Aeroponic gardens and their magic: Plants/persons/ethics in suspension

Out of the fire bombed ruins and food deprivation of the Second World War came one innovator’s prototype for growing edible plants, suspended above earth and requiring a minimum of water. His aeroponic apparatus would later be referred to as The Genesis Machine, from the movie Star Trek II. This paper travels with roots in air into different spheres where the relations of persons, plants, and technology conspire to place future – growing into ethical suspension. The aim is to open questions for an anthropocenic future: Are plants ‘for’ persons or persons ‘for’ plants? Is it ethical to separate growing plants from earth/Earth and from earthlings? Where might ‘responsible innovation’ and ‘innovative eclecticism’ find a place in post-genomic discourse? And might a commitment to a dividual ethics guide lives in co-becoming to devise (as Latour recognizes in like terms) a scitech-diplomacy capable of resisting the programmatic pressures of new climatic regimes?     

Looking Forward,Looking Back

This paper surveys the disparate literatures on time, and the relative paucity of metaphors available (based on spatial analogues or mirroring past and future onto one another). Parallels between approaches to the past and future are considered and different intellectual traditions surveyed in futurology, memory, history (chronotopes), archaeology and philosophy. Causation across time, how the past affects the present, how the future may affect present and the past are considered as ways of better understanding how tensed statements in time and of time are essential elements of history and of anthropology. Pluralizing is suggested as a positive step: we should be talking of pasts, futures and even of presents. This has consequences, for example, the Thin Red Line of actuality must be broadened to be perhaps the Thick Reddish Braid. As introduction to a special issue of History and Anthropology I consider the papers that follow and how they contribute to the theme.     

历史逻辑进程中的存在意蕴

从历史逻辑进程中存在意蕴的内在张力去理解历史和阐释存在,以其发现历史和历史存在的运行规律,多维度的探求未来视野中的存在。     

Domestic drone futures

We are in the midst of a global turn to the drone. In the context of the ‘unmanning’ of contemporary life, this article explores urban drone futures as they are speculated through the under-examined sites of patents and speculative design. Approaching the drone as it is anticipated, it examines the role of speculative visualizations in the fostering and constitution of urban drone imaginations and futures. While recognising growing scholarly attention to the drone as it manifests in increasingly diverse more-than-military contexts, it argues that there remains a need to expand the methodological toolkit employed in the drone's study. Through the lenses of patents and speculative design, it calls for the diversification of both the sites through which the drone is approached, and the temporalities engaged in its critical accounting. Collectively, this article pursues an alternative political geography of the ‘domestic’ drone as it is actively imagined. It explores both the capabilities with which the anticipated drone is imbued, and the potential implications of dronified social relations and everyday life. Attending to patents and speculative design as anticipatory drone sources offers contribution to both drone geographies, drone methodologies, and political geographies of the robotic more widely.     

A Principle of Hope: Recorded Music, Listening Practices and the Immanence of Utopia

In this paper I draw a set of partial connections between ways of using recorded music and utopia. The first half of the paper draws upon the process philosophy of Ernst Bloch to argue that utopia is not located else–where or else–when in a transcendent realm separate from the present but is paradoxically immanent to 'everyday life'. This argument revolves around the novel 'open' experimental ontology that Bloch elaborates through the operator the 'not–yet'. Bloch's work enables the beginnings of an immanent utopianism that is able to discern, rather than critique, the dimly vibrating figures of hope that exist within rather than outside 'everyday life'. The second half of the paper sets this thought in motion by connecting two of Bloch's concepts, the 'trace' and 'novum', to the logic of one particularly common way of using recorded music: the use of music to 'feel better'. Drawing on in–depth case study research with seventeen lower–middle–class households I describe how this practice enables people to momentarily enact two forms of hope that are both based around the geographies of affect and affection: how something better might feel and an ability to forget. I conclude by speculatively describing the practice of a Blochian 'immanent utopianism' that itself embodies 'a principle of hope'.     

In defence of utopian urbanism: imagining cities after the 'end of utopia'

What is the role of utopian visions of the city today? What is their use at a time when, for many people, the very concept of utopia has come to an end? Taking a wide perspective on contemporary debates, this paper addresses the general retreat from utopian urbanism in recent years. It connects it with the so–called crisis of modernist urbanism in the capitalist West as well as forms of 'utopic degeneration', and assesses some of its implications. Arguing against the abandonment of utopian perspectives, it advocates a rethinking of utopianism through considering its potential function in developing critical approaches to urban questions. The authoritarianism of much utopian urbanism certainly needs acknowledging and criticising, but this need not entail a retreat from imagining alternatives and dreaming of better worlds. Instead, it is necessary to reconceptualise utopia, and to open up the field of utopian urbanism that for too long has been understood in an overly narrow way. The paper suggests the potential value of developing, in particular, modes of critical and transformative utopianism that are open, dynamic and that, far from being compensatory, aim to estrange the taken–for–granted, to interrupt space and time, and to open up perspectives on what might be.     

A Principle of Hope: Recorded Music, Listening Practices and the Immanence of Utopia

In this paper I draw a set of partial connections between ways of using recorded music and utopia. The first half of the paper draws upon the process philosophy of Ernst Bloch to argue that utopia is not located else–where or else–when in a transcendent realm separate from the present but is paradoxically immanent to 'everyday life'. This argument revolves around the novel 'open' experimental ontology that Bloch elaborates through the operator the 'not–yet'. Bloch's work enables the beginnings of an immanent utopianism that is able to discern, rather than critique, the dimly vibrating figures of hope that exist within rather than outside 'everyday life'. The second half of the paper sets this thought in motion by connecting two of Bloch's concepts, the 'trace' and 'novum', to the logic of one particularly common way of using recorded music: the use of music to 'feel better'. Drawing on in–depth case study research with seventeen lower–middle–class households I describe how this practice enables people to momentarily enact two forms of hope that are both based around the geographies of affect and affection: how something better might feel and an ability to forget. I conclude by speculatively describing the practice of a Blochian 'immanent utopianism' that itself embodies 'a principle of hope'.     

In defence of utopian urbanism: imagining cities after the 'end of utopia'

What is the role of utopian visions of the city today? What is their use at a time when, for many people, the very concept of utopia has come to an end? Taking a wide perspective on contemporary debates, this paper addresses the general retreat from utopian urbanism in recent years. It connects it with the so–called crisis of modernist urbanism in the capitalist West as well as forms of 'utopic degeneration', and assesses some of its implications. Arguing against the abandonment of utopian perspectives, it advocates a rethinking of utopianism through considering its potential function in developing critical approaches to urban questions. The authoritarianism of much utopian urbanism certainly needs acknowledging and criticising, but this need not entail a retreat from imagining alternatives and dreaming of better worlds. Instead, it is necessary to reconceptualise utopia, and to open up the field of utopian urbanism that for too long has been understood in an overly narrow way. The paper suggests the potential value of developing, in particular, modes of critical and transformative utopianism that are open, dynamic and that, far from being compensatory, aim to estrange the taken–for–granted, to interrupt space and time, and to open up perspectives on what might be.