Report on the pottery from Tell Sufan in Nablus,Palestine

ABSTRACT

This research report aims to give detailed information on the pottery from the 1999 and 2013-16 excavation campaigns taking place at the Tell Sufan site in Nablus, Palestine. These were conducted by the Department of Antiquities at An-Najah National University (ANU) in Nablus. It is of note that this ancient pottery has never previously been the subject of research nor has any literature been published on it. Our methodology consists in: analysing the pottery by identifying it, typifying it, and giving it a function; providing chronological information on the site; comparison of the pottery with that from other sites in Palestine, using archaeological information from the site; and contextualising our findings with other historical and archaeological studies. Examination of the functional use of the pottery allows us to demonstrate human activity at the Tell Sufan site, giving information on the most prosperous phases of occupation in regard to economic aspects, through the late Bronze Age, Iron Age and Byzantine-Early Islamic periods.     

Poets and Teachers in the Underworld: From the Lucianic katabasis to the Timarion

Building on the classical tradition, which was strongly emulated in the Second Sophistic, Lucian used the katabasis motif (as we know it from, e.g., the Odyssey’s book 11) and staged various meetings in Hades. These Lucianic encounters were later rewritten by Byzantine authors who adapted them in order to express comical, critical, or subversive approaches towards power structures. In the present article, special focus will be placed on twelfth-century Byzantium and the anonymous dialogue Timarion. It is argued that the author of the Timarion used the Second Sophistic tradition of Lucian in order to discuss contemporary questions of the Greek literary and rhetorical heritage. He created a fictional space that displayed ancient learning and allowed discussions of contemporary culture in a textual parody with satirical functions.     

Seismic vulnerability assessment and fragility analysis of stone masonry monastic temples in Sikkim Himalayas

Buddhist monasteries in Sikkim Himalayas constitute important religious and architectural heritage. These random rubble (RR) stone masonry structures located in high seismically active regions of the Himalayas have suffered varied degrees of damages in the past earthquakes. The study presents seismic vulnerability assessment of four archetypal monastic temples using finite element (FE) analyses. Linear and nonlinear analyses of these structures were conducted in Abaqus FE environment. These analyses identified the damage prone areas of the structures and provided load-deformation behavior under lateral loads. Fragility analyses indicate a high probability of collapse for the specified design level earthquake of the region. The study shows that performance of the structure can be enhanced by improving the strength and stiffness of the stone masonry walls.     

The Queen's preferred chant and Greece's nineteenth century Orthodox‐Christian national problem

When in 1875 Queen Olga of Greece insisted a multi‐part chant be introduced in the Athens Cathedral, a widespread debate about the influence of Western European culture upon Greek‐Orthodox tradition was initiated in Athens. With a significant part of this debate originating in mid‐century Vienna, and Russian musical influences affecting the form of the otherwise ancient Byzantine chant, the issue of polyphony acquired cultural‐historical dimensions intimately connected to historical continuity and the Orthodox‐Christian musical tradition. The debate transformed rapidly from a musicological enquiry into a matter of national identity, and an otherwise innocent aesthetic choice showcased the musical dimensions of Greek national claims at continuity. This article examines the historical contingencies that fuelled this debate, showcases the importance of patronage for musical transference and highlights the potency of Greek national Orthodoxy as a carrier of historical continuity for the ethnic group, here seen through music.     

Petra,taxes and trade reconsidered in the light of the Petra Church archive

Much has been written about the Petra Papyri since their discovery in 1993. However, little has been published on their connection with taxes, and our understanding of Petra and trade has changed considerably in the last couple of decades. The papyri provide plenty of information concerning the material culture of Byzantine Petra. The purpose of this paper is to review the economic and historical information in the papyri related to taxes on the land, and to understand the economic reality in Petra and its hinterland during the Byzantine period. The papyri indicate the existence of a stable society and continuity of human settlement in Petra and its neighbouring areas such as Udhruh and Al-Sadaqa, especially after the frequent earthquakes that threatened the region between the fourth- and seventh-centuries AD. It is clear from the papyri that there is an advanced tax system in the Petra region during the sixth-century AD.     

清宫扎什琍玛造像的来源及像式类型分析

扎什琍玛佛像因特征明确、像式丰富、工艺精细,在故宫珍藏的佛教造像中独树一帜。清宫的扎什琍玛像多附有皇家特有的黄条题记。本文从这些黄条所记内容入手,结合档案资料,对此类造像进行来源、类型及题材风格的细化探究,并进一步说明扎什琍玛对清宫佛教造像风格的深刻影响及其在促进西藏与内地政治、经济、文化联系方面曾经发挥的历史作用。     

The Dor 2001/1 Byzantine Shipwreck,Israel: final report

Dor 2001/1 was a Byzantine coaster, about 16.9 m long, with an estimated displacement of 50 tonnes, dated to the first third of the 6th century CE, and loaded with building stones. It was excavated over five seasons, recorded under water, and a section of the shipwreck was retrieved and studied on land. The hull construction was based on frames without any type of planking edge‐fasteners. It is thus among the earliest frame‐based shipwrecks found so far in the Mediterranean. The origin of its construction tradition, with flat frames amidships, hard chine and straight sides, might have been related to a riverine tradition.     

The Dor 2001/1 Shipwreck, Israel—a Summary of the Excavation

Dor 2001/1 was probably a Byzantine coaster carrying building stones, dated to the end of the 5th or beginning of the 6th century AD. No shell-first construction features were identified, specifically no kind of planking edge-joints; but instead all the essential components showed that it was a frame-based hull. Thus it is apparently among the earliest frame-based shipwrecks found so far in the Mediterranean.
© 2006 The Authors     

Fishing Gear from a 7th-Century Shipwreck off Dor, Israel

The ancient anchorage of Dor, Israel, contains wreck-sites from several periods. Underwater exploration of one Byzantine wreck discovered the remains of a medium-size boat constructed with iron nails. Coin-finds dated it to c .665 AD, after the Muslim conquest. The wreck was probably caused by natural agents, but an event in the Byzantine-Muslim conflict can not be discounted. The artefacts include a group of objects testifying to the practice of light-fishing. Literary sources indicate a prevalence of light-fishing, but archaeological finds are very rare. This discovery clearly indicates light-fishing in late antiquity. A sounding-lead and steelyard can be seen as auxiliary to the fishing.
© 2007 The Authors     

The value of empire: tenth-century Bulgaria between Magyars,Pechenegs and Byzantium

The article seeks to explain the connection between the migration of the Magyars and Pechenegs in central and south-east Europe, in the late ninth and early tenth century, and the conflict between Byzantium and Bulgaria during the same period. Through reference to anthropologists discussing the relations between nomadic and sedentary societies (Khazanov, Barfield), and historians studying medieval rituals (Buc, Althoff, Koziol), the article interprets the aggressive policy of the Bulgarian tsar Symeon as a consistent effort to displace Byzantium as major partner of the nomadic polities in the area. By subverting the principles of Byzantine diplomacy and political culture, Symeon turned his own kingdom into a society-structuring factor in the nomadic world. The article evaluates the very meaning of imperial claims not so much in legal terms, as an effort to guarantee Bulgaria’s sovereignty in a Byzantium-centred world, but in the real-time capacity of a ruler to make use of imperial symbols and act upon the dynamically changing conjuncture.