“In Front of the World”: Translating Beatriz Nascimento

This collection translates some of the work of the influential Black Brazilian thinker and activist Beatriz Nascimento (1942–1995) for the first time into English, in collaboration with her only daughter, Bethânia Gomes. Historian, poet, theorist and organiser, Beatriz Nascimento was a key figure in Brazil’s Black Movement until her untimely death in 1995. She dangerously wrote at the height of Brazil’s Military Dictatorship (1964–1985), and theorised extensively on the Black condition in Brazil; the unique experience of Black women; and quilombos—Brazilian maroon societies that she imagined as spaces of both historical and contemporary fugitivity. Following Alex Ratts, this introduction outlines her contribution to radical geography, in particular Black geographies, territoriality and embodiment. It also positions Nascimento within the trans‐Atlantic Black radical tradition. We present two of Nascimento’s essays in translation here. The first, “The Concept of Quilombo and Black Cultural Resistance”, introduces a crucial strand of her scholarly work, on the history and socio‐political significance of quilombos (maroon communities). The second, “For a (New) Existential and Physical Territory”, shows Nascimento in a different mood: philosophical, reflective and iconoclastic. In addition, two of her poems—“Dream” and “Sun and Blue”—are also translated here for the first time.     

“A plantation can be a commons”: Re‐Earthing Sapelo Island through Abolition Ecology

This paper is based on the 2018 Neil Smith Lecture presented at the University of St Andrews. It considers the plantation past/futures of Sapelo Island, Georgia, one of the Sea Islands forming an archipelago along the US Southeastern coast. I work through the abolitionist efforts of the Saltwater Geechee’s who have resided there since at least 1803 to better understand how we can mobilise an emancipatory politics of land and property and to produce commons that work to repair and heal the violence done through enslavement and ongoing displacement. I weave together a series of historical threads to better situate linked ideas of abolition democracy and abolition geography, and to extend the notion of abolition ecology as a strategic notion to connect Eurocentric based political ecologies with the emancipatory tradition of Black geographies.     

The religious self-alteration of Shem Irofa'alu during the anti-colonial Maasina Rule in Solomon Islands (1944–1953)

This essay explores the post-World War Two anti-colonial Maasina Rule in north Malaita, Solomon Islands, to show how a church leader Shem Irofa'alu decided to establish a religious movement independent of the state and the traditional evangelical church. Irofa'alu's movement indexes an important moment of culture change towards increasing enthusiasm for the often-overlooked Christianity-based forms of sovereignty in the region. It highlights that Maasina Rule was not only a powerful rupture in social processes, but also sharpened the growing division between state and church. Irofa'alu's role in Maasina Rule shows that his influence peaked between 1948 and 1950 and then went into rapid decline. This change in fortune coincided with a critical turning point in the colonial government's attempts to end the movement through appeasement. No longer the head of the evangelical church in Malu'u sub-district and frustrated about the mother church's governance, Irofa'alu retreated to his home area and set about establishing a new church, Boboa (‘Foundation’), his first attempt at organizing a self-governing assembly before introducing Jehovah's Witnesses in north Malaita. In later years, Irofa'alu became a prophet-exemplar for new generations of religious leaders trying to establish Malaitan sovereignties based on their own power to move the truth of prophecies away from foreign state and church organizations.     

Hiriira Spatiotemporalities: Mapping Oromo Women’s Liberation in Post-Imperial Berlin

In September 2020, Oromo women marched through the streets of Berlin, Germany, demanding recognition for their struggle. This protest march, called a Hiriira in the Oromo language, offers a case study into the entanglements between settler colonial Ethiopia, Germany’s post-empire, and the forces of oppression which link them. This paper uses the spatiotemporal reckonings generated from the Hiriira perspective to understand violence and elucidate the practices of resistance that have emerged despite it. These contrasting ways of viewing space and time are expressed through the tension between imperial spatialising, a way of knowing the world that is imperial and oppressive in nature, and geography guraacha, a Black and Blackened way of knowing space with a particularly Oromo perspective. The result is a type of mapping, tracing the Hiriira route across Berlin while describing the histories that shadow these streets, and the pathways towards liberation that Oromo women are organising.     

Refining Woodland Period Chronology and Interactions in Northeastern Missouri: Contributions from the Avenue of the Saints Project

The recently completed Avenue of Saints (AOS) highway project in the Mississippi Valley of northeastern Missouri resulted in the documentation of Woodland period sites ranging from approximately 200 cal BC to AD 1200. This article updates the existing Woodland chronology for this locality based on new information collected during the project. Data pertaining to Early, Middle, and Late Woodland sites are presented. The approximately 1,400-year occupation span provided researchers an opportunity to view diachronic trends in tool manufacture, subsistence economy, and landscape use. Based on regional comparisons of ceramic and lithic technologies and vessel decoration, the Woodland sequence in northeastern Missouri was influenced by population movements originating from east of the Mississippi River and from southern sources in the Salt River valley.     

Feminist digital geographies

At a moment when disciplinary attentions are turning to the digital as a subject and object of geographic inquiry, we consider enduring contours and new directions in feminist digital geographies scholarship. We revisit the centrality of feminist critiques of Science to critical digital geographies and their predecessors, identifying axes of scholarly engagement that have emerged from feminist theory and praxis. Simultaneously, we acknowledge the resounding whiteness and heteronormativity of these theoretical origins. In the second half of the article, we trace new horizons of contemporary digital geographies scholarship that engage queer and critical race theory, postcolonial feminism, and black and queer code studies. These theoretical moves give voice to longstanding silences and are indispensable to a political and ethical digital geographic scholarship and praxis, as well as to re-making our technologies and ourselves as digital subjects.     

The Ereğli E Shipwreck,Turkey: an early Hellenistic merchant ship in the Black Sea

A shipwreck from the early 3rd century BC was discovered in the Black Sea's suboxic depths off Ere?li, Turkey, during the 2011 E/V Nautilus expedition. Remote investigation revealed the trawl‐damaged remains of a merchant ship carrying multiple amphora types associated with Aegean and Pontic production areas. Also discovered were elements of the ship's hull that show evidence of both pegged mortise‐and‐tenon and laced construction. The wreck provides crucial archaeological evidence for both maritime connectivity and ship‐construction methods during a period of political and economic transition.     

New Architectural Models and Building Tradition: A Dialogue in Early Modern Sardinia – The Jesuit Church in Sassari

Architecture in early modern Sardinia is characterized by a strong continuity with previous practices. In the second half of the 16th century, new models join the Gothic building tradition, linked in particular to trends in military engineering and Classicism of the Catholic Counter-Reformation. The Jesuit church in Sassari offers an interesting example of the intertwining of these architectural modes, which originated with a sudden change of leadership at the site. Giovan Maria Bernardoni, an Italian Jesuit architect, initially modeled the church after the Gesù in Rome, and it was partially built under his direction. After his departure from Sardinia, local master builders finished the construction, following the Gothic tradition and possibly some external influences. This article analyzes the church, particularly focusing on the challenges presented by its articulated vaulting system completed between 1587 and 1609.