and developed them autonomously with diverse timetables. Vico introduced the concept of the plurality of history. In this way, the Neapolitan philosopher contributed to the process of secularization of universal history in a completely different way from his contemporaries.  相似文献   
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Isaiah Berlin and other representatives of historicism have made the Enlightenment and the Counter‐Enlightenment into opposite cultures. The Counter‐Enlightenment is a criticism of the Enlightenment from within, so in many respects they overlap. However, with regard to perceptions of time they contradict each other. The times of the Enlightenment lean heavily toward chronology and can be labeled as “empty,” whereas the time perceptions of the Counter‐Enlightenment can be called “incarnated” and are identical with historical times. As a consequence the differences between the two temporalities lead necessarily to differences in synchronization.  相似文献   
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Leonardo Bufalini's plan of Rome (1551) was the first printed map of the Eternal City and a landmark in the history of city plans. This article fills several lacunae in the scholarship on the map by reconsidering its intended function and audience and by situating it at the intersection of technical and antiquarian endeavour in sixteenth‐century Rome. At issue are Bufalini's methods for making the map, along with the distinctive combination of practical and scholarly interests that motivated him. The anomalous status of Bufalini's plan in the realm of popular printed imagery of the city signals, moreover, that the Renaissance audience had a marked preference for pictorial city views over maps.  相似文献   
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This review essay discusses Giambattista Vico and the New Psychological Science, which contains seven essays that challenge traditional anthropological, epistemological, and methodological assumptions that define psychology as a social science and instead interpret it as an embodied understanding of human cultural activity. The authors use Vico's New Science to support this endeavor because, they suggest, it traces the creation of human existence from a prehuman animal state with the agency of poiesis, an embodied meta‐phoric language and social practices that are inseparable from that language. This effort is a potentially transformative reinterpretation of Vico, whose verum factum principle scholars interpret as challenging Cartesian epistemology. Identifying the true with the made, Vico's principle limits human knowing to what humans make—that is, their historical world. The authors rightly emphasize the embodied nature of making with poetic language and social practices. However, they undermine the significance of that embodiment by assuming that knowing what is made with poiesis is, like traditional understandings of knowledge, epistemic. Thus, they implicitly retain humanism's metaphysical assumption that grounds epistemology: humans know intelligible reality because they are dualistic beings who possess rational, subjective natures. By contrast, I claim that Vico's poetic humanism is a more radical move from traditional humanism's belief in epistemology toward a culturally active anthropology. For Vico, bodily skills of perception, memory, and imagination create a metaphoric language based on random perceptions, images, and sounds. This metaphoric language is inseparable from social practices and physical skills, creating a meaningful human world. The making achieved by embodied poetic language cannot lead to epistemic knowledge; it can only lead to the self‐referential hermeneutic understanding that humans are the creators of their human existence. Vico's verum factum is not an epistemological principle in the Cartesian tradition but an ontological unity of knowing and making through sociophysical skills that are inseparable from poetic language. Humans make their ontologically real, meaningful human world and know themselves as its creators.  相似文献   
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ABSTRACT

This article aims to shed light on the Italian liberals’ contribution to the post-1848 European debate on nationality, representative government and the theory of the state, through focus on the political thought of Pasquale Stanislao Mancini. Building on Vico and Hegel’s philosophies of law and history, Mancini developed a sui generis tradition of national liberalism that founded representative government on a theory of the state that identified freedom and nationality. Far from being the passive and provincial adaptation of Anglo-French currents of liberalism, Mancini’s political thought, while engaging with the contemporary European debates on freedom and constitutional government, nurtured an original constitutional theory that connected conflicting ideas of cosmopolitan freedom and national patriotism.  相似文献   
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ABSTRACT

This article examines how Hegel’s reception among nineteenth-century Neapolitan authors went hand-in-hand with a renewed interest in Giambattista Vico’s philosophy of history. It considers the mechanisms of circulation and reception that shaped responses to Hegelianism within the broader context of European debates on La Scienza Nuova. These developments largely directed Neapolitans’ understanding of Hegel’s ideas and encouraged the merging of local thought with wider European currents. Neapolitan Hegelians engaged very extensively with the works of French and northern Italian authors, such as Jules Michelet and Carlo Cattaneo, who had understood Vico as a proponent of an absolute concept of historical time that neatly dovetailed with the philosophical preoccupations common among German idealists. The article makes a case for a transnational understanding of Neapolitan Hegelianism, arguing that this current of thought did not merely stem from the passive absorption of Hegel’s ideas, but emerged as the synthesis of a local and a European dimension of philosophy.  相似文献   
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