THE EVOLUTION OF LUSTRE CERAMICS FROM MANISES (VALENCIA,SPAIN) BETWEEN THE 14TH AND 18TH CENTURIES

A set of 33 fragments of lustre‐decorated ceramics uncovered during an archaeological excavation in Manises (Valencia, Spain) have been studied. These ceramics were produced in Manises from the 14th to the 18th century. This well‐dated set of ceramic shards represents the diversity of Manises lustre production and is a complete time sequence of reference for the technological analysis. Texture analysis of the glazes has been carried out by SEM–EDAX, the inner and outer surfaces of the lustre decorations being analysed with non‐destructive ion beams by PIXE and RBS, and also by high‐resolution electron microscopy. The results are compared with other lustre productions and the time trend of the microstructures, glaze and lustre composition is analysed. It is concluded that Sn was used to opacify glazes until the beginning of the 17th century and that changes in the lustre microstructure occurred around ad 1500.     

THE TECHNOLOGY OF ‘GLAZED’ RESERVED SLIP WARE—A FINE CERAMIC OF THE HARAPPAN PERIOD*

‘Glazed’ Reserved Slip Ware (RSW) is a high‐quality glossy bichrome pottery of the Indus Valley civilization, and dates to the mature Harappan period (c. 2600–1900 bc ). Scanning electron microscopy with energy‐dispersive X‐ray analysis indicates that the surface coat on RSW is composed of a pale grey vitrified clay slip, which overlies a black slip with significantly higher iron oxide. Hence the term ‘sintered’ Reserved Slip Ware is to be preferred. X‐ray diffraction analysis indicates that both the pale and black slips contain hercynite, mullite and quartz, but observation by scanning electron microscopy shows that the black slips contain higher amounts of coarser‐grained hercynite. The elemental data suggest that different clays were used to make the bodies and the slips. However, key element ratios are very close in associated black and pale slips. The grey slip may have been produced by elutriation of the fine, iron oxide‐rich clay that was used to prepare the black slip. The pale grey slip was laid over the black and removed by combing to produce a bichrome effect, which evoked semi‐precious materials such as agate. RSW was a specialist product that required significantly higher input skill and resources than the majority of Harappan clay‐based ceramics. It is a further example of the range of sophisticated Harappan ceramic wares, which included faience, fired steatite and stoneware.     

One Colour, (at Least) Two Minerals: A Study of Mulberry Rock Art Pigment and a Mulberry Pigment ‘Quarry’ from the Kimberley,Northern Australia

Distinctive mulberry paintings found in northern Australia, particularly those of the Kimberley region, have been argued to represent some of the oldest surviving rock art on the continent. Significant research efforts continue to focus on resolving the age of these motifs, but comparatively little attention has been given to understanding their physical composition and potential source(s). In a pilot investigation, we conclude that (at least) two mineralogically distinct mulberry pigments occur in Gwion motifs and demonstrate that their major components can be indicatively chemically differentiated, non‐invasively. Characterization of a ‘quarried’ mulberry ochre source demonstrates that these pigments occur locally as natural minerals.