Appeasing the Spirits Along the ‘Highway of Horror’: Civic Life in Wartime Republic of Vietnam

During the Easter Offensive hundreds of Republic of Vietnam soldiers and civilians were killed while fleeing Qu?ng Tr? city along Highway One, earning this stretch of the road the name ‘the Highway of Horrors’ [??i L? Kinh Hoàng]. This article examines this understudied event and the efforts of ordinary people, particularly the staff of the daily newspaper Sóng Th?n, to collect and bury the corpses left on the highway. In focusing on this humanitarian endeavour, it highlights the spiritual consequences of mass death, people’s agency in countering the violence of the Vietnam War, and the dynamism of South Vietnam’s civil society.     

The Sherwood Foresters of 1916: memories and memorials

ABSTRACT

This paper examines the memorialisation of the Sherwood Foresters who fought during the Easter Rising of 1916 in Dublin. These men, from Nottinghamshire and Derbyshire in the English midlands, suffered the greatest casualties of the British regiments involved in the insurrection, and participated in the firing squads that executed the rebel leaders. Yet the public and artistic memorialising of these English soldiers is not widely known, and this interdisciplinary paper seeks to tell the unfamiliar story of what happened to the Sherwood Foresters after the fighting of Easter Week ceased. We use archival material in order to explore how, at the time of the Rising, these men believed that they would be remembered. We examine the way that the Sherwood Foresters of Easter Week subsequently appeared in literature and drama. And we analyse the way that those soldiers have been commemorated in funerary memorials.     

“There are thousands who will claim to have been ‘out’ during Easter Week.”: recognising military service in the 1916 Easter Rising

ABSTRACT

Using recently released archives from the Military Service Pensions Collection (MSPC), this article assesses the archival evidence available for assessing how many rebels are recognised as having military service in the Easter Rising of 1916. It argues that while the MSPC contributes towards a more accurate estimation of the number who participated in the Rising, especially in the regions outside Dublin, it does not constitute a definitive figure for rebels active in Easter week. Through an examination of the assessment criteria for military service pensions, it shows how the decision to grant recognised pensionable service for the Rising was affected by geography, politics, legal challenges, the timing of an application, and the subjective assessment of individual assessors.     

MacLiammóir's minstrel and Johnston's morality: cultural memories of the Easter Rising at the Dublin Gate Theatre

This article explores how Micheál MacLiammóir and Denis Johnston attempted to perform cultural memories of the Easter Rising at the Dublin Gate Theatre and thereby articulated their respective views on a colonial past that had to be reassessed anew, on the one hand, and a postcolonial future that still had to be made possible, on the other. By analysing how these two prominent Gate Theatre playwrights sought to commemorate the Rising through mediated performances, this article argues that the Gate Theatre did not simply serve as a playground for disinterested aestheticists but also created a stylised forum where the perceived strain between Ireland's traumatic history and its uncertain future could be addressed and reconfigured into a meaningful teleology. In doing so, this article attempts to demonstrate that the Gate Theatre served as a cultural counterweight to the Abbey's ostensible hegemony as a theatrical force in Irish identity formation.     

Holy Fire and sacral kingship in post-conquest Jerusalem

ABSTRACT

In 1101 the Holy Fire failed to appear in the Church of the Holy Sepulchre on Holy Saturday, as tradition and liturgy dictated. Less a failure and more a deliberately precipitated crisis born of a political struggle of wills between Patriarch Daimbert and King Baldwin, the resolution of this event enabled the kings of Jerusalem to establish dominance over the ecclesiastical sphere for most of the kingdom’s history. A reading of the narrative sources against liturgical sources casts light on the intersection between liturgy and government and on how the simulation of miracles could be used to advance political causes.     

Plant microfossil analysis reveals disturbed forest and a mixed-crop,dryland production system at Te Niu,Easter Island

Plant microfossil analysis was carried out on 12 soil samples from a variety of landscape features at three locations (100–250 m a.s.l.) along a 950 m transect at Te Niu, Easter Island. Pollen and phytolith assemblages were dominated by palms and ground ferns, and suggested disturbed forest. We identified pollen of bottle gourd (Lagenaria siceraria) and starch grains of the common yam (Dioscorea alata), sweet potato (Ipomoea batatas) and taro (Colocasia esculenta). The data suggest a mixed-crop, dryland production system at Te Niu dominated by yam and sweet potato, and supplemented by taro and bottle gourd. The data provide direct evidence of crop type and range, supporting the indirect evidence (topographic and landscape features, field and historical research, comparisons with elsewhere in the Pacific) that much of the rock covered landscape of Easter Island was used for intensive horticulture.     

Stylistic variability of stemmed obsidian tools (mata’a), frequency seriation,and the scale of social interaction on Rapa Nui (Easter Island)

Easter Island, or Rapa Nui, has been the focus of much research and speculation, particularly with reference to the island’s hundreds of giant, enigmatic statues and the set of conditions that supported their construction and transportation. In this paper, we analyze an abundant class of lithic artifacts, mata’a, to study of patterns of cultural transmission with implications for the evolution of groups, competition, and scale of socio-political organization among this island population. While these kinds of studies often draw upon assemblages of decorated ceramics, here we show how analysis of variability unconstrained by performance allows us to measure aspects of inheritance related to the manufacture of these artifacts. In the case of mata’a from Rapa Nui, we demonstrate that it is possible to reach falsifiable conclusions about the evolutionary dynamics that shaped the remarkable archaeological record on Rapa Nui.     

Rewriting the Latin liturgy of the Holy Sepulchre: text,ritual and devotion for 1149

ABSTRACT

An extraordinary reform of Jerusalem’s liturgy took place under the patriarchate of Fulcher of Angoulême (1146–57). The refocusing of Jerusalem’s rite positioned the commemoration of Easter as its central theological theme. This was effected to a level unparalleled in the liturgical traditions of the West. However, rubrics from extant twelfth-century liturgical books from Jerusalem further reveal how this reform was made to coincide with the 1149 rededication of the Church of the Holy Sepulchre, and the 50-year celebration of the capture of Jerusalem. From this newly discovered perspective, this study argues that liturgy, through its active rewriting, formed an integral part of a hitherto unexplored religious programme carried out by Patriarch Fulcher. Liturgy, alongside architecture and civic festivities, was used as a central tool to reshape the devotional identity of Jerusalem and the Latin East.     

The ‘walking’ megalithic statues (moai) of Easter Island

Explaining how the monumental statues (moai) of Easter Island were transported has remained open to debate and speculation, including their resource expenditures and role in deforestation. Archaeological evidence including analysis of moai variability, particularly those abandoned along ancient roads, indicates transport was achieved in a vertical position. To test this proposition we constructed a precise three-dimensional 4.35 metric ton replica of an actual statue and demonstrate how positioning the center of mass allowed it to fall forward and rock from side to side causing it to ‘walk.’ Our experiments reveal how the statue form was engineered for efficient transport by a small number of individuals.     

“Did that play of mine …?”: James Connolly,Cathleen Ni Houlihan and staging revolution

Abstract

Despite the crucial position he occupies in Irish history as one of the leaders of the Easter Rising, and the political – and emotional – impact of his subsequent execution, while wounded, by the British Army on 12 May 1916, the writings of Edinburgh-born James Connolly have often been overlooked in both Irish and Scottish studies, and not just in accounts of the Rising but also in the wider context of cultural connections, including cultures of commemoration. In particular, Connolly’s surviving literary work, including Under Which Flag?, the drama staged on the eve of Easter 1916, as well as poems and songs, has had limited attention. This article reconsiders Under Which Flag? in comparison with Yeats and Gregory’s Cathleen ni Houlihan in order to demonstrate the central place the drama holds as a continuation – and complication – of Connolly’s political and journalistic writings. If Connolly is a neglected figure as a writer – as opposed to a political leader and martyr – then the play he left behind (once thought to have been lost, like another of his dramas, The Agitator’s Wife) affords us an opportunity to reassess his contribution to the struggle for independence as part of its literary wing.