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Arthur's refusal to begin feasting before he has seen a marvel or heard a tale of adventure is a recurring motif in medieval romance. Previous comment on this ritual has suggested that the source for such a taboo on eating may be found in earlier narratives in the Celtic languages. This paper argues that, although the ritual almost certainly originates in pre-chivalric society, romance authors adapted and developed it to reflect the courtly-chivalric preoccupations of their own world. Arthur's ritual gesture may be seen as a means of containing and controlling both interior moral threats and exterior physical peril, and is intimately connected to the courtly conception of the feast. This study draws on the evidence of religious writing and courtesy manuals and explores some highly-developed treatments of the motif in romance in order to suggest that literary engagements with Arthur's refusal to eat have much to say about contemporary ideas of ritual and reality as mediated through the symbolically-charged arena of the medieval feast.  相似文献   
2.
Historians are divided over the economic fortunes of English towns in the late middle ages. Many argue for a ‘general crisis’ while others emphasize the variety of urban experience. Great Yarmouth is a striking example of a town facing protracted difficulties. Its decline in relation to other English towns between the fourteenth and sixteenth centuries is particularly marked. Fourth among provincial towns in the 1334 tax return, Yarmouth ranked eighteenth in 1377 and twentieth in the subsidies of the 1520s.Yarmouth's problems become apparent soon after 1350, but while the Black Death may have killed one-third of its inhabitants, it is not the main cause of the town's misfortunes. Yarmouth depended heavily on two industries: shipping and fishing. The former was undermined by the early stages of the Hundred Years War, and the latter by competition from the Low Countries. A silting harbour which drove away trade and the high cost of building and repairing the town walls added to Yarmouth's difficulties.Whether economic decline is measured in terms of totals, for example total volume of trade, or in terms of individual production or wealth, Yarmouth fared badly. In the second half of the fourteenth century, Yarmouth's trade was much reduced and the town's leading burgesses seem much poorer than their counterparts before 1350. While Yarmouth clearly was in decline from about 1350 onwards, the town's experiences cannot be used to prove the case for a ‘general crisis’. They have to be seen in the context of the continuing prosperity of Norwich and the revival of Ipswich.  相似文献   
3.
This article investigates the use of feasts and gifts of food in the household of Eleanor de Montfort between February and August 1265. In his influential The dangers of ritual, Philippe Buc argued, through a study of early medieval chronicles, that rituals in medieval Europe were regularly targets for disruption and aggressive manipulation either in practice or in the texts reporting the rituals. This article tests Buc’s thesis against administrative records from thirteenth-century England. The evidence from Eleanor’s household accounts is illuminated through a study of contemporary literary sources and didactic texts. It concludes that the administrative records indicate that rituals in practice were less habitually the subject of manipulation and conflict than the literary evidence indicates.  相似文献   
4.
明祖陵神道石刻自1981年首次进行了基础性的整修,2002年又一次进行了大规模的石刻修复,完成了对30尊神道石刻实施残缺补配、裂隙灌浆、表面封护的修复工程。还提出了石刻修复中补配材料是否需做旧的问题。  相似文献   
5.
Arthur's refusal to begin feasting before he has seen a marvel or heard a tale of adventure is a recurring motif in medieval romance. Previous comment on this ritual has suggested that the source for such a taboo on eating may be found in earlier narratives in the Celtic languages. This paper argues that, although the ritual almost certainly originates in pre-chivalric society, romance authors adapted and developed it to reflect the courtly-chivalric preoccupations of their own world. Arthur's ritual gesture may be seen as a means of containing and controlling both interior moral threats and exterior physical peril, and is intimately connected to the courtly conception of the feast. This study draws on the evidence of religious writing and courtesy manuals and explores some highly-developed treatments of the motif in romance in order to suggest that literary engagements with Arthur's refusal to eat have much to say about contemporary ideas of ritual and reality as mediated through the symbolically-charged arena of the medieval feast.  相似文献   
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