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Early modern Europe was marked by fundamental changes in its intellectual landscape. In the field of historiography, this led to the development of a new antiquarian current in historiography which marked a fundamental shift in the view on historical writings. While traditionally historiography had been considered a literary genre, the new scholars approached it as a ‘scientific’ discipline. On the basis of a comparative study of a number of northern European national histories, this paper analyses major transformations in two aspects of historical writing. Firstly, antiquarian historians extended the subject range of historiography to include a variety of cultural-historical topics. This innovation also had implications for the structure of their works. Secondly, the new current introduced a novel approach to the question of historical evidence to counter sceptic criticism and meet the new requirements occasioned by the rise of empirical models of research. Antiquarian scholars therefore introduced several new types of source materials: material evidence of the past, comparative studies of languages and customs, and documentary texts were added as sources of historical information. They furthermore subjected all historical sources to rigorous critical assessment.  相似文献   
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ABSTRACT

In 1583, Edward Kelley claimed to have made a number of archaeological discoveries on Northwick Hill in Worcestershire, including a forged document, the “Northwick scroll”, purportedly giving the location of treasure hidden by the Danes. The scroll was subsequently deciphered by Kelley’s employer, John Dee. Kelley’s hoax, which had to fool one of the country’s most learned men, was carefully constructed and drew on recent antiquarian work. However, Kelley also relied on older traditions of magical treasure hunting, thereby combining two apparently antithetical approaches to the past. The article uses the example of Kelley’s hoax to argue that hoaxes served a useful and illuminating function in the early development of archaeology by testing the boundaries of plausibility. Furthermore, Kelley’s synthesis of learned antiquarianism and treasure hunting challenges the view that Elizabethan antiquaries were unwilling to excavate. Kelley’s methodologies in constructing the hoax echoed those of William Camden and others by linking excavated objects with chronicles and landscape features to create an integrated account of an imagined past. However, the hoax’s success also rested on Dee’s willingness to become a treasure hunter, demonstrating that elite learned antiquarian endeavours were not always distant from the aims of traditional “hill diggers”.  相似文献   
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