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This article discusses attempts to define culture and civilisation in early twentieth-century Romania on the basis of two fundamental Romanian models of development: the theory of forms without substance and the theory of synchronism. The former is studied here primarily in relation to the views of Titu Maiorescu (1840–1917) and Constantin Radulescu-Motru (1868–1957) and the latter in relation to the views of Eugen Lovinescu (1881–1943). While the theory of forms without substance asserts a would-be ‘traditional’ and ‘organic’ development of Romanian culture and civilisation, the theory of synchronism proposes a development according to the ‘spirit of the age’ and the ‘law of simulation-stimulation’. In the present study, these opposed models of development are observed in relation to the general tendencies towards a pronounced critical spirit and towards discussing cultural vs. structural changes or culture vs. power in late nineteenth-century and early twentieth-century Europe. The Romanian models of development are also studied on the background of wider European discussions on Enlightenment and modernism, historicism, conservatism and liberalism, German vs. French influence and nationalist vs. cosmopolitan attitudes.  相似文献   
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Anton Dumitriu (1905–92) was a Romanian philosopher and logician who attempted to develop the more or less consistent theory of an ‘axiomatic’ tradition, referring to culture and civilisation in the ‘East’ (defined actually as Far East) vs. the ‘West’ (mainly Europe, both Western and East-Central) especially in the inter-war and post-war periods. Dumitriu's essays on Romanian culture or on Eastern vs. Western culture as published in his book Eleatic and Heraclitic Cultures (1987) will make the object of this study. This work is a revised version of his East and West (1943). It should be noted that most of the material discussed here is actually still available only in Romanian since Dumitriu's work on Logic is already translated into English, but his musings on culture and civilisation are available only in Romanian and are, consequently, almost unknown outside the country. This study attempts to make up for that and also to connect Dumitriu's views on culture and civilisation or East and West both to earlier Romanian views and currents in defining culture as well as to contemporary general European trends, while also taking into account the context of the Communist regime in which the second edition of his book was issued.  相似文献   
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