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1.
Blue glass trade beads from well-dated late seventeenth- to early twentieth-century sites and collections have been analysed non-destructively by instrumental neutron activation analysis. The beads display enough variations in their elemental contents to allow us to characterize the different chemistries. The implication of these results is that similar chemical analyses of blue beads from undated archaeological sites may be used to help date the sites, since each bead chemistry has a specific earliest period.  相似文献   
2.
Abstract

We describe six cervid bones — a distal humerus, three distal tibiae, and two astragali — from two Roman sites, São Pedro Fronteira and Torre de Palma, in the Alentejo of Portugal. They are identified on morphological and osteometric grounds as fallow deer, Dama dama. They represent the earliest Holocene evidence for this species in Portugal, and it is suggested that, like the camel, the Romans were responsible for its spread within their Empire. While remains of this animal have not so far been reported in any Moslem period assemblages, there is documentary evidence for the existence of fallow deer in Portugal in the 12th and 13th centuries AD, although the possibility that fallow deer disappeared with the end of Roman rule should be considered.  相似文献   
3.
《Northern history》2013,50(1):61-70
Abstract

The story of King Edgar being rowed on the River Dee at Chester in 973 by eight subordinate kings was once well known. This article examines how it was used in popular history writing from the eighteenth century onwards, with greatest development in the mid nineteenth century, and subsequent decline into its present obscurity. It served English political and cultural ends, being used to demonstrate the natural superiority of that race over the others in the Union, particularly the Scots. Decline of imperial sentiment and ignorance of pre-Conquest history have relegated it to incidental mention in county histories.  相似文献   
4.
Sixteenth- and seventeenth-century European blue glass trade beads from aboriginal sites in the eastern Great Lakes area of North America have been analysed non-destructively using low neutron dose instrumental neutron activation analysis, so that the beads could be returned to their keepers. Dark blue (cobalt-coloured) beads are readily separable from turquoise (copper-coloured) beads. Differences in the chemistries of the turquoise blue beads appear to be useful in separating glass beads from the two centuries. Low calcium, sixteenth-century turquoise beads tend to distintegrate by a leaching of the alkali metals.  相似文献   
5.
O. MECKING 《Archaeometry》2013,55(4):640-662
In Trommsdorfstraße, Erfurt, a glass‐processing workshop has been excavated, which produced lead glass rings and beads in the 13th century. This workshop produced two different lead glasses. The first, a high‐lead glass, could be found throughout Europe, from England to Russia. However, another newly defined type of glass could be identified (Central European lead–ash glass). This can be demonstrated by analysing the literature, and it has been found in eastern Germany, Poland, Slovakia and the Czech Republic. A Slavic lead–ash glass with the same ash content as the Central European lead–ash glass but lower amounts of lead was produced in Eastern Europe. In western Germany, another type of ash (beech ash) was used to produce a wood‐ash lead glass. Lead‐isotope analysis proved that the same source of lead was used for the wood‐ash lead glass and the high‐lead glass in western Germany and the two types of glass from Erfurt.  相似文献   
6.
《Central Europe》2013,11(2):83-107
Abstract

Examining the relationship between two of the most significant Czech writers of the early twentieth century, Richard Weiner (1884–1937) and Karel ?apek (1890–1938), this article sets their divergent developmental paths into the context of broader issues within European Modernism as a whole. The re-emergence of ‘allegory’ as privileged aesthetic category — represented prominently by Walter Benjamin’s work in the 1920s — characterizes a cultural phenomenon that can be termed ‘melancholy Modernism’. Weiner and ?apek’s contrasting responses to this melancholy allegorical impulse trace a fundamental fault line within the philosophical and historical development of Modernism.  相似文献   
7.
《Public Archaeology》2013,12(1):4-33
Abstract

The focus of this article is on how identity on a local level is expressed through cultural heritage interpretation and negotiated in an environment of globalization, but also multiculturalism and promotion of locality, like the European Union (EU). Interpretation is public communication of perceptions and values attached to heritage, and a main component of cultural tourism. Tourist guides in Greece, where guiding is strictly regulated, have been confronted with the EU on several occasions. Through the examination of this conflict, issues such as rights of interpretation, the projected image and identity of place and people, otherness and identity realization, the role of education and especially archaeology in governing, as perceived by the Greek tourist guides, are examined and analysed in the contexts of audience, state and the EU.  相似文献   
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