Cultural Heritage and Communities Coexisting: Public Archaeology in Cambodia, 1999–2009

Abstract

This paper outlines the background, planning and execution of a programme of public education around the archaeological site of Banteay Kdei in Cambodia. This was aimed at interesting and involving local communities in the research carried out at the site, and providing opportunities for further engagement. The programme was conducted within the established Japanese model of gensetsu, organized educational visits to working archaeological sites. The paper discusses the practicalities of establishing gensetsu at Banteay Kdei, including bureaucratic and practical obstacles, and the rewards of working with local schools.     

The Construction Process of the Angkor Monuments Elucidated by the Magnetic Susceptibility of Sandstone*

The Angkor monuments in Cambodia are mainly constructed of grey to yellowish‐brown sandstones. No differences in the constituent minerals and in the chemical composition of the sandstones have been confirmed among the monuments. However, we have found their magnetic susceptibility a useful parameter by which to distinguish them. The principal monuments of Angkor Wat, Ta Prohm, Preah Khan, Banteay Kdei and Bayon, constructed from the Angkor Wat period to the Bayon period (from the beginning of the 12th century to the beginning of the 13th century ad ), were investigated in detail using a portable magnetic susceptibility meter. We succeeded in dividing the periods of construction into stages. This elucidated the enlargement process of the monuments and correlated their construction stages.     

STUDY ON THE PIGMENTS IN THE CRUCIFORM GALLERY OF ANGKOR WAT,CAMBODIA

In the cruciform gallery of Angkor Wat in Cambodia, red, orange, white and black pigments were widely painted on the surfaces of pillars, walls and friezes. The application sequence of the pigments is different from area to area. The following substances were confirmed from the pigments: hematite (laterite), minium, calcium oxalate hydrates (whewellite and weddellite), Pb–Cl compounds (cotunnite, laurionite and blixite), calcium phosphates (whitlockite), gypsum, hydrocerussite, calcite, anglesite, lead dioxide, azurite and carbon black. The orange pigment (minium) underlies the red pigment (hematite). The former may have been applied at the time of the foundation (the Angkor Wat style period), and the latter in the Bayon style period or later, but mainly before the early 17th century of the current era.     

TOWARDS A QUANTITATIVE PETROGRAPHIC DATABASE OF KHMER STONE MATERIALS—KOH KER STYLE SCULPTURE

A comprehensive quantitative petrographic database of sandstones used by the Khmers for sculptural purposes would be a helpful tool for archaeologists, museum curators and others interested in pursuing research on early stone usage, geological source and provenance. Towards that end, this paper presents quantitative petrographic analysis of stone materials used in the production of some free‐standing sculptures and architectural elements in the Koh Ker style of the 10th century from the collections of the National Museum of Cambodia and The Metropolitan Museum of Art. These materials are compared to samples from the quarry of Thmâ Anlong near the foothills of the Phnom Kulen, Sieam Reap province. Primary and secondary detrital modes and key grain‐size parameters are used to identify three sandstone types. The free‐standing sculptures are carved from feldspathic arenite and feldspato‐lithic to litho‐feldspathic arenite. Finely carved lintels are worked from a quartz arenite, which is significantly richer in quartz grains and of a finer grain size. The geological source of the two other lithotypes will have to await detailed geological survey of the Koh Ker area accompanied by petrographic study of selected samples from documented quarries. The significance and potentiality of quantitative petrographic study of Khmer stone materials are shown in supporting and integrating archaeological investigations in South‐East Asia.