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The restoration of destroyed connections of epistyles joined together by means of metallic connectors is among the most difficult problems encountered by scientists working for the conservation/restoration of monuments made of marble. The complexity of the geometry and the interaction of three completely different materials (metal-filling material-marble) constituting the connection render the study (either experimental or analytic) extremely complicated. In this direction a numerical analysis is presented here in order to deeply understand the response of a typical ancient connection subjected to axial loads as well as to quantify the influence of some geometric parameters on its response. The parameters studied include the length of the connector, the width of its flanges, the depth of the groove (mortise), the existence or not of relieving space and the filling material’s volume. The numerical model was calibrated and validated according to the results of an earlier experimental study realized on the worksite of the Parthenon Temple. It was concluded that the interventions required to relieve the stress field by changing the size of the connector are disproportional to the respective positive effect on the response of the connection. Moreover it was proved that the most beneficial parameter is the relieving space.  相似文献   
2.
A database of the ancient marbles of Göktepe near Aphrodisias is reported, and includes 160 white, black and bichrome samples from 13 quarries and two waste deposits. The quarries are grouped into four districts. Districts 1 and 2, to the north, produced exclusively black or dark grey marbles (nero antico). Districts 3 and 4 produced white statuary marble. Nero antico and a black and white stone were also quarried in district 4, where the black marble surfaces again. The samples were characterized using petrography, isotopic analysis, EPR spectroscopy and trace analysis. The Göktepe white exhibits an unparalleled combination of fine grain, low EPR intensity and high strontium concentration that often allows easy identification. The isotopic values are less distinctive and similar to those for Carrara. In most cases, however, they are tightly grouped and also quite indicative. The black marbles exhibit a much weaker metamorphic overprint. With respect to the white marbles, they show analytical similarities but also notable differences. Therefore, establishing their provenance can be more difficult and may require the support of petrographic analysis. The results suggest that the Göktepe marbles were among the most prized and widespread statuary marbles used in Roman times, particularly from the early second century ad onwards.  相似文献   
3.
The cargo of marble blocks off Capo Bianco was dated to the Roman period. New sampling and analysis has identified Carrara marble, and also Rosso di Francia and Portargento, which strongly suggests a post‐medieval date. This leads to the suggestion that nearby finds dating between the second half of the 18th century and the first half of the 19th may come from the same ship, perhaps sailing from France and Liguria to deliver stone in southern Italy. This is rare evidence of the post‐medieval marble trade and demonstrates the importance of archaeometric analysis for the interpretation of wrecked cargos. © 2011 The Authors  相似文献   
4.
石质文物劣化后产生裂缝等病害,需要恰当的修复方法。本研究应用微生物诱导碳酸钙沉积技术修复汉白玉石梁裂缝,模拟石质文物裂缝修复。研究对象为带V型槽的非贯通和贯通裂缝的汉白玉石梁(尺寸为40 mm×40 mm×160 mm),修复方法为先注浆后自由下渗。通过对比石梁修复前后破坏荷载和强度的变化以及CT扫描技术可视化非贯通裂缝修复过程来评价修复效果。结果显示:修复后石梁裂缝表面致密光滑,颜色与母材相近,整体美观性好;非贯通裂缝修复后破坏荷载均有所增加,贯通裂缝修复后的抗折强度能恢复到原有强度的35.12%,均值为3.684 MPa,最高能达到5.234 MPa;CT扫描结果定性和定量均表明胶凝体密度随修复进行而增加,接触面修复质量弱于其他位置。  相似文献   
5.
This paper reports the results of an archaeometric study of the crystalline marbles used in the Roman city of Banasa (Morocco). On‐site surveys allowed a detailed inspection of the monuments of the ancient city and sampling of the different marble lithotypes used for architectural purposes and sculptures. The inventory was completed by the study of both the grey‐and‐white streaked or spotted marble items stored in the warehouse of the archaeological site and of those currently exhibited at the National Archaeological Museum of Rabat. Provenance determination of 28 samples was carried out by means of a multi‐method approach combining mineralogical–petrographic data and C–O stable isotope analyses as the first step, and cathodoluminescence microscopy as a complementary technique to verify possible unusual alternative origins of some marbles. The analytical results obtained were compared with both the most reliable international databases and the few available studies dealing with the use of marble in other Roman towns in Morocco (e.g., Volubilis, Thamusida and Sala‐Chellah). They point to a variety of classical marble sources such as Carrara, Mount Penteli, Paros, Marmara and probably Mount Filfila (Algeria), and prove a significant import of Iberian lithotypes.  相似文献   
6.
本文通过对西北冈大墓出土大理石雕的整理,讨论了殷墟大理石雕的风格与传统,相同母题造型语言在材质、功能、大小不同器物间的灵活转换,以及商人对于材质、颜色选择上的使用观念,以此探讨晚商王室白色大理石雕的创作及其背后的文化内涵。  相似文献   
7.
This article reports the mapping of the stones, including marbles and brick masonry, used for building the facade of the medieval Church of St. Nicholas (XI century ad), one of the most interesting churches in Pisa, due also to the nearby famous octagonal bell tower. Mapping of stone materials was performed using a computer-aided design (CAD)/geographical information system (GIS) software package for storing and processing spatial information of the ashlars, obtained using three-dimensional (3D) laser-scanning data, combined with high-resolution images, and stone-to-stone observations. Based on collected data, the facade of the Church of St. Nicholas appeared mostly composed of rocks belonging to the metamorphic Tuscan sequence, quartzites, and marbles from Mt. Pisano area. Other types of rocks were also observed, as black limestones quarried at some kilometers northwest from Pisa in the Monti d’Oltre Serchio area, white Apuan marbles and Macigno sandstones. Conversely, intarsia appeared mainly made up of serpentinite and, subordinately, red limestones laid in white Apuan and Mt. Pisano marbles.  相似文献   
8.
The wreck-site of Punta del Francese (Stintino-Sassari) off the island of Sardinia (Italy) is composed of 14 roughly cubic blocks and slabs of marble lying in an almost coherent arrangement. Archaeometric analyses indicate a provenance of the entire cargo of marble from the Apuan Alps (marmor lunense) of north Italy. Fragments of amphoras confirm its dating to the Flavian period (first century ce ). The dimensions of the cargo, and especially of the single blocks, suggest it would have been destined for the building of an important public monument in western Hispania or southern Gallia. A first hypothesis for the ship's sailing route, and a comparison with the other cargoes of marble from Luna, are proposed.  相似文献   
9.
This paper presents the results of the archaeometric analysis of the greco scritto marble slabs from the Edificio dei Triclinii, an inn or statio negotiatorum discovered at Murecine in Pompeii’s suburbs in 1999–2000. A total of 14 samples were collected and subjected to standard X-ray diffraction (XRD), optical microscopy (OM) on thin sections and stable isotope ratio analysis (SIRA) to assess the stone’s identity and provenance. The results of this study substantiate the hypothesis (already put forward and based on a macroscopic identification by Perna and Scognamiglio) that the stone originates from the Hasançavuşlar quarries near Ephesus in Asia Minor, and represent the first step towards a systematic contextual and geochemical study of Ephesian greco scritto in Roman contexts and its respective contribution to the Roman stone trade.  相似文献   
10.
ABSTRACT

Probably the most important Romanesque artwork in Spain, the Portal of Glory of Santiago de Compostela is essentially made in granite, the most abundant stone in the NW of Iberia, with the only exception of five marble pieces. Different hypothesis on the origin of these marbles have previously been proposed based on visual assessment or by directly assuming a local source. To shed light on their quarry provenance, a multi-analytical study was performed combining polarized-light optical microscopy, cathodoluminescence microscopy, XRPD, SEM-EDS and stable C and O isotopes. The comparison of the results with the available databases reveals the use of marbles from the Estremoz Anticline (Portugal) in the three exquisitely carved columns strategically placed in the central arcade, whereas the other two pieces are local marbles, illustrating a more complex consumption of this noble material than that initially expected.  相似文献   
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