MATERIAL CHARACTERIZATION OF CERAMIC TILE MOSAIC FROM TWO 17TH‐CENTURY ISLAMIC MONUMENTS IN NORTHERN INDIA

Coloured tiles from two northern Indian monuments were analysed for their body and glaze composition. The results suggest that three different groups of tiles were used, all comprising a stonepaste body with alkali glaze. One group has strong similarities to a major Indian glass group, known as high alumina mineral natron glass, while the other two are similar to Western and Central Asian plant ash glazes, although with much lower lime content. The colorants conform with those usually employed in pre‐modern glazes, with lead‐tin yellow Type I and Type II for opaque yellow, copper blue‐turquoise, cobalt blue, manganese purple, and green through mixing of lead‐tin yellow and copper blue.     

DIRECT EVIDENCE OF PRIMARY GLASS PRODUCTION IN LATE BRONZE AGE AMARNA,EGYPT

This paper presents direct archaeological evidence for the primary production of glass at the LBA site of Tell el‐Amarna, in the form of numerous finds of semi‐finished glass. The diagnostic microstructural and chemical composition of these finds is presented alongside macroscopically similar finds, of shapeless lumps of finished white glass. The semi‐finished glass was found to contain numerous inclusions of residual quartz and newly formed lime‐rich crystal phases, but no added colorant. However, several samples of semi‐finished glass have antimony oxide levels comparable to those of finished white glass, suggesting that the opacifier was added to the initial glass‐making batch. The results are discussed in comparison with the evidence for glass‐making from Qantir – Pi‐Ramesse, identifying some close technical similarities, which indicate that the same technological processes were used at both sites for the production of glass.     

COINS,ARTEFACTS AND ISOTOPES—ARCHAEOMETALLURGY AND ARCHAEOMETRY*

Archaeometallurgy is one of the earliest manifestations of archaeometric research, using science‐based approaches to address cultural–historical questions. This review first outlines the extent of the field, defining in some detail the main branches of archaeometallurgy, and their specific methodological approaches. It then looks at some of the early publications pioneering archaeometallurgical research, to set the scene for the publication pattern of archaeometallurgy in general, and the role that Archaeometry played in publishing archaeometallurgical research. The analysis of archaeometallurgy‐themed publications in Archaeometry, their change over time and their relationship to the total range of work done in the field indicates that there is a rather narrowly defined and specific type of archaeometallurgy that gets published in Archaeometry, initially with a strong focus on coin and object analysis, often combined with method developments. The more recent developments in isotope‐based studies in archaeometallurgy find only a limited representation in the journal, despite the leading role that the Isotrace Laboratory played in this discipline, for some considerable length of time. More recently, this Archaeometry‐specific ‘flavour’ of archaeometallurgy seems to weaken, with an increase of papers on iron and on primary production in general, subjects still much under‐represented.     

POST‐MEDIEVAL CRUCIBLE PRODUCTION AND DISTRIBUTION: A STUDY OF MATERIALS AND MATERIALITIES*

This paper is concerned with the manufacture and trade of post‐medieval crucibles (14th–19th centuries). The analytical study of crucibles from different contexts in Europe and America employed optical microscopy and SEM–EDS, coupled with archaeological and historical data. We identified two major producers of crucibles, both of them in Central Europe, whose products appear widely distributed internationally. The analytical data allow an explanation of the technical reasons behind their superior reputation, as both crucible types shared comparable material properties, such as thermal, chemical and mechanical stability. Conversely, the two crucible types were radically different in their manufacture and appearance. We argue that, besides technical considerations, sensorial aspects such as texture and colour may have played an important role in the perception and choice of materials.     

RAMESSIDE GLASS-COLOURING CRUCIBLES*

The preparation of glass in New Kingdom Egypt heavily involved the use of crucibles. Shape, mode of operation and function of these vessels have been reconstructed on the basis of new, stratified material from the excavation at Qantir, eastern Nile Delta. The crucible fabric, the internal layer protecting the vessel from the charge, and the glass melted in the crucibles are characterized by chemical and petrographic studies. The crucibles were apparently employed mainly to add the colourants to the glass. The broader archaeological context strongly suggests that glass production in the Late Bronze Age has been a highly developed, specialized and organized craft, with different factories for glass production, for colouring, and for working, connected by a wide-ranging trade network.     

CHARACTERIZATION AND PROVENANCE OF LATE ANTIQUE WINDOW GLASS FROM THE PETRA CHURCH IN JORDAN*

Fifth‐ to seventh‐century window glass fragments from the Petra Church in Jordan were analysed by EPMA and spectrophotometry to characterize their optical properties and chemical composition. The objective of this study was to determine the provenance of the raw glass and the secondary production procedures of the window‐panes. Judging from the material evidence, both the crown window‐panes and possibly the rectangular samples were produced through glass‐blowing techniques. The chemical data show that the assemblage forms a homogeneous group of soda–lime–silica glass of the Levantine I type. The green glass, however, has higher silica and lower soda contents than the aqua‐blue fragments. The composition of one sample suggested the recycling of Roman glass. Our results confirm the trade of glass between the Levantine coast and Petra during Late Antiquity. No colouring agents other than iron were detected. Spectrophotometry confirmed the presence of iron and showed that the window fragments absorbed light relatively equally across the visible part of the spectrum. The windows thus seem to have provided an almost colourless illumination for the sacred interior.     

FOURTH MILLENNIUM BC SILVER FROM TELL ESH-SHUNA, JORDAN: ARCHAEOMETALLURGICAL INVESTIGATION AND SOME THOUGHTS ON CERAMIC SKEUOMORPHS

Summary. Analytical and contextual details are given for a piece of silver sheet recovered by dry-sieving from a fourth millennium B.C. deposit at Tell esh-Shuna in the north Jordan Valley. Analysis proved that the fragment was composed of a silver-gold-copper alloy. The possible origin of such aurian silver artefacts is considered in the light of current geological evidence, and alternative mechanisms for their appearance reviewed, taking into consideration recent data pertaining to the use of 'non-utilitarian' metals in the southern Levant during the fifth and fourth millennia B.C. Reasons are given for believing that silver artefacts are under-represented in the archaeological record, and the imitation of silver vessels is suggested as a possible explanation for the appearance in Palestine of the distinctive Grey Burnished ceramics at the beginning of the Early Bronze Age.