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1.
The Revolution of 1959 brought forth changes in the mission, theoretical orientation, and organization of archaeology in Cuba and created a role for, and constraints on, the profession that are unique in the Western Hemisphere. This paper draws upon examples from substantive field and laboratory research to examine the methods and theoretical perspectives of Cuban archaeology since the Revolution, focusing on the period from 1962 until the collapse of the Soviet Union. Archaeological practice during the Revolutionary period in Cuba has reflected the aims of the Revolutionary government, the influence of Soviet archaeology, the legacy of pre-Revolutionary approaches in North American archaeology, and the Cuban sense ofpatria.  相似文献   
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Madagascar's culture is a unique fusion of elements drawn from the western, northern, and eastern shores of the Indian Ocean, and its past has fascinated many scholars, yet systematic archaeological research is relatively recent on the island. The oldest traces of visitors are from the first century AD. Coastal settlements, with clear evidence of ties to the western Indian Ocean trading network, were established in several places over the next millennium. Important environmental changes of both plant and animal communities are documented over this period, including the extinctions of almost all large animal species. Urban life in Madagascar began with the establishment of the entrepôt of Mahilaka on the northwest coast of the island in the twelfth century. At about the same time, communities with ties to the trade network were established around the island's coasts. From the fourteenth to the sixteenth century, social hierarchies developed in several regions of the island. During the succeeding two centuries, Madagascar saw the development of state polities.  相似文献   
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During the nineteenth century, “exile” became a key term to describe the Irish-diasporic community in North America. More recently, scholars in the fields of diaspora studies and Irish studies have described this community as a “victim diaspora” with connotations of forced expulsion, exile, and nostalgia for the homeland. Moreover, among scholars and within the Irish-American community, the notion exists that the Great Irish Famine (1845–1851) constitutes the Irish-American “charter myth”, that it was the starting point of an Irish-American identity. This article sheds a different light on these (self-)identifications by discussing the concepts of origin myth, exile and nostalgia and also considers the concept of diasporic belonging in the context of Irish and Irish North-American works of popular “Famine fiction” written between 1871 and 1891. Consequently, the impact of these late nineteenth-century literary considerations on present-day conceptualisations of the Irish-American community as a victim diaspora are discussed.  相似文献   
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The beginnings of a racialised order in Oceania, and of German involvement in such, reach back a long way. In this article, the author traces elements of this racialisation back to the years before the first formal European settlement on the Australian continent. She examines important aspects of the German journalistic reception of James Cook’s voyages to the Pacific by focusing on one particularly highly networked and very widely distributed newspaper and its reporting in the period 1768–1787. She uses this to show how the editors, and especially London-based German-speaking correspondents, consciously leveraged an Anglophilia that was typical of the Hanseatic city of Hamburg in a way that encouraged their German-speaking readers, wherever they might be, to closely identify with British exploration and even claim ownership of these events themselves. Anglophilia and the German-language reporting of the Cook voyages, therefore, supplied raw materials for an entangled sense of imperial identity.  相似文献   
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This article examines the meteoric rise and enormous popularity of a Marathi stage actor and singer, Bal Gandharva, in early twentieth-century western India. Gandharva was distinctive because he was a male artist who dressed and acted as a woman on stage and was adulated by both women and men for his powerful female roles. The article argues that Gandharva embodied ‘fuzzy’ boundaries between man and woman, drawing from indigenous traditions of gender fluidity. While maintaining strict boundaries between being a man in his personal life and a woman on stage, Gandharva tapped into alternative notions of masculinity. I argue that the adulation he experienced for his acting and singing as a woman points to transgressive possibilities in the otherwise conservative middle-class imagination and challenges what are colonial constructions of hyper-masculinity.  相似文献   
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After the Second World War, anti-communists of different backgrounds from Central and Eastern European countries decided to settle in Franco’s Spain, where they sought safety and a place to live during the Cold War. This article will provide an overview of their political profiles and assess the reasons these exiles chose Spain, a country excluded from the United Nations until 1955 and led by Francisco Franco. The article also shows how they settled in the dictatorship linked to the Nazis and Italian Fascists, and the ways in which they continued their struggles against Communism with public and private resources.  相似文献   
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The US–ROK alliance during the First Korean Nuclear Crisis provides the most likely case of high alliance cohesion. Curiously, however, instead of dancing to the American tune in their joint management of the Democratic People's Republic of Korea (DPRK) threat, the Republic of Korea (ROK) caused frequent policy collisions – supporting the US–DPRK negotiations at one point and opposing it at another – at the risk of jeopardizing its physical security. The main finding here is that the variations in the South Korean behavior were a function of their experience of status inconsistency. In particular, the ROK became compliant with the US–DPRK talks when it believed that its desired status marker of taking the leadership role in crisis management was within reach, and unyielding otherwise. These fluctuations ended up not only eroding the US–ROK alliance cohesion but also inhibiting a successful resolution of the crisis. All this bears directly on the fundamental question of whether international politics is to be understood in essentially realist terms.  相似文献   
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This article analyses Conor O’Callaghan’s collection The Sun King as an expression of contemporary migration practices. It places the poet’s technological mobilities within larger global movements and argues that the collection reconfigures poetic versions of migration for the twenty-first century. The Sun King (2013) is located in explicitly transient spaces, while its formal innovations serve to mimeticise contemporary dislocation. In reinventing the dual demands of memory and migration in the postmodern society, The Sun King recognises and pursues alternative poetic possibilities. The article suggests that O’Callaghan’s Twitter-poem “The Pearl Works” can be read as indicative of an expansive impulse towards ephemeral online works. In particular, the article raises questions around composition, stability and memory practices in the digital era, and highlights how both migration and memory are complicated by technological innovations.  相似文献   
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