Charles of Anjou,Pope Gregory X and the crown of Jerusalem

This article seeks to dispel the popular myth that Pope Gregory X (1271–6) wanted to change the government of the kingdom of Jerusalem by putting Charles of Anjou on its throne through the purchase of the claim of Maria of Antioch. A study of the Angevin chancery records – little used by crusade historians – demonstrates that Charles had an interest and influence in the kingdom before Gregory became pope. An examination of Gregory's papal registers shows that he consistently treated Hugh of Lusignan as king of Jerusalem and that the pope had no desire for anything to disrupt the peace in Christendom that he deemed necessary for his crusade.     

Britische Politiker als Liebhaber der Wissenschaft (ca. 1850–1914) — Zur Ideologie des Amateurismus

The various scholarly and scientific endeavours — comprising both arts and sciences —, which British statesmen persued in their leisure time, transcend the mere biographical aspect. In the light of the slow, yet steady professionalisation of educational and political institutions, many of them modernised or newly created in order to achieve what came to be called “National Efficiency”, the literary and scientific pastimes of men, like Gladstone, Morley, Salisbury, Balfour or Haldane, seemed soon to become somewhat obsolete. Yet, it is argued, that the often professedly amateurish activities did not merely display the traditional hobby attitude to the sciences, so characteristic of the wealthy aristocrat, but in some cases revealed a good understanding of the scientific and educational needs of society, leading up to their active advancement. The British amateurs, it would seem, were pleading for providing a balanced higher education and training, rather than going for the technical excellence of the political rival Imperial Germany, which dazzled and, at the same time, intimidated some of them.     

Captain Everill’s Error: Mapping the Upper Strickland River in Papua and New Guinea, 1885–1979

An error dating from 1885 in mapping the upper Strickland River, Papua New Guinea, was reinforced and extended by government officer Charles Karius in 1929 when reporting results from a lengthy exploratory patrol. Detailed maps produced by the US Army and the Royal Australian Survey Corps in, respectively, 1942 and 1966 perpetuated these errors. It was not until 1979, with release of a series of 1:100,000 topographic maps, that long-standing errors were finally put to rest. Throughout these years, the contributions of well-informed people tended to be ignored in favour of the opinions of those whose status implied authority.     

FROM BREXIT TO HEGEL

British idealism has led an ambiguous existence in any overview of British historical and political thought in the twentieth century. Seen partly as an alien Continental intrusion into presumably typical British priorities of empiricism, positivism, and utilitarianism, it was badly damaged by its putative associations with the military enemy of two world wars. Admir Skodo's meticulous study of British “idealist revisionists” during the postwar period 1945–1980 repairs this damage by showing the extended influence of that idealism as funneled through the “new idealism” of the interwar period represented mainly by the philosophers R. G. Collingwood and Michael Oakeshott. Skodo demonstrates how these idealist revisionists deeply influenced postwar British historiography by underscoring qualities of humanism, pluralism, and variety not characteristically associated with idealism, reinterpreted a range of important topics in British history from the Tudors through the English civil wars to the Victorian period, and came up with political theorizing that celebrated the postwar welfare state while indicating its vulnerabilities to an increasingly technologized society. Just as Skodo's protagonists negotiated the 1970s transition in Britain's turn to Europe, so his account proves stimulating for contemporary concerns regarding a post‐Brexit Britain. The final part of the essay therefore looks at some suggested models, such as the “Anglosphere” or a “Singapore in the Atlantic” for Britain, before concluding with reflections on the importance according to a Hegelian reading of the modern “rational state” of the continued influence of Oxbridge intellectuals on the evolution of British directions and goals since the Victorian age.     

Rethinking the Politics–Religion Distinction

William T. Cavanaugh argues that the politics–religion distinction presupposes covert commitments that inappropriately support a “migration of the holy” from the church to the state. Despite his strong critical instincts, several of his genealogical propensities appear to stand in tension with his commitments to constitutional democracy and the universality of grace. By contrast with Cavanaugh, John Rawls’ post-metaphysical reformulation of the politics–religion aims to identify a public criterion compatible with a plurality of comprehensive doctrines. Although I commend Rawls for retaining some form of this distinction, I question the possibility of a post-metaphysical standpoint and its compatibility with his commitment to what he calls the “fact of pluralism.” Drawing on Bernard Lonergan’s transpositions of human nature and grace in this paper’s final section, I develop an alternative account of the relationship between politics and religion that aims to harmonize some of the strongest insights from the work of Cavanaugh and Rawls.     

The Real vs the Imaginary: Sir William Chambers on the Chinese Garden

Sir William Chambers was one of the most important English architects in the eighteenth-century, but both in his day and later his international recognition was closely connected with his admiration for and promotion of Chinese art, particularly Chinese landscaping. Between 1757 and 1773, Chambers published three treatises praising the ingenious mixture of nature and art in a Chinese pleasure ground, criticizing the then influential English gardener Lancelot (Capability) Brown, and trying to goad English garden design into the direction of China. He did not achieve his purposes mainly because he mixed what he knew as genuine about the Chinese gardening art with what he fantasized about it. While recent scholarship has focused on his fantasy, this article examines what Chambers knew or imagined about Chinese landscaping, what he and his detractors were for and against, and how the fiasco of his 1772 and 1773 treatises, which he brought upon himself, nevertheless helped to usher in a new phase in the English reception of Chinese landscaping ideas.     

Railway Architecture: The Great Northern Railway (Ireland) at Dundalk

ABSTRACT

This article is adapted from the dissertation ‘Railway Architecture: The Great Northern Railway (Ireland) at Dundalk’, completed by Siobhan Osgood for the MPhil in Art History: Art + Ireland, where it was awarded a distinction. The study provides an historical analysis in the context of architectural development and broader railway culture in Ireland to provide an interpretation and understanding of the use of polychromatic yellow, red and black brickwork to create a visual identity for railway architecture. The use of accented colours to pick out key features is repeated across a series of buildings, thus creating a distinctive style of ‘brick-branding’. These are most prominent in the town of Dundalk, where the GNRI had its central engineering works at the halfway point on the Dublin to Belfast mainline and at the point where the Irish North line extended west and north. The buildings were each intricately designed by the GNRI's first chief engineer, William Hemingway Mills, a second-generation railway engineer who merged the roles of architect and engineer using an amalgamation of architectural designs from his earlier career in Derby, Scotland, Mexico and Spain. Mills thus created his own ‘Millsian’ style of industrial architectural design.     

Nomadic,ecstatic, magic: Arctic primitivism in Scandinavia around 1900

The aim of this article is to delineate the term “Arctic primitivism” in an aesthetic context and, by means of three examples from Scandinavian artists whose works were also the subject of ethnological discussions, to give an illuminating impression of Scandinavian Arctic primitivism around 1900. First some conceptual considerations about the combination of Arctic and primitivistic discourse will be presented. Then three examples for the “primal conditions” of an aesthetic conception of Arctic primitivism will be discussed: the nomadic, the ecstatic, and the magical. They serve as counter principles to modern categories such as spatial fixedness, linear chronology, and rational thought. Emilie Demant Hatt’s visual art stands for the nomadic principle; the Swedish cartoonist Ossian Elgström deals with ecstatic states; and the poems of Danish “eskimologist” William Thalbitzer show his fascination with indigenous magical incantations as an alternative to rational thought. All examples illustrate the artists’ interest in an authentic and uncorrupted culture, which they reflect on with awareness of inauthenticity and second-hand acquisition. The effects of duplication, simultaneity, and secundarity arising from the three principles drive a reflective discourse on media through which awareness of the crisis of modernity is sublimated, revealed, or made the subject of artistic exploration.     

Marring the Memory: The 1967 Vimy Ridge Commemorations and Canada-France Relations

Commemorating Canada's legendary April 1917 battle of Vimy Ridge has normally proven an emotive event of national importance, symbolic of shared Canadian and French wartime trials and given mostly to remembrance of Canada's war dead. Since 1936, the ridge has been graced by the massive Canadian National Vimy Memorial, for decades the site of impressive and solemn annual ceremonies. But Canada's 1967 50th anniversary celebrations of the battle – a showpiece of the national centenary celebrations – became mired in controversy. French President General Charles de Gaulle was deeply offended that Canada had invited Prince Philip to the event without consulting Paris. It was a stunning diplomatic blunder, especially since Canada's relations with France already were tense as a result of de Gaulle's tacit support for the cause of Quebec independence. Consequently, an opportunity to commemorate a signal event in Canadian history devolved into a fractious bilateral debate and led to a shocking and much-deplored French boycott of the ceremonies. This article adds to the history of commemoration as foreign policy and argues that the Vimy incident had major consequences on France–Canada relations and played a role in France's growing encouragement of Quebec separatists.     

Godot’s Shakespeare

While the connection between Samuel Beckett’s Waiting for Godot and King Lear has become something of a critical commonplace, references to other Shakespeare plays can also be found throughout. This essay traces Godot’s debt to two plays in particular. First it argues how Godot not only draws on Hamlet’s graveyard scene for macabre imagery, but how it also construes an extended meta-theatrical parody of Hamlet’s soliloquies about the contrast between acting and talking/thinking. The second half of the essay proposes a number of connections with The Tempest, and specifically with its “salvage and deformed slave” Caliban. It argues how the figure of Caliban not merely functions as a model for a colonial power-dynamic that can be seen to operate here and elsewhere in Beckett, but how Caliban is equally significant as a lyrical figure whose great speech about sleeping, waking, and dreaming informs Beckett’s play in a number of ways.