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ABSTRACT

This article examines nonfiction sexual narratives inspired by foreign thought in Republican China. It highlights female viewpoints to recover their hidden voices in history and shows the socio-cultural significance of the gendered reception of cross-cultural theories. I focus on three foreign female thinkers – Ellen Key, Emma Goldman, and Alexandra Kollontai – whose works stood for different schools of free love and drew numerous adherents in China. My study shows a nuanced but telling difference in the focuses of sexual narratives along gender lines. Whereas male writers sought to modernize marriage and liberate sexuality from socio-eugenic perspectives, female writers pursued sexual autonomy from relatively more personal stances. The rhetorical feature of Chinese female essayists, I argue, was essentially iconoclastic towards sexual conventions and yet reticent about free sexuality, as opposed to the progressive eloquence often shown in male writings about sexual matters. In sum, this article illustrates how Chinese female essayists retained gender propriety when openly addressing intimate matters, while male writers glamorized free sexuality and free love as a panacea for nation-strengthening and social/racial progress in a cross-cultural context.  相似文献   
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