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Drawing on a detailed analysis of the historical and current development of lighting in Copenhagen’s Tivoli Gardens, this article addresses how this site of extraordinarily diverse illumination exemplifies a carefully orchestrated balance between (1) muted and more vivid forms of lighting, (2) curation of historical styles and promotion of contemporary innovations in illumination and (3) artistic luminaires and those more aligned with popular tastes. Through these themes, we argue that the current strategies towards urban lighting that predominantly promote energy conservation, security, commercial imperatives and place-branding may be supplemented by place-specific design strategies that implement multiplicity, connect past and present, and accommodate diverse desires, dreams and realities. These attributes contribute to the ongoing emergence of what we call a ‘lumitopia’, a space in which an intensified attention to illumination is integral to the particularity of a place or landscape. In the case of Tivoli, this offers a lens to manage nocturnal space so that it becomes more aesthetically complex, inclusive and convivial. 相似文献
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苏州古典园林和南京明孝陵被列入世界文化遗产名录,这两处世界文化遗产的保护,由以传统方式的文物保存上升到对世界文化遗产的科学管理和保护。 相似文献
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清代离宫圆明园及其附园中曾经修建大量的祀庙祠宇建筑,分别以龙王、关帝、土地神、花神等各种神灵为祭祀对象,清帝与皇室成员园居期间,经常来此祭拜。本文通过文献考证,对这些建筑的分布情况、具体形制、祀典特色作了详细考证,并试图进一步揭示其历史背景和文化内涵。 相似文献
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Alexandra Cook 《History of European Ideas》2013,39(2):142-156
In 1766 Jean-Jacques Rousseau, in exile from France and Switzerland, came to England, where he made the acquaintance of Margaret Cavendish Harley Bentinck, Duchess of Portland. The two began to botanise together and to exchange letters about botany. These letters contain salient statements about Rousseau's views on natural theology, gardens, botanical texts and exotic botany. This exchange entailed not only discussions about plant identifications and other botanical matters, but most important, reciprocal gifts of books and specimens in the manner of gentlemanly scientific correspondence of the period. Rousseau volunteered his services as the Duchess's ‘herborist’ or plant collector, and collected specimens and seeds in her behalf; these were destined for her own extensive herbaria and other natural history collections. Rousseau, who elsewhere denied female talent for science, admired the Duchess's knowledge of natural history, acknowledging his own as inferior. Their correspondence ended when the Duchess sent him the Herbarium amboinense of Georg Rumpf (Rumphius), an important work of exotic botany. Rousseau considered exotic botany to be the antithesis of the domination-free nature from which he derived solace and inspiration. 相似文献
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《儒林外史》中吴敬梓对扬州园林的艺术描绘,不仅为今人研究当时扬州的政治、经济、文化提供了可贵的资料,同时对修复、维护扬州名园古迹有着重要的参考作用。 相似文献
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