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1.
Methodological nationalism is still dominant in nationalism studies. When studying the construction of national identities, scholars generally limit their study to the borders of one nation‐state, while only paying attention to members of that particular nation. Implicitly, foreign actors and influences are left out of the picture. I will challenge this methodological nationalism with a case study, which demonstrates that the place of Toledo within the Spanish national imagination, and more particularly that of El Greco, the most important representative of the city's artistic heritage, was largely determined by foreigners. During the nineteenth century, El Greco was rediscovered primarily by foreign scholars and artists. Moreover, it would be the rise of international tourism in the early twentieth century that convinced Toledans to adopt El Greco as the city's main artistic icon. This case, thus, clearly shows that in nationalism studies methodological nationalism can be avoided by also including foreign actors.  相似文献   
2.
This paper offers a snapshot of the 2015 El Niño drought among Min people in Papua New Guinea's West Sepik and Western Provinces. Local assessments of food, water, and health show variation between locations, but with an overall tendency for the drought's effects to spread from lower to higher elevations as the drought progresses. This zone is in the hinterland of the Ok Tedi Mine, and the drought's regional impact was intensified by Ok Tedi's abrupt closure when low water in the Fly River stopped shipments of concentrate and cut off fuel and food supplies. The decision to close the mine was accompanied by the mandatory ‘repatriation’ of workers and their families to ‘home’ communities in the drought‐stricken hinterland. This, combined with deteriorating regional links, has eroded the capacity of Min communities to weather the drought, suggesting that we must look beyond the garden when calculating El Niño's costs.  相似文献   
3.
Archaeological research on disasters has increased substantially since Sheets's 1980 review of the topic, and with heightened media coverage and funding for the study of such events, archaeological interest will continue to grow. This paper examines how prehistorians have incorporated disasters into their research since 1980, using the literature on El Niño as an illustrative case, and assesses this work in relation to geographical approaches to disaster as well as concepts that have been developed within the new ecologies.  相似文献   
4.
In this article I reflect on the role of critical analysis and emotions in participatory approaches to empowerment and change. I argue that, in participatory research and practice, certain cognitive and analytical knowledges are prioritized as principal catalysts of empowerment and transformation at the cost of recognizing, and making full use of, the empowering potential of emotional and embodied knowledges. This argument is developed based on 2 years of fieldwork in a local youth participation project in Mejicanos, a poor and violent neighborhood in El Salvador, aiming at empowering young people by involving them in participatory action research (PAR). 1 As part of my research, I looked critically at the young people's PAR process, asking whether and how they felt empowered by it and whether and how social change came about. Originally, the research did not focus on emotions, yet, in an inductive fashion, emotions and embodied knowledges evolved from fieldwork as crucial elements in understanding participation, empowerment and social transformation.  相似文献   
5.
This article examines the Salvadoran documentary El Lugar Más Pequeño (The Tiniest Place, 2011) and argues that the film gives new insight into the complicated spaces and practices of memory post-transition and post-conflict through a process I call ‘memory mapping,’ which I define as the aesthetic process of representing the affective, polyvocal, layered relationship between past, present, and place as experienced by individuals and the communities in which they live. Engaging primarily with affect and memory theory, I contend that the film maps post-conflict memory in two specific ways: first, through testimony, and second, through an exploration of the relationship between memory and place. Ultimately, I argue that memory mapping sheds new light on how the aftermath of conflict – the physical, but also the emotional ruination caused by violence – is negotiated in the everyday of human life.  相似文献   
6.
The first data on bird hunting by the ancient people from El Hierro island are given here. Ninety-three bones have been examined from a cave situated in the archaeological site of Guinea. The majority of the bones are broken, burned and some of them have cuts showing human exploitation. There are species that have been eaten from the lower levels to the present day (Calonectris diomedea, Columba sp. and Corvus corax), one species that does not now live on El Hierro (cf. Pyrrhocorax pyrrhocorax), and an extinct species (Coturnix gomerae). © 1997 John Wiley & Sons, Ltd.  相似文献   
7.
Burnt daga structures in Iron Age villages serve as proxies for severe drought on the plateau of southern Africa. The distribution of burnt daga remains in two other rainfall areas, KwaZulu-Natal and the Inter-Tropical Convergence Zone over Zimbabwe, Zambia and Malawi, establishes a sequence of simultaneous burnings that parallels the severe droughts recorded for the interior plateau. These widespread correspondences suggest a common cause. Another correspondence with natural proxy data from South America indicates that intensive El Niño events most likely caused the droughts.  相似文献   
8.
The bearded vulture (Gypaetus barbatus), a bird or prey that mainly feeds on bones of large mammal carcasses, has been recently evidenced as an accumulating agent with significant contributions to palaeontological assemblages in caves and shelters, but extremely rare at archaeological sites. The results of the taphonomic analyses carried out in the Upper Palaeolithic layers of El Mirón Cave (Cantabrian Spain), which are presented here, evidence the existence of special digestive marks and a typical skeletal pattern in a noticeable amount of small and medium-sized ungulates bones. This fact suggest that a representative part of the bone assemblage has been caused by bearded vultures, and strengthens the idea that this bird has to be definitely included among other potential non-human accumulators in archaeological sites.  相似文献   
9.
El Mirón is a large cave in the Cantabrian Cordillera of northern Spain that presents a long archaeostratigraphic sequence radiocarbon-dated by over 60 assays to between 41,000 and 2000 BP. The sediments, collected from four areas within the cave and sieved-washed with fine wire meshes, contain microvertebrate remains of fish, frogs, lizards, birds and mammals, of which the latter are most abundant. Preliminary taphonomic analysis suggests that the microvertebrates were naturally collected by owls and (less) small carnivores. Small mammal assemblages are useful for palaeoenvironmental reconstruction because they are linked to particular habitats and are sensitive to environmental changes. The small mammals from El Mirón are ideal for this because sample sizes are large, bone preservation is good, and the stratigraphic sequence is long. In this paper we reconstruct the late Quaternary environments in the Cantabrian region of Spain using small-mammal assemblages from El Mirón Cave. On the basis of the ecologic adaptations of this suite of fauna, the majority still extant, we have identified seven habitat types, which are plotted through time. The evolution of the small mammal assemblages at El Mirón reveals seven major climatic shifts that correspond closely to the climatic changes recognized in the Iberian Peninsula during the last 41 kyr.  相似文献   
10.
《Romance Quarterly》2013,60(2):128-139
The purpose of this article is to analyze the function of theme-park design in Argentinean author Marcelo Cohen's novel El oído absoluto. Cohen's work takes place in a fictitious theme park in a not-so-distant future that serves the double duty of utopia for entertainment and consumption as well as reformatory for social deviants posing a danger to greater society. The article examines the parallels between the theories at the heart of the design of modern-day theme parks, such as Disney World, and the dystopic theme park in Cohen's novel. The shared ideology behind the design of these dystopic spaces demonstrates how the theme-park designers manipulate architectural spaces to facilitate consumption and the homogenization of global culture as a response to social fragmentation and disintegration in a postindustrial world.  相似文献   
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