《玛丽·巴顿》中的情感结构

19世纪以来,随着工业革命的横空出世,英国社会中工业资产阶级与无产阶级的矛盾日益尖。这一社会状况真实而深刻的反映在众多当时的小说中,盖斯凯特夫人的小说《玛丽·巴顿》就是其中代表,本文通过分析小说情节安排,人物塑造,矛盾冲突等,发现作者内心复杂的矛盾与冲突:即对工人阶级悲惨遭遇的同情与对以激烈的手段变革社会以及由此导致的社会动荡的恐惧。本文以雷蒙威廉姆斯的情感结构为理论框架,对《玛丽·巴顿》进行分析,力图揭示出19世纪工业社会的普遍状况与时人的普遍社会心理。     

The Visual Inheritance: Collections of Historical Photographs from Papua New Guinea

Knowledge about historical photographic collections of Papua New Guinea (PNG) is limited both in source communities and amongst scholars. This article aims to shed light on significant collections of PNG photographs, describing some of the collections, and pointing to their importance at both ends of the ‘exchange’. I discuss some limitations in present uses of these visual records and point to the need for repatriation initiatives. The poor knowledge of extant photographic collections among today’s Papua New Guineans is described, and I raise some thoughts about what this signals to archives and researchers. As examples, special mention is given to the collections of photographers Albert English, William Saville, Rudolf Pöch and Captain F.R. Barton. Finally, I comment on current challenges and future opportunities for the keepers of these historical collections. A list of the collections mentioned in the article can be found at the end.