Designing the nation. Banknotes, banal nationalism and alternative conceptions of the state

This paper explores the relationship between national iconography, banal nationalism and conceptions of the state. It begins by reviewing scholarship on visual culture associated with official products of the state: namely, stamps and money. This reveals a preoccupation with content analysis and a tendency to assume state control over the symbolic content of money (and stamps) without clarifying the nature of design processes, the nature of state involvement in these processes, or how ‘the state’ is being conceptualized. The paper addresses these lacunae, beginning with an examination of approaches to banknote design and clarification of the role of the state in these processes. This analysis reveals that non-state actors and institutions are frequently responsible for this key mechanism of official iconographic representation and this, in turn, supports calls for a reassessment of the concept of the state. After outlining an alternative conception of the state, as an idea that produces ‘state effects’ rather than an empirical entity separate from society, the value of this concept is illustrated by showing how it can explain banknote production in the stateless nation of Scotland. The revelation that commercial banks can be co-constitutive of state effects – things like banknotes, national institutions, iconography and identity – challenges presumptions of a discrete state that controls its own representation and the regulation of society.     

Past continuous: archaeological representations on Israeli banknotes and coins

ABSTRACT

This article analyzes the special role of archaeological representations on the legal tender in Israel. Money is one of the most pervasive symbolic instruments in daily life, frequently used for nation-building and carrying a political agenda. The use of archaeological representations on Israeli money has a clear political role: to revalidate the national Jewish-Zionist resurrection, to justify the nation’s claim for its historical land, and to draw the state’s borders through archaeological findings. This article sheds light on the centrality given to archaeology by members of the Bank of Israel Banknotes and Coinage Planning Committee and is based on its proceedings and correspondence from its inception in late 1955 to 2012.     

The diffusion of international norms of banknote iconography: A case study of the New Taiwan Dollar

There has been a dramatic rise in progressive values imagery on the banknotes of industrialized states over the past few decades. We see this trend as an instance of international norm diffusion and point to two causal mechanisms that have facilitated it: mimesis and professionalism. We hypothesize that national politicians are more subject to the mimetic mechanism, whereas central bank bureaucrats are more subject to the professionalism mechanism. We then probe the value of our theoretical contentions with a case study of the banknotes of the Republic of China, i.e. Taiwan. Using qualitative and quantitative content analysis, we show the convergence of the New Taiwan Dollar with advanced country norms of progressive banknote iconography around the year 2000. Then, using historical process-tracing analysis, we show that this convergence was engineered by national politicians who wanted banknote reform for mimetic and domestic political reasons, and central bank bureaucrats who wanted banknote reform for professional reasons. In short, the changes to these important symbols of national identity were reflections of different state actors' thirst for international belonging.