彼得·布朗对基督教化问题的新认识

基督教在晚期罗马帝国的兴起,自爱德华·吉本《罗马帝国衰亡史》问世以来就一直是学术界关注的焦点。20世纪70年代,爱尔兰裔美国史家彼得·布朗系统地提出解释罗马帝国和古典文明命运的"晚期古代"理论。在晚期古代视角下,布朗通过文本证据与考古证据相结合,并借助后现代的"解释学的怀疑",以及"表象"理论,解构关于基督教化的传统叙事,并提出关于基督教化问题的新观点。他认为,基督教化是缓慢的不彻底的进程;是关于宇宙的集体表象的改变;具有多样性的特征。布朗的基督教化理论,更关注从多神教到基督教一神教转变过程的复杂性,注重两者的相互影响和作用,在对过程的把握中探讨文化的冲突与融合,历史的连续与断裂。     

Not all dogs go to heaven,some go to Battersea: sharing suffering and the ‘Brown Dog affair’

This paper concerns the memorialisation of a dog's (after)life. It traces the story of the ‘Brown Dog’: a terrier allegedly vivisected in 1903 by English physiologist Sir William Bayliss and subsequently commemorated by two statues in Battersea, London. Each statue has been the locus for ethical encounters between human and animal, and I draw upon the work of Donna Haraway to explore them. The first, installed in 1906 in Battersea borough, enjoyed a prominent social existence at the centre of Edwardian anti-vivisectionism. The second, by contrast, erected seven decades later in 1985, was welcomed with minimal fanfare and now sits, an obscure curiosity, in a corner of Battersea Park. Both statues attempt to honour the non-human lives lost through the unequal and instrumental power relations of animal testing. Here, I see the statues as experimental means of ‘paying attention to’ the suffering inflicted through animal experimentation and vivisection, mobilising Haraway's concept of ‘shared suffering’. I also argue that their varied success demonstrates how both the nature of and responses to the animal suffering they embody are historically contingent. The paper follows recent trends in animal geography arguing that explorations of ‘discomforting encounters’ might offer better ways of relating with animals.     

Sleepwalking through History: Medicine,Arts, and Courts of Law

Somnambulism, or sleepwalking, has always been of interest to theologians, writers, philosophers, physicians, and others fascinated by unusual behaviors. This parasomnia, which was defined less precisely in the past than it is today, has long been featured in medical dissertations and books of medicine. Further, Shakespeare, Bellini, and Brown, among others, incorporated it into their plays, operas, and novels. Because some somnambulists turned violent and committed other acts detrimental to society, sleepwalking also demanded attention from legal systems, and guidelines were set for whether somnambulists could be held responsible for their actions. This historical review focuses on these developments pertaining to somnambulism through the seventeenth, eighteenth, and nineteenth centuries.     

木雕文物的褐腐菌害

为对一尊唐代木雕佛像严重朽蚀的原因进行调查,用扫描电镜观察,对样品的综纤维素、木质素含量等进行分析测定,并对菌进行培养。实验结果表明,木材纤维中有菌丝,真菌孢子,经一定温湿度培养后,腐朽木材上的孢子有发展,说明该真菌在原介质上存活,在合适的环境条件下,将会继续起菌害作用。分析数据说明,综纤维素含量大大降低,木质素的相对百分比含量大大升高,这是综纤维素及其相伴生的戊聚糖受真菌破坏分解的结果。此等菌害的表现应该是属褐腐菌对木材破坏的结果。由于褐腐菌对木材短时间内就能产生强大的破坏力,因此,对木质物的保护要特别重视褐腐菌的侵害。     

Variation in tooth mark frequencies on long bones from the assemblages of all three extant bone-collecting hyaenids

Tooth mark frequencies on long bones are examined from the assemblages of all three extant bone-collecting hyaenids. Comparisons are made with a recent study examining tooth mark frequencies and possible sources of variation from a single spotted hyaena (Crocuta crocuta) assemblage (Faith, J.T., 2007. Sources of variation in carnivore tooth-mark frequencies in a modern spotted hyena (Crocuta crocuta) den assemblage, Amboseli Park, Kenya. Journal of Archaeological Science 34 (10), 1601–1609). The factors that may influence tooth mark frequencies are fragment size, fragments from different sized animals, region of skeletal element and bone density. All four factors are examined in the present study and compared across species and with previous results. The results indicate that there is a great deal of variation in tooth mark frequencies not only between the species but also from the same species.     

Identification of fossil hairs in Parahyaena brunnea coprolites from Middle Pleistocene deposits at Gladysvale cave,South Africa

This research focuses on scale pattern and cross sectional morphology of hair to identify an expanded sample of fossil hairs from Parahyaena brunnea coprolites from Gladysvale cave in the Sterkfontein Valley, South Africa. The coprolites are part of a brown hyaena latrine preserved in calcified cave sediment dated to the Middle Pleistocene (257–195 ka). Forty-eight fossil hairs were extracted from 12 coprolites using fine tweezers and a binocular microscope, and examined using a scanning electron microscope. Hair identification was based on consultation of standard guides to hair identification and comparison with our own collection of samples of guard hairs from 15 previously undocumented taxa of indigenous southern African mammals. Samples were taken from the back of pelts curated at the Johannesburg Zoo and Ditsong National Museum of Natural History (formerly Transvaal Museum, Pretoria). Based on the fossil hairs identified here, this research has established that brown hyaenas shared the Sterkfontein Valley with hominins, warthog, impala, zebra and kudu. Apart from humans, these animals are associated with savanna grasslands, much like the Highveld environment of today. These findings support the previous tentative identification of fossil human hair in the coprolites, provide a new source of information on the local Middle Pleistocene fossil mammal community, and insight into the environment in which archaic and emerging modern humans in the interior of the African subcontinent lived.     

Art That Makes Itself and other generative beginnings: Paul Brown interviewed by Bronaċ Ferran

ABSTRACT

In an interview with Brona? Ferran, Paul Brown recalls his involvement with people and places formative in shaping important countercultures of the 1960s and his long-term interest in generative art processes. He describes his interests since childhood in art and technological thinking which was further inspired by the Cybernetic Serendipity exhibition at the ICA in 1968. Shortly before seeing this, he had left art school, discouraged by a tutor who, on seeing a system-based drawing he had made, told him he would never become an artist. This exit proved liberating as Brown swiftly went on to forge an autonomous route working on light-shows and other multimedia events particularly at The Blackie in Liverpool, which had links to Drury Lane Arts Lab and other centres of radical experimentation. He returned to college in the early 1970s to study art and computing which became the basis of his successful art career.     

景德镇湖田窑北宋褐彩瓷枕的化学组成及工艺特征分析

景德镇湖田窑北宋仁宗时期(1023—1063年)新出现了褐色点彩装饰器物,其工艺特征、技术来源和对景德镇元代以后釉下彩绘工艺的影响一直受到广泛关注。研究采用能量色散X荧光光谱分析仪、光学相干断层扫描仪、体式显微镜、高温热膨胀仪等,分析了8件北宋褐色点彩瓷枕样品的胎、釉、彩的化学组成,及胎体吸水率和烧成温度,初步揭示了景德镇湖田窑出土北宋褐色点彩瓷枕的制作工艺和化学组成特征。结果显示,褐彩瓷枕胎体表面留有明显的网格纹痕迹,在棱边内侧有镶接和泥条加固痕迹,应是在布上拍打成泥片后,逐面镶接成型制得;胎体烧结状态、烧成温度和吸水率相差较大,表面褐色图案为采用富铁原料在胎体表面彩绘后,施灰釉后经1100℃以上高温一次烧制而成。研究结果不仅有利于明晰其化学组成特征和工艺特征信息,而且将为研究和揭示景德镇早期彩绘装饰的发展提供科学参考。     

The hyaena in dynastic Egypt: Fancy food or fantasy food?

The extensive city of Tell el‐Amarna was constructed by the Pharaoh Akhenaten, and occupied for only 15 years until his death in 1332 BCE. Among the sites excavated, there is the ‘Workmen's Village’, a small detached village with closely grouped houses, yards and animal pens. Among the identified animal bones excavated from there are those of the striped hyaena, Hyaena hyaena. Tomb and temple scenes, mainly from the Old Kingdom, show hyaenas as ritual offerings or associated with hunting events, even under close husbandry, restraint and special feeding. The meaning of these scenes is considered in relation to the definite evidence for butchery and muscle stripping seen on these bones. Hyaena meat may well have posed a threat to the consumer as a probable carrier of trichinosis, a disease now known from mummified human tissues from ancient Egypt. Copyright © 2010 John Wiley & Sons, Ltd.     

Prophetic Perfectionism: The Afterlives of Nat Turner and John Brown

ABSTRACT

Recent fiction, film, art, and scholarship on nineteenth-century American abolitionists Nat Turner and John Brown shed light on the politics of their prophetic religion. Both men led violent rebellions against slavery for which they were executed. Prophetic perfectionism drove Turner and Brown but tended to fade in works about them. Exceptions to this pattern of reception include Jacob Lawrence's John Brown series (1941), Nate Parker's film The Birth of a Nation (2016), and Ted Smith's book Weird John Brown: Divine Violence and the Limits of Ethics (2014). This essay situates Turner's and Brown's prophetic perfectionism and their reception in the context of contemporary political theologies and aesthetics of religion and race.