Tell el-Ful Revisited: The Assyrian and Hellenistic Periods (with a New Identification)

Abstract

This article deals with the settlement history of Tell el-Ful from the Iron Age until the Hellenistic period. The author rejects past theories that a great fortress was built at the site in the Iron I period and that the settlement was protected by a casemate wall in the Iron IIC. He also rejects the identification of Tell el-Ful as biblical Gibeah/Gibeah of Saul. The author proposes that the tower excavated by Albright and Lapp was first constructed in the Iron IIC as an Assyrian watchtower commanding the northern approach to Jerusalem, and that it was one link in a system of such forts around the capital of Judah. The author maintains that the building served as a Hellenistic fort in a later phase and suggests the possibility, however speculative, of identifying Tell el-Ful with Pharathon, mentioned as one of the forts constructed by Bacchides in Judea in the early 2nd century BCE, and with Perath/Parah of late-monarchic times.     

Allegories of Absence: Richard Weiner and Karel Čapek

Abstract

Examining the relationship between two of the most significant Czech writers of the early twentieth century, Richard Weiner (1884–1937) and Karel ?apek (1890–1938), this article sets their divergent developmental paths into the context of broader issues within European Modernism as a whole. The re-emergence of ‘allegory’ as privileged aesthetic category — represented prominently by Walter Benjamin’s work in the 1920s — characterizes a cultural phenomenon that can be termed ‘melancholy Modernism’. Weiner and ?apek’s contrasting responses to this melancholy allegorical impulse trace a fundamental fault line within the philosophical and historical development of Modernism.