A Great Big Melting Pot: Exploring Patterns of Glass Supply,Consumption and Recycling in Roman Coppergate,York*

One hundred and ninety three glass fragments from the canabae in York were analysed (first to fourth centuries). They fall into six compositional groups: antimony colourless (Sb), high‐manganese (high‐Mn), low‐manganese (low‐Mn), mixed antimony and manganese (Sb–Mn), high iron, manganese and titanium (HIMT) and plant ash. Some groups represent production groups, some of which appear to be in limited supply in this western outpost, but are more prevalent elsewhere, and others reflect changing supply mechanisms. The majority of glasses fall into groups that demonstrate extensive recycling of glass. This has important implications for determining provenance using trace elements and isotopes.     

寺观彩塑的制作工艺与保护研究

本文在对寺观彩塑的制作材料和制作工艺剖析的基础上,探讨了物理因素、化学因素、生物因素及人为因素对彩塑产生的破坏,并提出了针对性的保护措施,该研究对寺观彩塑的修复及保护具有参考价值.     

The composition of late Romano-British colourless vessel glass: glass production and consumption

One hundred and twenty-eight colourless glass tablewares from settlement contexts throughout the British Isles, dating from the mid-3rd to 4th century AD, were analysed by ICP-AES spectrometry. Three distinct compositional groups were identified based upon the use of different decolourisers and primary raw materials, with possible sub-groups within these. These compositions have distinct, but overlapping chronological ranges, suggesting colourless glass production in at least three, possibly more, centres in the late Roman period. The compositional analysis highlights the high degree to which recycling of glass was taking place during this late period. The chronological distribution of some of these compositions is more restricted within the British assemblages than is observed in other published assemblages from Western Europe. This distinction may indicate different supply patterns of glass to the Western provinces.     

鲁北—胶东盐业考古调查记

本文通过对鲁北莱州湾和胶东半岛16个县市和出有盔形器的遗址进行了调查,对盔形器的形态演变、分布区域、使用功能等进行了初步研究,并与国内外有关遗址和类似器物作了比较分析,确认菜州湾沿海包含大量盔形器的遗址是商周时期的制盐作坊,而盔形器则是制盐的特殊用具.     

Opacifiers in Late Bronze Age glasses: the use of ToF-SIMS to identify raw ingredients and production techniques

Time of Flight Secondary Ion Mass Spectrometry (ToF-SIMS) is applied to the study of four samples of opaque glass of Late Bronze Age date. The technique is uniquely capable of identifying compositional heterogeneity at a sub-micron resolution within the crystalline opacifiers dispersed through homogeneous glass matrices. It is shown that this provides crucial information on the possible raw ingredients of the opacifying inclusions used, and has the potential for highlighting regional variations in the production technology involved in creating different colours of opaque glass.     

Lipid residue analyses of Early Neolithic funnel-beaker pottery from Skogsmossen,eastern Central Sweden,and the earliest evidence of dairying in Sweden

This study address the question of the use and function of Early Neolithic (4000–3000 cal. BC) funnel-beaker pots from Mälardalen in eastern Central Sweden. The material studied is pottery from a wetland offering at the site Skogsmossen in the province of Västmanland. While deposited under ritual circumstances in a fen, the pots were likely used in a domestic domain on the settlement adjacent to the offering fen, prior to final deposition. The lipid analysis indicate a varied vessel use, there are traces of aquatic resources, plants, terrestrial animals and milk. The identification of milk residue is the oldest so far from Sweden.     

樽奁考辨

文献中,樽与奁这两种器物常常被混淆。"奁"是主要用来存放与梳妆相关的器物,战国时为单层,汉代的时候出现双层奁同时流行多子奁。奁以圆形为主,带盖,常集彩绘、嵌扣、贴金银箔等多种工艺为一体。"樽"则为战国时期出现的日常实用酒器,分盆形和筒形两大类,胎骨多为铜胎或木胎,分为有盖和无盖,底下常有三足。     

Remembering the German Past in the Czech Lands: A Key Moment Between Communicative and Cultural Memory

The objective of this paper is to document the ongoing shift from communicative to cultural memory of war and post-war events in the Czech Republic by using an example of a local struggle about a memorial for German inhabitants of a Czech town killed in June 1945. Thanks to an anthropological and social geographical approach based on interviews, family memory research, observations, and analysis of archive materials, it is possible to reconstruct the local and international sources of the post-1989 collective memory of the German past in Central Europe. This memory is still in constant conflict with the pre-1989 version of Czech national history which had contemptuously marginalized its German component. The communicative memory of the German past has entered the public space and tries to become a permanent part of the Czech cultural memory, but it is not a straightforward process, mainly due to the continuously strengthening nationalistic framing of memory within Central Europe.     

古建油饰彩画的制作技术分析研究

为了对中国特有的古建油饰彩画制作技术加深了解,促进古建油饰彩画传统工艺科学化,采用X射线衍射仪、X射线荧光光谱仪、扫描电镜、体视显微镜等仪器对采自蒙古博格达汗宫博物馆、北京颐和园、甘肃嘉峪关、山西太符观等古代建筑的油饰彩画样品的制作技术进行了分析研究。结果表明,测试的样品分别采用了一麻五灰、一布四灰、单披灰等多种工艺制作地仗;麻纤维广泛应用于样品纤维层中,仅样品YHY-22使用了棉布;颐和园和博格达汉宫博物馆的样品以砖灰作为地仗无机填料,嘉峪关样品使用了白土粉,而山西古建样品则可能使用当地的土壤。可以得出结论:几个地区古建油饰彩画的制作材料和技术是有所不同的。     

中国报刊生产的空间特征与区域发展趋势预测

报刊的出版发行工作的效果与报刊生产地的空间区位密切相关。目前国内外地理学界对此问题的研究见诸文字的还不多见,这一研究领域急待发展。本文分析了我国报刊生产空间分布特征,划分了报刊生产的空间功能类型区;进行了报刊生产的区域发展趋势预测。