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Caroline Drieënhuizen 《The Journal of imperial and commonwealth history》2016,44(3):397-422
Here the object biography of a scale model of an old Dutch colonial sugar factory directs us to the history of an extended family, and demonstrates the connectedness of people and identities across and within European imperial spaces in the nineteenth and early twentieth centuries. This case study shows how people in colonial Indonesia became ‘Dutch’ through their social networks and cultural capital (for instance a European education). They even came to belong to the colonial and national Dutch elites while, because of their descent, also belonging to the British colonial and national elites. These intertwined Dutch and British imperial spaces formed people’s identities and status: the family discussed here became an important trans-imperial patrician family with a broad imperial ‘spatial imagination’, diverse identities and social circles. It was mostly women who played important roles in these transnational processes— roles indeed that they played well into the early twentieth century when colonial empires ceased to exist and the nation-state became the ‘natural’ social and political form of the modern world, obscuring these transnational processes. 相似文献
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Miel Groten 《The Journal of imperial and commonwealth history》2019,47(3):490-513
‘Imperial culture’ is a concept coined by British historiography to describe the influence of imperialism on metropolitan British culture. Although it is now used in other national historiographies as well, it would appear that we have not yet realised the concept's full potential. This article, drawing on recent scholarship emphasising the transnational connections in European imperial cultures, investigates the implications of seeing imperial culture as a European phenomenon and as a European mentality. For this purpose, this article uses the narrative that was propagated at a specific national practice where empire met a metropolitan European society as a case study: missionary exhibitions in the Netherlands in the first half of the twentieth century. Here, Catholic and Protestant missionaries displayed objects from the indigenous, colonised populations who they were trying to convert and hereby legitimised and underpinned imperialism in Dutch culture. However, their significance went deeper than that. This article argues that the missionaries’ narrative transcended the national level and promoted ideas of Christianity as a European religion and civilisation as a European trait. A European community based on religious, cultural, and racial traits was set against a generic non-European heathen world. However, national and denominational frames of reference also remained in place. With this case study, the article explores the possibilities and difficulties that arise from studying imperial culture as a European mentality. 相似文献
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本文在红山文化的特殊历史背景、宗教信仰以及文化传承的条件下,对红山文化玉三孔器的造型、纹饰、出土情况、结构等几方面进行了详细的阐述。结合已有的考古发掘报告,参考了有关的历史文献,从玉神学、玉文化的角度说明了红山文化玉三孔器使用功能为巫师通神的法器,同时对相同和不同的观点都作了分析,进一步阐明此说的合理性。 相似文献
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Agnieszka Leszczynski 《The Canadian geographer》2021,65(1):110-115
In this intervention, I trace the genealogies of the recent heralding of digital geographies as a boundary object for scholarship and scholars foregrounding the digital in geography. Building off of previous efforts to be technopositional in digital geographies, I make an entreaty for further being genealogical by attuning to the insider/outsider positionalities that have informed this particular endeavour of intellectual community‐making in Anglo‐American geography. While genealogy is not an exercise in historical narration, it works against dehistorical narratives of digital technologies and of the disciplinary frameworks within which they are engaged, destabilizes technopositional privileges, and has the potential to engender more inclusive digital geography futures. 相似文献
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作者在多年积累的考古实物资料的基础上,结合历史文献,探讨了与南宋官窑密切相关的诸问题：如南宋陶质祭器的使用与特征,王晋锡、邵谔与礼器局、邵局、修内司官窑的关系,南宋官窑生产的仿青铜礼器瓷的性质与用途等。作者认为,王晋锡之陶质祭器的烧造与邵谔之修内司官窑的建立,是先后发生在南宋绍兴年间的两件不同的事件,两者之间并无直接或间接的关系,南宋陶质祭器与官窑仿青铜礼器瓷在形制及用途上有本质的区别。 相似文献
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Richard Eves 《Oceania; a journal devoted to the study of the native peoples of Australia, New Guinea, and the Islands of the Pacific》2009,79(3):250-262
ABSTRACT This paper takes up the call by scholars such as Alfred Gell to consider objects of material culture as objects, by examining them in the context of production, circulation and reception. Because they are unadorned and without visual interest, langarol, the hand‐held artefacts used in some New Ireland dance performances, do not lend themselves to modes of analysis that see cultural objects as surrogate texts, the hidden meanings of which can be ‘read’. This very ‘lack’ enables us more readily to discern their significance, which lies in their magical potency and in the performance of their creator, the shaman, in attracting, wielding and revealing his awesome power. The power sought is less power over others and more power to — the ability to realise projects that can elicit effects. If consciousness and body are one, such achievements are to be understood as embodiments of intentionality and agency. It is through the production and wielding of such objects that people make themselves. 相似文献