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韶乐探源:苗蛮文化对中原早期文明的影响 总被引：1，自引：0，他引：1
古今学界都认为韶乐是中原早期发明的礼乐制度．与处在蛮荒地区的苗蛮化并无关系。但根据可靠献．隋置韶州得名于韶石,韶石得名于韶乐．可知粤北地区的古化当与韶乐有联系。如果进一步探索．先秦献所载帝舜奏韶乐的传说和夏启舞九韶的“天穆之野”都在今湘南、粤北的南岭地区,韶关石峡遗址出土的6人舞蹈实物显示这一地区的先民早在5000年前左右就对乐舞情有独钟。因此．韶乐当是中华明初期南北方化交流、融合的产物．是南方苗蛮化对中原早期明的形成作出的重要贡献。 相似文献
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《史记》所记邹衍学说的渊源和流变 总被引：1，自引：0，他引：1
阎静 《古籍整理研究学刊》2009,(1):79-82
关于阴阳家邹衍的思想学说之内涵,学界多据先秦文献并参以<史记·孟子荀卿列传>颇有论列,而于邹衍学说之渊源流变作系统研究者所见不多.本文在前人研究基础上,据<史记>其他各篇所记涉及邹衍的资料,作深入探讨,认为其渊源在于星象历法之学与儒家思想,其流变则表现为方仙道与五德终始说.这一结论,或许可以为邹衍研究作一点拾遗补阙的工作. 相似文献
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Jürgen Lawrenz 《European Legacy》2020,25(2):186-202
ABSTRACTIn the mid-eighteenth century music underwent a sudden and drastic revolution when composers “discovered” a new dimension to their art. This had immense repercussions on the philosophy of art, for the music created before and after this divide represents two different species of aesthetic experience, which in due course affected our understanding of the meaning and import of the other arts as well. Despite the immense aesthetic repercussions of this Copernican revolution in music, philosophers of art seem not to have taken much notice of it. This essay details the emergence of the relevant musical criteria during the eighteenth century and dwells on their long-term impacts on the philosophy of art. 相似文献
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Lindsay Janssen 《Irish Studies Review》2018,26(2):199-216
During the nineteenth century, “exile” became a key term to describe the Irish-diasporic community in North America. More recently, scholars in the fields of diaspora studies and Irish studies have described this community as a “victim diaspora” with connotations of forced expulsion, exile, and nostalgia for the homeland. Moreover, among scholars and within the Irish-American community, the notion exists that the Great Irish Famine (1845–1851) constitutes the Irish-American “charter myth”, that it was the starting point of an Irish-American identity. This article sheds a different light on these (self-)identifications by discussing the concepts of origin myth, exile and nostalgia and also considers the concept of diasporic belonging in the context of Irish and Irish North-American works of popular “Famine fiction” written between 1871 and 1891. Consequently, the impact of these late nineteenth-century literary considerations on present-day conceptualisations of the Irish-American community as a victim diaspora are discussed. 相似文献
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THANASIS KIZOS HRISTOS VAKOUFARIS 《Tijdschrift voor economische en sociale geografie = Journal of economic and social geography = Revue de géographie économique et humaine = Zeitschrift für ?konomische und soziale Geographie = Revista de geografía económica y social》2011,102(2):220-235
The discussion about alternative agri‐food products has led some researchers to proclaim the emergence of alternative agri‐food geographies. This paper focuses on the geography of certified geographical indications in Greece. We focus on a number of key characteristics of the products (e.g. area of production, production in less favoured areas) and analyse specific case studies of products, in order to understand their importance and impact (e.g. volume of production, number of businesses that produce them) and investigate the choices of this geography. Evidence suggests that some Greek geographical indications (GIs) exist only ‘on paper’ and therefore have zero impact on their delimited areas. Furthermore, the impact of GIs depends not only on the characteristics of the product but on the characteristics of the enterprises that produce them as well. A new, although not alternative, agri‐food geography is emerging. 相似文献
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先秦中国和古代希腊文明起源的地理环境之比较 总被引：3，自引：0，他引：3
文明起源的地理环境可以分为整体地理环境和中心地理环境。前者指文明整体能力所及的极限地理范围,后者指文明主体的主要活动区域。从这两个角度分别进行比较,将有助于解释希腊和中国文明侧重于陆地或是海洋发展的原因。 相似文献