服装陈列形态设计的创新研究

服装陈列伴随服装产业的发展而不断向前,商家在服装销售的终端环节上越来越重视服装陈列技术,陈列水平不断提高。本文从服装陈列形态设计角度着手,深入研究服装陈列形态设计的表现方法以及创新途径,结合市场流行趋势,通过实例论证服装陈列形态设计的发展方向,通过形态设计的创新研究,力求给服装陈列行业提供新思维和新思想。     

视觉文化背景下博物馆展示价值定位——自然博物馆陈列的新体悟

博物馆展示艺术是一种诉诸视觉器官的文化形态。为观众提供可欣赏、受教育的展示精品,是博物馆追求的永恒主题。本文通过对博物馆展示主题、创意设计、科技维新及视觉艺术四方面进行思考,发掘博物馆自身所蕴藏的艺术价值和文化价值是当代视觉文化背景下展示艺术的价值定位。     

Preservation,storage and display of waterlogged wood and wrecks in an aquarium: “Project Aquarius”

A test aquarium containing water and waterlogged historical wooden material was observed during a three-year period at Vänernmuseum, Sweden, to test the feasibility of preserving and exhibiting archaeological wood or shipwrecks in a way accessible to the public. Experiments were also set up in a laboratory environment, to provide information on single factors that could influence the long-term preservation state of wood, and other processes that may occur in the water.     

Representing anthropological collections in the Gilded Age

In this essay I review two quite different works concerning the rise of American anthropology as a discipline. Both address the display of anthropology and the ways it presented itself to the public and represented itself to the field during the late 19th and early 20th centuries, and provide alternative views of the coalescence of the field. I argue that each provides valuable insights into those formation processes without fully coming to grips with the contradictions inherent to the discipline during its formation, and which remain as fault lines in anthropological inquiry today.     

雕塑：博物馆陈列的二度创作

与纯粹的观赏性艺术雕塑相比,博物馆陈列展览中的雕塑在展现题材、艺术方法、运用区域、功能效用、时间概念等方面显示出自身的特点与规律,与它所依托的陈列展览比较,展览雕塑艺术形象的感染力更具持久性。     

重锤坠力天文钟述略

南京博物院入藏的清初重锤坠力天文钟表,是以坠力动源取代水、沙动源的一种新型天文钟表。探析坠力天文钟表的动源、擒纵调速机构、字盘显示、报时方法和制作年代,为研究明末清初的钟表提供了实物资料。