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This paper considers several case studies of conflicts between moral reformers active in US cities and venues catering to working-class audiences from the 1860s to 1880s. For moral reformers, theatrical entertainments, particularly forms with no educational or moral purpose, were deeply corrupting and threatened not only the well-being of the individual, but also that of the nation. These case studies show that tensions emerged when popular styles sought to expand their audience beyond their traditional patrons or to move into respectable areas of the city – in other words, when they did not stay in their traditional place. This is also true of the many hybrid musical forms that combined European-based folk or religious styles with African-American music. Forms such as jazz and rock ‘n’ roll did not elicit significant protest until they began to find an audience in northern cities among middle- and lower-middle-class youth. Exploring how laws were changed in response to earlier conflicts adds a crucial historical perspective to popular music studies, which tends to remain firmly focused on music from the mid-twentieth century onwards.  相似文献   
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In a recent debate in this Journal, Daunton and Whitehand engaged forces on the issue of building cycles and the urban fringe in Victorian cities.[1] While eschewing detailed involvement in their discussion, certain points emerged which in the context of new evidence on the Scottish building cycle it may be useful to consider further.  相似文献   
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When in the seventeenth and eighteenth century Chinese red ware from Yixing was imported into Europe, imitations of that ware, some of them delusively similar to the originals, were made in the Netherlands, Saxony, and England. With non-destructive energy dispersive X-ray fluorescence analysis (ED-XFA) the Chinese and different European red wares can be easily separated by comparing the patterns of their calcium oxide, manganese oxide, and lead contents. They also have density characteristics of their own.  相似文献   
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Although the term Hizbullah (Party of God) has become synonymous with the Lebanese group that bears its name, the reality is that many more groups have, and currently do use the term. Sharing the same generic name however, is not necessarily indicative of ideological affinity let alone operational cooperation. This paper discusses the origins of the term and the groups that have adopted the name, as well as the links between them and with Iran. Besides some outlier Sunni groups who use the name, the best way to view the groups’ ideological leanings is to think of them as either intellectually supporting the Iranian concept of governance (khat al-Imam) or as more actively and practically advancing Iranian interests in the region (khat al-Hizbullah).  相似文献   
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