Displaying the future: techno‐nationalism and the rise of the consumer in Postwar Japan

This paper explains how, in the aftermath of World War II, a type of techno‐nationalism emerged that linked being Japanese to science and technology and the increased consumption of electrical appliances. By closely examining official exhibitions, we can see how the state and private sector strongly encouraged this techno‐scientific dreaming. Dazzling displays highlighted how the peaceful atom would help lead the nation to achieve high economic growth. At the same time, through the judicious purchase of labor saving appliances, consumers could reconcile the need to spend with the need to save.     

Lessons in Seeing: Art,Religion and Class in the East End of London, 1881–1898

In 1881 the Reverend Samuel Barnett, Anglican incumbent of St Jude's Church, Whitechapel, established the Whitechapel Fine Art Exhibitions with his wife Henrietta. These quickly became an important part of the parochial programme ofSt Jude's. The Barnetts followed the art theories of John Ruskin and Matthew Arnold and argued that exhibiting famous and beautiful paintings would revive the spirituality of poor East Enders. In order to test this theory, they introduced the practice of ‘Voting for Your Favourite Picture’. The result, however, did not bear out straightforwardly the Barnetts' belief that paintings are ‘Windows into the other World’. The gap between the intended outcome and the actual reception of the Whitechapel Exhibitions reveals that, although they may not have adopted the Barnetts' religious aestheticism, working-class visitors were keen to engage with art on their own terms.     

多办展览，让文物发挥更大作用——有感于南京博物院甲骨文展览

文物展览不仅可以进行历史知识的熏陶,可以进行爱国主义的教育、民族主义的教育,而且对现代化建设也很有意义。多办展览也体现了文物工作的“三贴近”。     

Atoms in wonderland

This paper examines the representation of atomic science in Britain in museums, exhibitions, and print in the period 1945–1960. Due to postwar shortages, authors and publicists initially relied more on the written text than on visual representation. Underlying much writing was the idea of the “intelligent layman,” which formed a shorthand way of conceptualizing the non‐specialist reading public, and accounts for much of the approach and tone of writing. The paper then examines the constraints of presenting atomic science in the Science Museum, London, and the 1951 Festival of Britain, as well as a range of publications for the wider market. These include the official publications of the UK Atomic Energy Authority, the enthusiastic output of the Institute of Atomic Information for the Layman, as well as works such as George Gamow's Mr. Tompkins in Wonderland. The use of images from Alice in Wonderland is examined as recurring motif for presenting an optimistic view of the benign potential of atomic science.     

Hockney Country

This paper reviews David Hockney RA, A Bigger Picture, an exhibition held at the Royal Academy in London, the Guggenheim Museum in Bilbao and the Museum Ludwig in Cologne in 2012–3, and the associated catalogue and DVD. Geographical and historical questions, of region and space, movement and dwelling, are evident in Hockney's work in a variety of genres, in portraiture and theatre design as well as more recent excursions into landscape. Particular attention is paid to Hockney's paintings of the Yorkshire Wolds.     

Exhibiting atomic culture: the view from Oak Ridge

In the aftermath of World War II, residents of “nuclear cities” like Oak Ridge, Tennessee, and Los Alamos, New Mexico, where America's atomic weapons were produced struggled to interpret the nation's atomic history as well as their own stories, for themselves, for tourists and for other visitors. Once literally hidden cities, they remain steeped in Cold War culture and ideology, yet they face uncertain futures as weapons production needs change, hazardous waste dangers become more apparent and homeland security is threatened. “Atomic museums” established at these and other sites have become focal points of such dilemmas. Their evolving interpretations of America's atomic heritage play a significant role in shaping public understanding of the Bomb.