胡人发型:中古“剪头胡雏”艺术形象试解

古人发型是文化界长期关注的一个重要现象。发型不仅是时代的特征与时尚的符号,也是各个族群的辨识标志。从北朝到隋唐的中古社会,"剪头胡雏"的文物图像屡屡出现,一般来说,此类胡人形象是剪发而不是束发,在当时以"高髻为尚"的社会习俗中,"剪头胡雏"发型是有着"阶级感"的存在,是有关底层胡人的直观艺术产物。也说明当时入华胡人还没有彻底"汉化",仍然保留着本族群的发型特征。该发式是胡人与汉人的区别,也是其身份归属的象征。     

国家图书馆藏甲骨新缀

国家图书馆藏甲骨共有35651片,是目前我国乃至世界上收藏甲骨最多的单位,对这批甲骨进行整理包括很多方面的工作。本文对国家图书馆所藏甲骨碎片进行复原,并在此基础上进行相关问题的讨论:包括"告日"的问题,以及"■"字的释读问题。     

Micro-CT-assisted determination of the shattering and non-shattering phenotypes of charred rice spikelet bases from archaeological sites: a new methodological approach

The selection of a non-shattering phenotype is a pivotal change in the process of rice domestication. However, current research is heavily restricted by the preservation conditions of macro-plant remains in early and middle Neolithic sites, as very limited well-preserved rice spikelet bases could be retrieved. We present a non-destructive method based on micro-computed tomographic (CT) scanning, which could provide detailed visualization of the internal structures of charred spikelet bases and efficiently discriminate the shattering and non-shattering phenotypes of rice spikelet bases according to the abundance of fusiform echinate phytoliths. It could be widely applied in different contexts, especially those poorly preserved specimens and tempers in pottery sherds, greatly improving our knowledge of rice domestication.     

桂平博物馆馆藏东汉双耳铜甑铸造工艺及其保护修复研究

广西桂平博物馆藏东汉铜甑对于研究广西地区青铜器冶铸技术的发展具有重要的研究价值。但器物长期保存于潮湿环境中,矿化严重、保存状况较差,亟须保护修复。本研究应用X射线影像观察、金相显微镜、扫描电镜及能谱分析、模拟实验验证等方法研究了器物的铸造工艺、合金成分以及锈蚀产物成分。结果表明该器物为整体铸造成形,器物铸造时使用了轮制技术、刮板造型工艺以及铸后刻纹的工艺,箅部范块制作过程是用器身模翻制器身范后脱模,将器身模的圈足部分切下,然后在圈足泥模上刻出箅部型腔。在此基础上,遵循最低限度干预原则,力求将传统的文物修复手段与现代修复理念相结合,通过除锈、修补等保护修复措施后,不但提高了器物的整体稳定性,而且达到了可以展陈,发掘文物潜在价值的要求。     

Pray the gay away: identity conflict between Christianity and sexuality in Hong Kong sexual minorities

Recognition and respect for sexual minorities in Hong Kong is still a contested area. Public sexual identity politics in Hong Kong has been framed by traditional Chinese gender ideology and imported Christian beliefs which are profoundly negative. Focusing on the interpersonal relationships in three spheres of life, the research adopted the sociological perspective of personal life and the feminist geographers’ idea of spatialization of identity management to analyze how the sexual self of sexual minorities has been marginalized and excluded in intimate social spaces of family, church communities and schools in Hong Kong with specific spatial practices and different forms of power/knowledge. By examining overlooked intimate injustice in personal life, this study illustrates that identity conflicts between Christianity and non-heterosexuality in everyday life is constructed through misrepresentation, misrecognition, harassment and exclusion in intimate relationships. Different types of knowledge are being used to reiterate pre-existing norms and institutionalized patterns of cultural value that constitute the sexual minorities as comparatively unworthy of respect. These micro-political processes involve both conformity and resistance to gender and sexual stereotypes. Participants managed to develop spatial coping strategies such as concealment, compartmentalization, confrontation and alternative sources of support to manage their lives with dignity and self-esteem.     

Study on the lithology of stone chimes (stone musical instruments in ancient China) and Lingbi stone

The oldest extant musical instruments in the world are stone chimes. This music was created by the ‘eight tones’ that could be produced by these ‘stone’ voices. Although many of these stone chimes have been unearthed from sites predating the Spring and Autumn Period and the Warring States Period in China, their discussion in archaeological reports is usually not very thorough. In this paper, the ancient and modern samples are analysed from the point of view of lithology. The aim is to explore how the ancients chose to make these stones, and to check that the type of stone from which these ancient Chinese stone chimes are made is actually those recorded in previous studies. The results show that most of the ancient stone chimes in China are made of limestone. These chimes required a material with a single, homogeneous and compact mineral composition. Lingbi chimes (a kind of ‘lithophone’ produced in Lingbi county, China, are pure in composition and have a fine microcrystalline structure, which is the best choice for making stone chimes. This paper makes a systematic study of the lithology of Chinese stone chimes. The results supplement a significant lacuna in the study of ‘lithophone’ and ancient stone instruments both in China and on a more global scale.     

从“公推”到“票举”：近代天津商会职员推选制度的曲折演进

近代中国具有现代意义的投票选举制度虽然率先在清末的民间工商社团商会中实行,但各地商会的具体实施过程却并非同步进行。上海、苏州等商会正式成立后即开始制订并实行这一制度,天津商会则在清末坚持采用"公推"的方式推举总理、协理和会董,没有真正实施"票举"。到民国初期,天津商会依然认为"公推"优于"票举",直至明定商会必须实行投票选举制度的《商会法》公布之后,天津商会还希望政府"准予特殊办法,仍行公推"。但实施"票举"在当时已是大势所趋,1918年天津商会也在章程中拟订了投票选举制度,并由此进入"票举"会长和会董的新时期。自清末至民国时期天津商会从"公推"到"票举"的曲折演进历程,说明在选举制度的建设中,天津商会的领导人在思想认识和实践操作两个方面都偏向于保守,不仅自身缺乏创造性的举措,而且很少主动借鉴和学习其他商会已有的投票选举制度,这种现象也表明了清末民初各地商会对现代投票选举制度的认识并不完全一致。     

读郑州出土商代牛肋刻辞的几种原始资料与释文

近年,因郑州二里岗牛肋骨刻辞的"土"字之上补释出一个"乇"字并连读为"乇土"(即亳社),从而牵涉到商史研究中有关"商汤都亳"的重要议题。通过二里岗牛肋骨刻辞几种早期资料的比对核校,过去的几度释文确实漏释了其间的"乇"字。此字的补释,对相关史实的研究将产生重要影响。     

中古壁画与陶塑再现的挎包女性形象

中国服装史一直以来较为忽视服饰中的挎包装饰,本文利用新出土的中古壁画和唐代各种挎包女性陶塑,对中古艺术中的挎包女性形象进行了初步分析。作者认为,"挎包女人"图像赋予了女性非凡的人性精神。同时,作者还对外国该类形象的出现和流传进行了梳理,依据现存图像资料,指出中国古代女性挎包要比西方早出现几个世纪。挎包、拎包具有时尚和实用美观的意义,折射出古代女性鲜明的超前意识和服装审美。     

2019年故宫博物院“良渚玉文化论坛”综述

良渚遗址是实证中华5000年文明史的遗产地,良渚玉器在专业领域也一直受到广泛关注,2019年7月,良渚古城遗址项目成功列入《世界遗产名录》,更是让良渚文化走入了大众视野。7月16日,"良渚与古代中国--玉器显示的五千年文明展"在故宫博物院武英殿开幕。为了配合这一专题展览,中国文物学会玉器专业委员会、故宫研究院玉文化研究所、杭州良渚遗址管委会及良渚博物院联合主办了"良渚玉文化论坛",于8月30日在故宫博物院兆祥所召开,来自中国大陆及台湾地区的60余位代表出席了论坛,其中6位代表进行了主旨发言,学者们就出土与传世良渚玉器的相关问题展开了讨论。以下从这两方面分别加以概述。