Characterizations of palace lantern tassels preserved in The Palace Museum,Beijing, by UPLC-ESI-Q-TOF

Palace lanterns were important and highly visible decorations in the imperial palace in Beijing, China, during the Qing dynasty (1636–1912). Most lanterns had colourful tassels made of fibres. The study performed a comprehensive investigation of the materials and dyes used for palace lantern tassels preserved in The Palace Museum, Beijing. Eight samples with different colours, including yellow, green and red, from five palace lanterns were analysed. By using ultra-performance liquid chromatography combined with time-of-flight mass spectrometry, the compositions of the dyes were identified quickly, and thus the dyes' origins were explored. A X-ray fluorescence spectrometer assisted in the detection of whether a mordant was used during the dyeing process. As a result, the tassels were all made of silk, discovered through the use of microscopic observation and micro-Fourier transform infrared spectrometry analysis. Different dyeing techniques were found in these tassels: yellow tassels were dyed by cork tree or turmeric by a direct dyeing method; greens were dyed by pagoda bud with an iron mordant, or by the combination of cork tree and indigo using multi-dyeing method; and red tassels were coloured with different acid red industrial dyes. These results provide valuable data for the conservation of ancient textile tassels and contribute to the investigation of other hanging tags.     

BEYOND THE GPN–NEW REGIONALISM DIVIDE IN CHINA: RESTRUCTURING THE CLOTHING INDUSTRY,REMAKING THE WENZHOU MODEL

This article attempts to advance the research on industrial districts and regional development through a study of the restructuring of the clothing industry in Wenzhou Municipality, a regional driver of the Chinese economy. Wenzhou is known for the Wenzhou model of development traditionally centred on family‐owned small businesses embedded in local institutions. The clothing industry is one of the leading industries in Wenzhou, and a cluster with national significance has emerged, where most of the production components can be purchased locally. However, the industry has been scaled up nationally and internationally, with the expansion of sales networks and production facilities across China, and to a lesser extent, abroad. This restructuring has changed the endogenous nature of industrial clusters/districts. The restructuring challenges the orthodox notion of the Wenzhou model and the New Regionalism literature, particularly the orthodox notion of Marshallian industrial districts that overly emphasizes small firms and local assets, and the global production network perspective that highlights coupling with global lead firms in regional development.     

中国考古学的历史传统与时代使命

目 次 一 救亡图存与重建古史:早期中国考古学的历史选择 二 从考古学文化到区系类型:中国考古学的探索与发展 三 坚定文化自信:新时代考古学的历史使命 习近平总书记"9·28"重要讲话深刻阐述了我国考古工作取得的重大成就和重要意义,为新时代中国考古事业发展指明了前进方向,也为如何构建中华民族历史、认识中华文明丰富内涵、坚定文化自信提供了理论依据[1].考古学在中国是近代化的产物,从它自西方传入中国、并且植根于中华大地这片沃土伊始,一方面在学术目标、理论建设和田野实践等环节就不断形成自身的历史传统,不再是西方考古学的翻版,而是努力朝着建设中国特色和中国风格的考古学体系迈进;另一方面,在不同的时代,中国考古学者也承担起不同的历史使命,不断续写新篇,继往开来,为中华文明和世界文明做出了独特贡献.回顾百年中国考古学史,每当时代发展的重大转折关头,中国考古学都在顺应历史变革、引领社会思潮、坚定文化自信上起到重要的历史作用.     

传统书画装裱修复技艺多元价值及其体系构建探究——基于"苏裱"传承人访谈的思考

价值多元化是中国传统书画装裱修复技艺重要的特征之一.当前书画装裱修复从业者对技艺价值认知程度不均,价值认知现状不能与多元价值共存的现实相匹配.基于非物质文化遗产保护与传承的视角,书画装裱修复从业者应从理念上重新树立多元价值观、方法上加强现代科技手段的有效介入、理念上重视传承人整体情况的深入探求、行动上加快技艺科学化研究进程等几个方面来全面构建技艺多元价值体系.     

内蒙古自治区社区干预在新冠肺炎防控中的作用机制及影响因素探讨

社区作为基层自治组织以其独特的职能和地位对重大公共卫生事件防控产生影响。本文构建社区干预机制体系,并基于内蒙古社区防控新冠肺炎的实证分析,探讨社区干预在地区和城市、农牧区间的差异,结合问卷得分情况并运用主成分分析法分别探讨影响地区间、城市和农牧区社区干预的主要因素。研究发现：内蒙古中部地区社区干预表现突出,东部其次,西部最差,城市社区干预显著优于农牧区;组织架构和职能发挥对地区内的社区干预效果影响较大。城市社区干预以组织架构和职能发挥为主,内外联系为辅,农牧区社区干预强调组织架构和内外联系,职能发挥薄弱;社区干预依照“组织架构响应--自身职能发挥--内外联系建立”的机制推进。     

广西玉林市博物馆馆藏七件铜鼓的初步分析研究

迄今已有2 700多年历史的铜鼓,是南方少数民族地区节日、喜庆、兵事、婚丧、祭祀、礼乐等场合使用的一种重器。为了对锈蚀状况做出科学的现状评估,为器物保护修复技术路线的制定和修复工作的开展提供科学指导,对玉林市博物馆馆藏7件铜鼓综合运用了体视显微镜、金相显微镜、激光显微拉曼光谱仪(RS)和环境扫描电镜及能谱仪(ESEM-EDAX)等仪器进行了金相组织和合金成分分析以及锈蚀产物的分析。分析结果显示:7件器物皆为泥范铸造成型,未见热、冷加工处理现象。7件铜鼓皆为铅锡青铜合金,总体呈低锡高铅的特点。组织形态呈典型α固溶体树枝晶偏析,锡含量处于6.0%～12.2%,分布较为集中,处于中等含量水平(5%≤Sn15%);铅含量处于14.4%～28.2%,铅含量普遍较高且分布较为集中,处于中高铅(10%≤Pb15%)和高铅含量(Pb≥15%)水平,合金中高铅含量配比应为工匠有意合金配比选择;铜鼓的腐蚀类型为α固溶体富铜相优先腐蚀,保存环境主要是富氧、少氯,铜鼓表面锈蚀产物主要为绿色孔雀石和蓝色蓝铜矿以及氧化物,有少量白色白铅矿。在保护修复工作中对于这些无害锈可保留,不予处理,并注重防氧。对于铜鼓表面夹杂泥土,需进行清洗去除。研究结果可为器物保护修复技术路线的制定和修复工作的开展提供科学指导。     

汉代漆器的剖析

通过制备并分析一系列模拟漆膜样品。建立了有助于鉴定汉代漆器成分的剖析方法。经裂解气相色谱、差热分析、色谱一红外联用等现代分析技术对出土的汉代漆器残片样品的综合分析,证实在西汉漆器制造中已使用桐油或其它的添加剂,并依据剖析的结果,对某些汉代漆器的原材料差异作了初步探讨。     

张家界市博物馆明代铜佛像的多视角影像三维重建探索

由于多视角影像三维重建具有数据采集方便灵活、硬件成本低、操作简单、自动化程度高的特点,因此,选用多视角影像三维重建技术对张家界市博物馆明代铜佛像进行三维建模。通过描述佛像立面与空心底部的影像采集,再应用Agisoft PhotoScan软件进行三维重建的过程;从控制点的三维坐标与误差数值、模型成像与影像图的误差分析,得出佛像三维模型的精度误差微小的结论,证明该技术具有操作简单、模型成像清晰的特点。与三维激光扫描技术相比较,多视角影像三维重建技术具有成本费用低、工作流程高效简捷的优势,更适合在文物工作中推广运用。     

Revised conodont and fusuline biostratigraphy of the Bamchi Formation (Pyongan Supergroup) at the Bamchi section,Yeongwol and the Carboniferous–Permian boundary in South Korea

Wang, Q., Wang, Y., Qi, Y., Wang, X., Choh, S.J., Lee, D.C. & Lee, D.J., November 2017. Yeongwol and the Carboniferous–Permian boundary in South Korea. Alcheringa 42, 245–258. ISSN 0311-5518

Six conodont and one fusuline zones are recognized on basis of a total of 25 conodont and 13 fusuline species (including seven unidentified species or species given with cf. or aff. in total) from the Bamchi Formation, Yeongwol, Korea. The conodont zones include the Streptognathodus bellus, S. isolatus, S. cristellaris, S. sigmoidalis, S. fusus and S. barskovi zones in ascending order, which can be correlated with the conodont zones spanning the uppermost Gzhelian to Asselian Age of the Permian globally. The fusuline zone is named the Rugosofusulina complicata–Pseudoschwagerina paraborealis zone. The co-occurrence of the conodont Streptognathodus isolatus (the Global Boundary Stratotype Section and Point index for the base of Permian) and Pseudoschwagerina (a Permian inflated fusuline) indicates that the Carboniferous–Permian boundary can be placed in the lower part of the Bamchi Formation in South Korea.

Qiulai Wang* [qlwang@nigpas.ac.cn] CAS Key Laboratory of Economic Stratigraphy and Palaeogeography, Nanjing Institute of Geology and Palaeontology, Chinese Academy of Sciences, East Beijing Road 39, Nanjing 210008, PR China; Yue Wang* [yuewang@nigpas.ac.cn] LPS, Nanjing Institute of Geology and Palaeontology, Chinese Academy of Sciences, East Beijing Road 39, Nanjing 210008, PR China; Yuping Qi* [ypqi@nigpas.ac.cn] Xiangdong Wang* [xdwang@nigpas.ac.cn] CAS Key Laboratory of Economic Stratigraphy and Palaeogeography, Nanjing Institute of Geology and Palaeontology, Chinese Academy of Sciences, East Beijing Road 39, Nanjing 210008, PR China; Suk-Joo Choh [sjchoh@korea.ac.kr] Department of Earth and Environmental Sciences, Korea University, Seoul 02841, Republic of Korea; Dong-Chan Lee [dclee@chungbuk.ac.kr] Department of Earth Sciences Education, Chungbuk National University, Cheongju 28644, Republic of Korea; Dong-Jin Lee [djlee@andong.ac.kr] Department of Earth and Environmental Sciences, Andong National University, Andong 36729, Republic of Korea. *Also affiliated with: University of Chinese Academy of Sciences, 19A Yuquan Road, Shijingshan District, Beijing 100049, PR China.     

GOLD AND SILVER WINGED GODS FROM THE TUBO PERIOD

正Ethnic people living on the Tibetan Plateau during the Tubo period have been well-known as not only strong and brave on horses,but they were also an ethnic group enriched with powerful creativity and rich imagination.From Tubo's cultural art,we can observe a large amount of extremely fine artifacts.For instance,among recently