“贺兰”释音释义

"贺兰"是古突厥语驳马ala-hala复数形alan-halan的音译。驳马部别名曷剌是古突厥语ala-hala的复数形alat-halat的音译。驳马部别名遏罗支是古突厥语ha-la-??>a-la-??(有驳马者)的音译。古突厥语ala-hala最初是斑驳色马匹之义,后衍生出斑驳色之义。     

Inca builders at Machu Picchu National Archaeological Park

Knowledge about the Inca measurement system is based on information from the colonial chronicles and modern studies of the 16th-century Quechua dictionaries. Based on those texts, we can presume that the Incas used an anthropometric system of measurement adopted from the proportions of the human body. Using cosine quantogram analysis and statistical verification, it is possible to verify the existence of the measurement system used by the Inca architects. For this purpose, a measurement series of architectural and water infrastructure elements were collected from 3D point cloud of the Chachabamba and Machu Picchu settlements in Machupicchu National Archaeological Park.     

The architecture of the Iron Age II fortified settlement at Muweilah (Sharjah,United Arab Emirates)

Excavations at Muweilah have uncovered twelve buildings encircled by two pairs of walls and ditches. We have published preliminary studies of several buildings. Research has now progressed to a stage where it is possible to produce a more complete analysis of the architecture. In this report, we present a detailed discussion of the fortifications and each building with its installations. Our assessment of the architecture identified the repeated combination of three rooms in many of the buildings in the Central Area of Muweilah. Moreover, a detailed study of the fortifications revealed several means of accessing Building II, the columned hall, in the Western Area. These findings offer insights into the organisation of Iron Age II settlements in south‐eastern Arabia.     

Bringing Order Out of Chaos: Stanisław August Poniatowski’s Political Patronage of Architectural Classicism in the Late Eighteenth-Century Polish-Lithuanian Commonwealth

This article examines the political uses of classical architecture in the late eighteenth-century Polish-Lithuanian Commonwealth. It focuses specifically on the direct connection between the rise of the classical idiom on the eve of the collapse of the Commonwealth and the ill-fated idea of political recuperation of the deteriorating and dysfunctional state under the aegis of King Stanis?aw August Poniatowski (r. 1764–95). In particular, it outlines the extent and character of Polish-Lithuanian architectural classicism’s political engagement in the last decades of the eighteenth century. It also underscores the specific role of this architectural idiom as a political symbol and instrument of propaganda, which served to represent the idea of restoring political order to the Commonwealth and building a strong and self-sustaining political community headed by the king. Finally, it presents a selection of characteristic buildings and publications that contributed to this political discourse, and examines the ways classical architecture retained a political importance in the immediate aftermath of the destruction of the Polish-Lithuanian Commonwealth in 1795.     

Railway Architecture: The Great Northern Railway (Ireland) at Dundalk

ABSTRACT

This article is adapted from the dissertation ‘Railway Architecture: The Great Northern Railway (Ireland) at Dundalk’, completed by Siobhan Osgood for the MPhil in Art History: Art + Ireland, where it was awarded a distinction. The study provides an historical analysis in the context of architectural development and broader railway culture in Ireland to provide an interpretation and understanding of the use of polychromatic yellow, red and black brickwork to create a visual identity for railway architecture. The use of accented colours to pick out key features is repeated across a series of buildings, thus creating a distinctive style of ‘brick-branding’. These are most prominent in the town of Dundalk, where the GNRI had its central engineering works at the halfway point on the Dublin to Belfast mainline and at the point where the Irish North line extended west and north. The buildings were each intricately designed by the GNRI's first chief engineer, William Hemingway Mills, a second-generation railway engineer who merged the roles of architect and engineer using an amalgamation of architectural designs from his earlier career in Derby, Scotland, Mexico and Spain. Mills thus created his own ‘Millsian’ style of industrial architectural design.     

普洱茶与滇藏间茶马古道的兴盛

云南、西藏两地间交易茶叶、马匹等商品的交通线,近代以来称为"茶马古道"。茶马古道的出现,与相关道路的形成演变、清代普洱茶的兴起及运销西藏有关。在特定的历史条件下,清朝以普洱府、顺宁府为主要产地经营的大叶种茶,种植、生产获得迅速发展,同时运销西藏等地,西藏的骡马也赶到云南销售,"茶马古道"由此形成并趋兴盛。     

Atomic structures: the architecture of nuclear nationalism in India and Pakistan

Abstract

A half-century after their completion, India’s Bhabha Atomic Research Centre (BARC) and the Pakistan Institute of Nuclear Science and Technology (PINSTECH) stand out as unchallenged architectural advertisements for ‘nuclear nationalism’. Elsewhere, Atoms for Peace reactors made no pretence to architectural refinement. In the right hands, however, ‘Cold War Modern’ could express the hard power of the nuclear age. For India and Pakistan, these nuclear laboratory complexes became the public faces of the peaceful atom that held out the promise, and masked the peril, of the atomic age at home and abroad, and deliberately deflected attention away from clandestine nuclear weapons programmes. BARC and PINSTECH, envisioned as cornerstones for self-confident and self-reliant programmes of nuclear physics, embodied the paradox of postcolonial science, necessarily borrowing from the West but determined to break the cycle of dependency, in defiance of Western expectations.     

New Architectural Models and Building Tradition: A Dialogue in Early Modern Sardinia – The Jesuit Church in Sassari

Architecture in early modern Sardinia is characterized by a strong continuity with previous practices. In the second half of the 16th century, new models join the Gothic building tradition, linked in particular to trends in military engineering and Classicism of the Catholic Counter-Reformation. The Jesuit church in Sassari offers an interesting example of the intertwining of these architectural modes, which originated with a sudden change of leadership at the site. Giovan Maria Bernardoni, an Italian Jesuit architect, initially modeled the church after the Gesù in Rome, and it was partially built under his direction. After his departure from Sardinia, local master builders finished the construction, following the Gothic tradition and possibly some external influences. This article analyzes the church, particularly focusing on the challenges presented by its articulated vaulting system completed between 1587 and 1609.     

Petrochemical Identification and Insights on Chronological Employment of the Volcanic Aggregates Used in Ancient Roman Mortars

Through the assistance of trace element and petrographic analyses on 14 samples of mortar aggregates from Roman monuments, including the Porticus Aemilia, the Temple of Concordia, the Temple of the Dioscuri, Temple B and other structures of the Area Sacra di Largo Argentina, and the Villa di Livia, we establish the source area and we investigate the chronological employment of the volcanic materials used in ancient Rome's masonry. In contrast to previous inferences, the petrochemical data presented here show that systematic exploitation of the local ‘Pozzolane Rosse’ pyroclastic deposit has occurred since the early development of concrete masonry, at the beginning of the second century bc , through the early Imperial age. Subsequently, exploitation was extended to the overlying Pozzolane Nere and Pozzolanelle deposits. Only during the early phase of development of the concrete masonry in Rome, volcaniclastic sediments outcropping near the construction sites were mixed with the sieved remains of the tuff employed as the coarse aggregate, to produce the fine aggregate. The results of the study on the investigated monuments suggest the possibility of establishing the chronological identification of three different types of mortars, as a function of the composition of the volcanic material employed in the fine aggregate, which, when implemented by future studies, may contribute to the dating of monuments and archaeological structures.     

Architectural space in the Muisca settlement of La Maria (Chia,Colombia) during the Prehispanic and Colonial periods

Archaeological fieldwork conducted on a plot of land near the town of Chia (Colombia, South America) uncovered the remains of a small Muisca settlement occupied from the late Prehispanic period to the colonial period. The excavation program documented particular sets of features including postholes, pits, colored floors, and a burial. These elements provided a baseline for reconstructing the ground plans of perishable structures and architectural spaces. The components of built areas were key cultural referents for the peoples who lived in La Maria during the Prehispanic period. Important changes in the arrangement of the elements that comprise architectural space are observed during the colonial period, arguably as the result of important transformations in native culture.