Living in anachronistic space: Temporalities of displacement in Moscow's Soviet-era standardised housing

In 2017, the Moscow municipality announced the demolition of several thousand remaining Soviet-era, standardised apartments (khrushchevki). Known as the Renovation, the renewal project promises to replace the khrushchevki with new residential districts. Based on fieldwork in Northern Izmailovo, a district targeted for demolition, this article analyses encroaching displacement by foregrounding the temporal experiences of affected residents. Building on literature that explores the political underpinnings of discourse and aesthetics in urban renewal projects, with particular attention to Rancière's temporal politics, the article contends that the Renovation depends on the discursive construction of its targets as spatial anachronisms. This renders the Soviet-era housing blocks, and those who live within them, vulnerable to a spectrum of modernising aestheticising interventions—from minor ornamentation to wholesale demolition. Based on ethnographic data, the article shows how the initial stages of redevelopment have altered a local network of benches. For a group of long-standing, elderly residents, these disruptions have instigated more profound reckonings with their own sense of time in/and space, leading to an understanding that they, too, are seen as anachronistic features of the city. Paying attention to urban materiality on a granular scale, particularly in standardised housing estates, reveals the multifaceted temporalities that inform residents' engagements with the spaces of their home districts. The article argues that doing so counters the exclusionary temporal logic of the discourse of anachronism by denying its ubiquity. In turn, it speaks to growing geographic interest in amplifying alternative temporalities in the face of destructive, terminal change.     

Capturing the multiplicities of resilience through popular geopolitics: Aesthetics and homo resilio in Breaking Bad

In this article, Grove and Adey's (2015) call to capture the multiplicities of resilience through aesthetics is advanced by engaging with the first two seasons of the television series Breaking Bad. This engagement demonstrates that the relationality of geopolitics and mobility is important for resilience. To capture dynamics generated by the interplay of geopolitical contexts and resilient subjectivities through popular geopolitics, Jacques Rancière's aesthetics and the concept of the aesthetic subject are deployed. The emergence of homo resilio as a political subject within an imagined American heartland is presented to contextualise the aesthetic reading of Breaking Bad that follows. The character Walter White is presented as a paradigmatic example of homo resilio to map the geopolitics of this subject position. The paper concludes that race and gender feature at the intersections of homo resilio, geopolitics, and cultural criticism, reiterating the importance of popular geopolitics for capturing the multiplicities of resilience.     

Currents,visions and voyages: historical geographies of the sea

This paper offers a prospectus for a version of historical geography that puts the seas and oceans at the centre of its concerns. This is pursued in three ways. First, via a discussion of the epistemological and historiographic perspectives that might be taken on geographies of the sea, which argues that the view from the ocean can develop geographies of spaces beyond the local and the national, and can attend to the relationships between the human and natural worlds. Second, through a consideration of the imaginative, aesthetic and sensuous geographies of the sea that contends that maritime worlds open up new experiential dimensions and new forms of representation. Finally, in a survey of the material and social worlds of the oceans that suggests that new life can thereby be breathed into current concerns with global political economy, material geographies, the relationship between knowledge and located practice, and the intersections of social and spatial difference. The paper also provides an introduction to a special issue on the historical geography of the sea.     

The empire unpossess'd: An essay on Gibbon's decline and fall

In an essay on Nietzsche's view of morality written in 1891, Eduard von Hartmann suggested that Nietzsche's most important contribution to philosophy was in the sphere of ethics; at the same time, he drew attention to the affinity between Nietzsche's ideas and the philosophy of Max Stirner. Hartmann's remarks open up Nietzsche's philosophy to examination in terms of a radically materialist framework. Nietzsche sees the ethics of asceticism, and hence Christianity, as a consequence of metaphysical dualism (which his materialist monism rejects), a stance which enables him to advance a positive, because physiologically based, sexual ethics. His philosophy proposes a profound and instrinsic relationship between the sexual and the aesthetic. This article shows how an appreciation of the radical materialism advanced by Nietzsche serves as evidence of the relevance of his philosophy to contemporary concerns and debates in ethics, and explores Nietzsche's ethical programme to develop ‘a more Goethean attitude toward sensuality’.     

陈列艺术中的“光感”与“美感”

光在文物陈列运用时,既要充分发挥光的颜色、阴影及光的象征性特征,又要尽可能地减少灯光装置和光源,把照明方式与艺术陈列融为一体,创造出千姿百态,美仑美奂、柔和谐美的光空间。     

‘The development of higher urban life’ and the geographic imagination: beauty, art, and moral environmentalism in Toronto, 1900–1920

The existence of school art leagues in Toronto, which sought to use beauty and art in the public schools as a means of sensitizing children to aesthetics, can be explained through their ideational affiliation with the city beautification impulse. In Toronto, a chief proponent of city beautification and the link between city beauty and school art was the painter, city planner, and art educator, George Agnew Reid, who regarded city beauty as more than an exercise in urban cosmetics; city beautification relied on extant beliefs in the morality of beauty and its putative efficacy as a shaper of human behaviour in the city, especially the ennoblement of the working and immigrant classes. The resulting ‘moral environmentalism’ of beautification changes the way we should think about early city planning, ultimately revealing the geographical imaginations of those contributing to the moral environmentalist milieu.     

从“无我之境”到“有我之境”中国文人园林的美学表述

人园林,是中国传统人追求人生至高精神境界的感性诠释。其美学理念是从“画境”到“意境”;其美学特征是情与景溶,天人合一;其最高审美理想和审美追求则是从“无我之境”到“有我之境”。     

中国美学思想在书法中的表现

无论是在东方还是西方,美学思想都对各门艺术的创作与表现起着重要的作用。博大精深的中国文化孕育了完善而独到的中国美学理论,书法家运用了这些蕴含辩证思想的美学原理,在书法艺术表现中充分地展示出他们特有的审美意识,形成了书法独特的艺术风格。继承与创新书法艺术要懂得中国的美学思想,只有运用中国传统美学思想指导着书法的发展与创新,才能弘扬中国书法艺术,真正体现出书法特有的艺术魅力。