评近年来关于知识分子研究的几本史著

学术界近年来关于知识分子问题的研究呈现三大特点：一,“体验中的理解”,利用研究主客体在血脉、情感上的亲密关系,勉力进入先辈生存的精神家园,以理解他们的所思所言所行;二,“建构中的阐释”,力求在某种独特、精致的理论建构中提出假设,表达观点完成叙述;三,“批判中的反思”,通过广义上的学术批判,对古往今来的士之论士、儒之论儒、知识分子之论知识分子的成果进行反思。此外知识分子研究的方法论问题,也值得引起关注。     

柳诒徵的“史德”论及其史学批评

“史德”论是史学理论中的重要范畴之一。这一概念最早由清代史学家章学诚提出,后经梁启超等人进一步阐发。柳诒徵在对章学诚、梁启超等人“史德”论批评与继承的基础上,提出了自己的独到见解。他论述了“有史而德”及“从德而史”的辨证关系,并强调“治史以畜德”的重要性。柳诒徵的“史德”是对前人的补充和发展。     

佛教美术中的维摩诘题材释读

维摩诘题材是中国佛教美术中最为重要且常见的题材之一。早在佛教东渐之初的两汉时期,以维摩诘为主角的《维摩诘经》已经被介绍来中国,伴随经典的翻译传播,维摩诘所代表的融通世、出世间,注重理、行不二的大乘佛教理念在中国寻得了大众,特别是具有儒家传统而兼出世情怀的士大夫阶层的普遍认可,而经中表述的丰富多彩的情节与生动鲜明的形象更使得维摩诘成为远自魏晋以来,广及绘画、雕塑以及诗歌、戏剧、音乐等各个艺术门类的重要题材[1],这使得它在中国文化发展史上的作用,甚至超出了其于宗教范畴内的意义。本文拟就维摩诘作为美术题材的发生、发展及其通例表现形式的宗教蕴意作通览性的考察与探究。     

一部多学科合作的考古著作--读《龙虬庄》

随着考古信息量的增加与研究的深入,对考古报告的编排形式提出了新的要求。《龙虬庄》确立了江淮东部新石器时代化——龙虬庄化,编排形式上体现出化遗物和自然遗物并重的特点。报告对江淮东部古环境、遗址反映的经济形态、人地关系等进行了合理构建和研究。从其所揭示的大量信息来看,《龙虬庄》是一部多学科合作的新体例的考古学作。     

河南南阳市一中新校址汉墓发掘简报

20 0 1年 2月～ 10月 ,南阳市文物考古研究所在市一中新校址发掘古墓葬 4 4 7座 ,出土了大量随葬器物。其中在M 3 6中出土两件泥质灰陶虎座钫壶 ,为古代陶塑艺术佳作 ,系豫西南地区首次发现。     

Craniofacial morphology,diet and incisor use in three native American populations

It has been difficult to infer behaviours related to anterior tooth use in fossil hominids owing to a lack of broad‐based comparative studies of the relationships between front tooth use and craniodental features in modern humans. In this study, we seek to establish such a neontological baseline by exploring aspects of craniodental form among populations of recent humans that are inferred to have differed in habitual levels of ingestive and paramasticatory processing using the incisors. Morphometric data are compared among samples from three human populations: Aleutian Islanders (n=25); Arikara from the Mobridge Site, SD (n=19); and a late Woodland Bluff group from Jersey County, IL (n=24). Data for various biomechanically relevant dimensions were collected using standard callipers, while three‐dimensional (3D) coordinate data for 28 cranial landmarks were recorded using a video‐based image analysis system. These data indicate that several aspects of cranial form thought to influence the efficiency of force production on the incisors differ among the examined groups, including the positions and size of the primary masticatory muscles and the position of the dentition. For most dimensions, the Aleut sample exhibits the most mechanically advantageous configuration, the Illinois Bluff group the least advantageous configuration, while the Arikara are intermediate in form. This pattern corresponds to differences in the intensity of incisor loading among these groups, as inferred from both ethnographic reports and incisor microwear data. These results, therefore, suggest that cranial form in humans varies with subsistence‐related differences in masticatory force production and that quantitative studies of masticatory system configuration may provide useful information for studies of hominid palaeobiology. Copyright © 2000 John Wiley & Sons, Ltd.     

乌鲁木齐早期人类活动与城市形态演变

通过文献记载与考古研究成果,分析了乌鲁木齐早期人类活动的空间分布和唐代轮台城的兴废,并探讨了清代以来乌鲁木齐城市形态演变的规律和原因。认为军政职能是清代城池建筑的主要原因,商业贸易发展是城市形态变异的内动力,现代工业发展是形态突变的根本原因。     

倦勤斋建筑略考

倦勤斋位于紫禁城宁寿宫花园的最北部。本文通过对倦勤斋建筑及现存与之相关的图文档案的研究,考析倦勤斋的修建年代、建筑形制、内檐装修特点及使用情况,并指出其形制、装修与半亩园、敬胜斋的渊源关系。     

Exploring the land development process and its impact on urban form in Hamilton, Ontario

The form of many Canadian cities has dramatically evolved over the past six decades due to urban sprawl. Several patterns can characterize this evolution including unlimited horizontal expansion of the city, leapfrog, and low‐density residential development at the outskirts, and widespread strip commercial and power centre retail development. Hamilton, Ontario is an example of a Canadian city that has experienced suburbanization and sprawled development for several decades. However, the nature of this sprawled development is unclear and its impact on urban form is not entirely understood. In this article, several hypotheses pertaining to sprawled land development and urban form are postulated and tested. The tests rely on point source data of the developed land parcels in Hamilton during the period 1950–2003. A number of spatial statistics techniques, including kernel estimation and complete spatial randomness (CSR) K‐function tests, are employed to examine the emerging nature of urban form. We hypothesize that while the city has been sprawling, the ongoing land development process is leading urban form into multinucleation. To support this assumption, we further hypothesize the existence of an interdependent spatial relationship between residential and commercial land uses at the emerging nuclei. Accordingly, we examine the strength of co‐clustering among these land use activities over time. The findings indicate that while the city has been sprawling, several consequent urban nuclei with mixed land use activities have been emerging and become more visible in recent years. This is an indication that the city's form is progressively becoming multinuclear. Furthermore, the estimates for the 1990s indicate interdependence between the locational patterns of residential and commercial land development. Co‐clustering between these two types of land uses is bi‐directional and occurs at a time lag of three to seven years. These findings affirm the existence of interdependence between land use activities at the observed nuclei, which support the emergence of a multinucleation.     

Putting the “art” back into arts policy making: how arts policy has been “captured” by the economists and the marketers

Abstract: This paper explores the current discourse about arts policy and funding and its placement within an economic paradigm. The models of “cultural industry” and “creative industry” are explored and how they affect arts funding discourse. Similarly the impact of the introduction of the language of industry and business to the arts sector is considered. If bottom-line arguments are used by funders, governments and critics to argue the merits or otherwise of arts activity, how does this affect arts practice? In recent times arts funding agencies have been restructured to reflect a market-driven agenda rather than an arts-driven agenda. The impact of all these issues is considered in the context of Australian arts' models in particular, but with reference to examples in the United Kingdom and the United States of America. The paper concludes with suggestions for a reassertion of core cultural values in future discourse.