Excavations on Brightstone and Bowcombe Downs,Isle of Weight,Made in August 1854

Abstract

Not a single English Romanesque great cloister arcade survives in situ. Despite this, the existence of a number of 11th- and 12th-century rear walls, and the discovery of quantities of stonework likely to have originated in cloister arcades, make it possible to recover something of the likely appearance and character of the cloister in Anglo-Norman England. The following paper considers that evidence, and assesses how our understanding of the underlying topography and archaeology of Anglo-Norman cloisters might enable us to reconstruct their lost walks. It concludes with an appraisal of the chronology of English cloister building.     

Books received

This article examines the remarkable ‘changes and transpositions’ of form found in Jordan Fantosme's Chronicle, an important Anglo-Norman estoire recounting the rebellion against Henry II in 1173–74. By reading these literary changes as accommodations of circumstances and persons, they can be used to locate the Chronicle in very specific historical and social contexts. Jordan, clerk of the bishop of Winchester and master of the city's grammar schools, places himself, both socially and discursively, within a community of administrative barons, who are very carefully remembered in the Chronicle as a coherent social affinity, or foedus amicitiae, both alienated from and seeking solidarity with the king. These conditions explain the Chronicle's central rhetorical impulses: to chastise the king, sometimes bitterly, and to persuade him to ‘love, cherish … and reward’ these specific barons. To achieve these rhetorical desires, Jordan draws upon the resources of contemporary literary education to imagine and perform persuasion. The Chronicle is thus a powerful illustration of John Baldwin's account of the ‘interpenetration’ of studium et regnum, institutional learning and political administration, in twelfth-century England. Because the Chronicle has in the past been understood as a panegyric, or even propaganda, for a royalist cause, this baronial reading represents a major re-assessment of its sociabilities and purposes.     

‘Faites le mien desir’: studious persuasion and baronial desire in Jordan Fantosme's Chronicle

This article examines the remarkable ‘changes and transpositions’ of form found in Jordan Fantosme's Chronicle, an important Anglo-Norman estoire recounting the rebellion against Henry II in 1173–74. By reading these literary changes as accommodations of circumstances and persons, they can be used to locate the Chronicle in very specific historical and social contexts. Jordan, clerk of the bishop of Winchester and master of the city's grammar schools, places himself, both socially and discursively, within a community of administrative barons, who are very carefully remembered in the Chronicle as a coherent social affinity, or foedus amicitiae, both alienated from and seeking solidarity with the king. These conditions explain the Chronicle's central rhetorical impulses: to chastise the king, sometimes bitterly, and to persuade him to ‘love, cherish … and reward’ these specific barons. To achieve these rhetorical desires, Jordan draws upon the resources of contemporary literary education to imagine and perform persuasion. The Chronicle is thus a powerful illustration of John Baldwin's account of the ‘interpenetration’ of studium et regnum, institutional learning and political administration, in twelfth-century England. Because the Chronicle has in the past been understood as a panegyric, or even propaganda, for a royalist cause, this baronial reading represents a major re-assessment of its sociabilities and purposes.     

Social monsters and the walking dead in William of Newburgh's Historia rerum Anglicarum

William of Newburgh's Historia rerum Anglicarum (c.1198) is one of the foremost literary artefacts of the late twelfth century. Contained within Book V are four narratives that detail encounters with the walking dead (‘revenants’). This article contends that the specific placement of these narratives within the Historia encourages the reader to make a metaphysical connection between the activities of the revenant and the conduct of social malcontents. The paper analyses the medieval concept of monstrousness and the cultural context of the Historia’s creation, and argues that learned theories of disease causation underscored the base narratology of the four revenant encounters. Following an appraisal of the unrest caused by Williams FitzOsbert and Longchamp, as well as the kings of England and France, the paper concludes by evaluating the ways in which their social monstrosity was encapsulated by the destabilising and destructive tendencies of the walking corpse.     

Orderic Vitalis and the First Crusade

This article examines the narrative of the First Crusade written by the Norman monk and historian Orderic Vitalis, which spans Book IX of his Historia ecclesiastica. Though hitherto little-studied, Orderic's account of the First Crusade, which was probably written in 1135, occupies an important place in the Historia and reveals much about his wider historical method. The significance of Orderic's editorial interaction with Baldric of Bourgueil's Historia Ierosolimitana, through the omission and addition of material, forms the focus of the study. By making only a small number of insertions into the story of the First Crusade which he had inherited from Baldric, Orderic transformed its meaning so that it became suitable for incorporation into the Historia as a whole, linking the First Crusade to the history of his monastery, Saint-Evroult.     

Between history and hagiography: Eadmer of Canterbury's vision of the Historia novorum in Anglia

Written between c.1093 and the end of the 1120s, Eadmer of Canterbury's Historia novorum in Anglia is one of the best-known sources for the study of Anglo-Norman political, ecclesiastical and cultural history. This article explores the identity of the text as it developed in Eadmer's own mind. While modern scholars have placed the Historia novorum within the development of English national historiography, Eadmer showed no desire for his work to be received in this way. Instead, Eadmer's Historia was profoundly influenced by his extensive experience in writing the lives and miracles of saints. The Historia novorum occupies a space between history and hagiography, which successfully redeployed Eadmer's experiences of writing the past through hagiography, in order to produce an innovative and unique example of the genre of medieval historiography.