The Chronology of the Last Scandinavian Kings of York,AD 937–954

Abstract

The Cistercian Abbey of Holm Cultram was a twelfth-century royal foundation of Prince Henry, son of King David I when this part of northern England was under Scottish control. The abbey developed a successful network of benefactors spanning both sides of the Border. It was also effective in developing positive relationships with key ecclesiastical figures including Bishop Christian of Whithorn and bishops of Glasgow. The economic strength of the abbey was derived from wool, salt and fish production. In 1193, a daughter house named Grey Abbey was founded in Ulster. The benefits of the frontier location were cut short with the onset of the wars in the 1290s. Holm Cultram Abbey found itself on the path of the marching armies and had to provide supplies and lodgings. When the estates of the abbey and the precinct were attacked by the Scots on several occasions in the fourteenth century, the community turned to the English kings for compensation. On other occasions the abbots did not hesitate to pay ransom to prevent damages to the abbey. Not only the economic difficulties brought by the war, but also loss of contact with the mother house of Melrose and Scottish benefactors more generally, altered the character of Holm Cultram, which became a much more English institution when the cross-Border networks were cut off.     

FRESCO AND LIME‐PAINT: AN EXPERIMENTAL STUDY AND OBJECTIVE CRITERIA FOR DISTINGUISHING BETWEEN THESE PAINTING TECHNIQUES

Identification of the painting technique adopted by an artist is often debated in studies on the characterization, restoration and conservation of mural paintings. However, objective criteria to identify the two main lime‐based painting techniques, fresco and lime‐paint, have not yet been systematically verified on replicas. Replicas were painted following both fresco and lime‐painting techniques. A comparison of microstratigraphic sequences and distribution of chemical elements reveals systematic differences between the two techniques, providing objective distinguishing criteria. Samples from the Abbey of Chiaravalle (Milan, Italy) and Pompeii were also analysed, and the results were compared with experimental data to validate the recommended criteria.     

In the Steps of William the Conqueror: Neutron Activation Analysis of Caen Stone*

Quarries in the Bathonian stone formation surrounding Caen produced high‐quality limestone for medieval churches in northern France and southern England and for their sculptural decoration. To investigate compositional differences among proximate stone sources, 103 samples collected from five separate quarries were analysed by NAA. The results show Caen stone to be essentially pure calcite and relatively homogeneous, but distinction among quarries is possible by discriminant analysis. Comparing compositions of quarry samples with data in the Brookhaven Limestone Database identified the origin of stone used in masonry and sculpture at Saint‐Étienne and La Trinité, Caen, and in several museum objects.