Disrupting air power: Performativity and the unsettling of geopolitical frames through artworks

This paper advances the concept of disruption, drawing upon Butler's (1993) work on performativity, her engagement with Goffman's (1974) frame analysis and recent work on performativity within critical geopolitics. It argues this approach provides a useful tool with which to elucidate gaps in the iterative processes of geopolitical discourse production that offer opportunities for momentary distortions to these dominant articulations of power. It analyses the utility of this approach through discussion of three artworks by the acclaimed British artist Fiona Banner. In June 2010 she unveiled her prestigious Duveens commission project at Tate Britain. The work, entitled ‘Harrier and Jaguar’, was the most ambitious of a series of engagements with military aircraft which have spanned over a decade of creative work. Banner's work has become synonymous with challenging dominant discourses on power and war especially through textual representations of war films and innovative uses of military aircraft. Beginning with her book project, ‘All the world's fighter planes’ (2004) and moving through her Duveens project to the military aircraft-related work ‘Tornado’ (2010), this paper argues that Banner's work illustrates the utility of the concept of disruption; going beyond simply raising questions about our engagements with military aircraft, to actively disrupting our encounters with and understandings of these objects and thus popular representations of air power.     

The Yezidi Wednesday and the Music of the Spheres

The article is an attempt to answer the question why Wednesday has the status of a holy day in Yezidism. Wednesday can be seen as a commemoration of the fourth day of creation, when the life on earth began and the Peacock Angel became its ruler. The article points to the Yezidi worship of the Moon and the Sun and related angels (Melek Fakhradin and Melek Sheikh Shams) and connects it with the Pythagorean concept concerning the movement of the planets and the Music of the Spheres. Two sacred Yezidi instruments, def and shibab, appear as allegories of celestial bodies in the Yezidi sacred hymns in the cosmogonic context of the creation of the macrocosm and microcosm (Adam). The article also points out the meaning of Wednesday in Judaism as the day when God created the sun, moon and stars and briefly discusses relationships with planet worship in Harran, Zoroastrianism and Mandaeism, especially in the context of the Yezidi Çar?emiya Sor festival which takes place on the first Wednesday of the month of Nisan.     

Tocqueville on Pantheism,Materialism, and Catholicism

Abstract

It is widely acknowledged that Leo Strauss was an extraordinary scholar and teacher who strove to open up forgotten vistas of philosophical inquiry. Gigantic controversy rages, however, about the sorts of political and social changes, if any, that he hoped to promote. The fire has been fueled by the alleged contributions of Straussians to the Iraq War—and by the publication of Strauss's 1933 letter that commended “fascist, authoritarian, and imperial” principles. This article reviews and then updates the assessments proffered in my 2009 book (Straussophobia) about the state of the “Strauss Wars.” Critics such as Shadia Drury continue to embarrass themselves in prestigious venues, but newer voices are using innovative strategies to argue that Strauss was attempting to undermine the principles of American democracy. Whereas William Altman relies on “esoteric interpretations” of Strauss's writings, Alan Gilbert illuminates Strauss's behind-the-scenes efforts regarding policy disputes. Although I maintain that Gilbert and especially Altman have made invaluable contributions, I argue that they both overreach.     

Broadcasting and market-driven politics in the UK and Germany: the Peacock Committee in comparative perspective

When, from the 1980s onwards, market-driven politics won widespread recognition in liberal capitalist Western democracies, processes of broadcasting marketization in the UK and Germany were decisively determined by two inquiries: the Committee on the Financing of the BBC, chaired by Alan Peacock, and the Commission for the Development of the Technical Communications System (KtK), chaired by Eberhard Witte. This article compares how both inquiries, driven by their chairmen, affected domestic communications policy-making. The research is situated within a critical political economy framework and it is argued that critiques from scholars within cultural policy depicting Alan Peacock and the inquiry he chaired as driven by a narrowly economistic understanding of broadcasting are partly unjustified. As the comparison with the radical restructuring pursued by Eberhard Witte brings to the fore, Peacock, in fact followed a moderate reform agenda of gradual change, aiming to preserve some core cultural elements within public service broadcasting.     

Hits,Misses and Close Calls: An Image Essay on Pattern Formation in On Growth and Form

Abstract

The second edition of D’Arcy Thompson’s On Growth and Form was written only shortly before the advent of computers made it possible to develop more sophisticated mathematical models of processes of growth, morphogenesis and pattern formation in nature. It also predates the blossoming of several branches of science with the conceptual tools to investigate complex phenomena such as self-organization, nonlinear dynamics and chaos, fractal geometry and self-organization. As a result, Thompson’s aspirations sometimes fall short of his means — and occasionally he sets out on the wrong path. This image essay explores some of the instances in which Thompson surpassed his limitations or, alternatively, was constrained by them. In either circumstance, it illustrates how his themes remain areas of significant scientific activity today.     

Alan Wilson – contributions to research on population and migration

ABSTRACT

This article reviews Alan Wilson's research on population and migration in the 1970s and the 2010s, which supplements his principal contribution - mathematical modelling of urban and regional systems. In the 1970s, drawing on input-output models of economies and working with Philip Rees, Wilson established the accounting basis for Andrei Rogers' multi-regional projection model, adding international migration. Innovative methods were developed to complete demographic accounts, where there were data gaps. In the 2010s, working with Adam Dennett, Wilson systematized methods for estimating migration flows between regions in Europe, employing his family of spatial interaction models. The key aim of both research strands was to ensure that no information was ignored to ensure consistency in population and migration models. The influence of Wilson's contributions to research on population and migration is traced through a survey of subsequent research.     

Encountering Alan Wilson,filling the gaps in data sets (from the knowns to the unknowns) … and disciplinary history/progress

ABSTRACT

This essay outlines my interactions with Alan Wilson over more than four decades, focusing on my early work on gravity models and then my adoption of his entropy-maximizing procedure in the study of disaggregated voting patterns. Using that example, the essay explores its implications for the study of disciplinary history.