河西石窟阙形龛溯源刍议

阙形龛是汉地工匠对佛教艺术进行改造的一次尝试。由于西王母图像和佛教图像长期存在互动关系,是汉代工匠改造佛教艺术的出发点,因此如果追溯其源头,西王母图像成为此文讨论的切入点。通过对汉画中"西王母+双阙"模式和佛教艺术中"补处菩萨+阙形龛"模式的图像与意涵的比较、巴蜀与河西之间的交通以及河西地区天堂观念的考察,此文推断阙形龛的创意应该是来自四川地区汉画中的"西王母+双阙"模式。     

Characterizations of palace lantern tassels preserved in The Palace Museum,Beijing, by UPLC-ESI-Q-TOF

Palace lanterns were important and highly visible decorations in the imperial palace in Beijing, China, during the Qing dynasty (1636–1912). Most lanterns had colourful tassels made of fibres. The study performed a comprehensive investigation of the materials and dyes used for palace lantern tassels preserved in The Palace Museum, Beijing. Eight samples with different colours, including yellow, green and red, from five palace lanterns were analysed. By using ultra-performance liquid chromatography combined with time-of-flight mass spectrometry, the compositions of the dyes were identified quickly, and thus the dyes' origins were explored. A X-ray fluorescence spectrometer assisted in the detection of whether a mordant was used during the dyeing process. As a result, the tassels were all made of silk, discovered through the use of microscopic observation and micro-Fourier transform infrared spectrometry analysis. Different dyeing techniques were found in these tassels: yellow tassels were dyed by cork tree or turmeric by a direct dyeing method; greens were dyed by pagoda bud with an iron mordant, or by the combination of cork tree and indigo using multi-dyeing method; and red tassels were coloured with different acid red industrial dyes. These results provide valuable data for the conservation of ancient textile tassels and contribute to the investigation of other hanging tags.     

论第二轮县志艺文入志问题

旧志艺文占据比重甚大，社会主义首轮志书艺文内容又过少。第二轮县志如何处理艺文内容入志是一个需认真考虑的问题。本文从新编县级志书艺文部分应包含哪些内容，旧志与首轮县志艺文入志情况的比较，第二轮县志艺文志内容选择分析、写法等方面进行了探讨。     

国内旅游研究方法的方向：从理念阐释到理论实证

旅游能否成为一门独立学科，关键取决于能否形成一套完善的学科基础理论和方法论。本文分析了中外旅游研究方法的进展情况，对理论实证方法的优越性进行了阐释，将其在国内外旅游研究中不同应用程度作以比较，进而总结出国内旅游研究方法的方向。     

前嘉靖本时代《三国演义》版本探考

1929年,郑振铎先生提出:嘉靖本是<三国演义>刊行最早的版本,别本都从嘉靖本所出,诸本之间只有表面差异并无原则区分.①此说一出,遂为中国大陆多数治<三国>版本的学者认同.     

Coexistence and Separation of Two Residential Groups—An Interactional Spatial Dynamic Approach

This paper is concerned with the spatial and temporal distribution of residents in an urban area. The residents are classified into two groups, that is, black and white, according to their characteristics. A dynamic model is built to explain how the residents are distributed over time and space. The model consisting of a set of partial differential equations is similar to competition-diffusion equations in biology. We investigate conditions of coexistence and separation of the two groups.     

衡山景观资源开发

衡山为中华五岳之一,著名宗教名山和旅游胜地。本文阐述衡山自然景观的形成,并从旅游的角度论证衡山具有独特的美学价值、丰富的科学与艺术内容、众多的旅游景目、优越的交通地理位置等优势,建议衡山风光资源开发必须遵循建设与保护相结合、自然景观与人文景观并重、美化和净化同步、社会效益与经济效益兼顾等原则。     

The social structure reflected in the Yuanjunmiao cemetery

This paper attempts an analysis of the burials of the Yuanjunmiao¹ cemetery in Shansi Province, China, where the author was in charge of archaeological excavation from 1958 to 1959, in terms of the social structure of the inhabitants at that time (Fig. 1).     

Geochemical evidence for the manufacture,logistics and supply‐chain management of Emperor Qin Shihuang's Terracotta Army,China

Non‐invasive materials characterisation of reconstructed statues of Emperor Qin Shihuang's Terracotta Army has revealed distinct micro‐geochemical patterning within the clay paste used in their manufacture. The significance of this is explored in terms of the production sequence, logistics and supply‐chain management involved in the construction of this enormous funerary assemblage. Of particular interest is a compositional distinction between figures marked with the names ‘Gong’ (宫) and ‘Xianyang’ (咸阳). These seem to represent the products of two workshops involved in the supply of ceramic objects for this ambitious, large‐scale building project undertaken by the Qin Empire during the third century bce .