树立正确的战争荣辱观——论甲午战争中四位海军将领自杀

在甲午战争中,邓世昌、林泰曾、刘步蟾和丁汝昌等海军将领宁死不屈、战败自杀,其事迹可歌可泣,更发人深省。从他们成长经历和战斗事略,不难洞悉其自杀原因在于传统的忠君思想和荣辱观以及脆弱的国民性格。中国军人特别是各级将领应当知耻而后勇,树立正确的荣辱观,方能立于不败之地。     

14C测定判别武王克商年代范围始末

武王克商年代是我国古代编年中的一个关键点,近年来^14C测定技术有了重要发展,我国^14C测年界在此基础上探讨了^14C方法应用于商周历史纪年的希望。1996年夏商周断代工程正式立项,利用^14C测定判别武王克商年代范围的任务得以实施。1998年初两个常规^14C实验室以3‰测定精度,前后开始对陕西丰镐遗址出土样品^14C测定,并于1998年10月6－7日先后公布了^14C数据,提出武王克商代范围应判别在公元前1050－1020年间。1998年下半年AMS室开始测定。三室测定数据对比结果基本相合,利用殷墟,琉璃河等遗址出土的样品系列作^14C测定得出的结果,与上述年代范围一致。1998年11月30日公布了天计算结果,与测定结果不谋而合,经多方面反复验证,历时近二年,都无法动摇已有的判别结果,具有较高的可信度。     

阳城犁镜冶铸工艺的调查研究

阳城犁镜是中国传统铁范铸造硕果仅存的活化石。本依据作的调查研究成果,对犁镜冶铸工艺及其历史沿革作了全面的剖析与总结。     

隋书概说——兼议《出师颂》卷

本文分析了隋代书法在中国书法史上承前启后的特殊状况,指出隋代北方铭刻的主要成就是逐渐摆脱了前朝篆隶书体而形成了楷书书体,南方的纸书在跃出章草畦径的过程中初步酝酿出草书的章法,楷书已成熟定法。“书”之所以能够有“法”并且成为一门高雅的艺术,是因为隋代完成了“普法阶段”,最好的例证就是智永和隋贤的存世之作。     

Identification of Green Pigment Used in Persian Wall Paintings (ad 1501–1736) Using PLM,FT–IR,SEM/EDX and GC–MS Techniques

The technique of oil painting was introduced to Iran via a cultural exchange with Europe in the Safavid period (ad 1501–1736). Since the first attempt at scientific conservation of wall paintings in Iran in the 1960s, the nature of green pigment used in Persian wall paintings has not been clear, although work on contemporary miniature paintings has identified malachite and verdigris. PLM, FT–IR, SEM/EDX, GC–MS and the study of contemporary historical treatises of the Safavid period were the main tools used in the present study to identify the green pigments in Persian (oil‐based) wall paintings. Eight samples taken from the two famous Safavid buildings, Chehel Sotoon Palace and the Sukias House in Isfahan, were analysed. Here, the identification of copper‐based pigment and of verdigris in oil as oleate amends the existing knowledge of the green pigment used in these paintings. It also suggests that oleate was introduced to Persian artists via the European influence on Persian painting as a result of cultural exchange in the Safavid period, when the technique of Persian painting changed from tempera to oil painting. However, as verdigris in oil and resin can appear as oleate over time, it is unknown whether the Persian artists did this deliberately or accidentally.     

Grave Marking and Wailing: Ritual Responses to the Babylonian Crisis in Jeremiah’s Poetry (Jer 31, 21)

This article explores Jer 31,15-22, which recapitulates the history of the Babylonian crisis from invasion to exile to manumission. Against traditional “triumphalistic” approaches to this poem that view the restored Israel in its repatriation as a victorious warrior (vv. 21-22), this article argues for a ritual reading of the text. It demonstrates that the need for a ritual response to the Babylonian crisis was so strong that Jeremiah prescribes mourning rites to Judah not only at the time of its demise (v. 15) but also at the time of its manumission from captivity (v. 21). Since the use of laments and other mourning rites in the restoration of “collapse societies” was well attested in the ANE, their appearance in the Book of Consolation as part of the poetic vision of Judah’s reconstitution can also be construed as a socio-religious necessity.     

加拿大二线城市华人新移民经济融合研究——“三重玻璃效应”与移民向下层社会流动

论文对加拿大二线城市卡尔加里和爱德蒙顿华人新移民的主要特点、移民动机和融合过程中的主要障碍进行了分析,探讨了新移民在加拿大向下层社会流动的问题。研究显示,新移民在经济融合过程中遭遇多方面的障碍,尤其在就业和语言方面。他们在移民加拿大之后,经历了去技能化和以前的学历和工作经验贬值,促使他们向下层社会流动,而这种状况反过来又阻碍了他们的融合进程。华人新移民的负面经历可以归因于由玻璃大门、玻璃房门和玻璃天花板构成的"三重玻璃效应"。加拿大政府应采纳融合框架政策,除承认移民的流动自由外,还要保证他们能享有与其他加拿大人一样同等的公民权益。     

从老股票看20世纪50年代的股份制企业

从已搜集到的20世纪50年代上海市的几种老股票来看,新中国成立初期的股份制企业至少存在三种类型。旧社会承继下来的资本主义性质的股份制企业是接受社会主义改造的重点对象和主角,通过实行“定息”,以“赎买”的方式,切断了所有制与经营者之间的联系,此时的股票与债券无异,股东与企业的关系是债权债务关系;农村的供销合作社和城市中的街道办股份制企业,与真正意义上的股份制企业相比都有很大的不同,它们的目的都是在抵制资本主义复辟和改变小生产方式的前提下发展社会生产力,目标是建成生产资料公有制的社会主义计划经济。