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Arthur Wellington Clah was a Tsimshian man on the Pacific north-west coast of Canada, who encountered the missionary, William Duncan, as a young adult at the Hudson's Bay Company's Fort Simpson in the 1850s. Moses Tjalkabota was an Arrernte man in central Australia. He was a young boy when he first came into contact with Lutheran missionaries at Hermannsburg mission in the 1880s, and was baptized in 1890. Both these men became Christian evangelists, both preached to their own people, and further afield among neighbouring groups. But here the similarities between them seem to stop. Clah was never part of a mission settlement, maintaining his independence from any established church; while Moses, who became blind as a young man, spent most of his life at Hermannsburg.
  This article examines these two evangelists' understandings of Christianity and how they communicated these understandings to their own and neighbouring peoples. Clah encouraged good behaviour, which conformed with his understanding of Christian precepts; Moses tried to communicate a more abstract form of belief through which happiness and eternal life could be attained.  相似文献   
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This paper considers various aspects of the interactions of missions and indigenous peoples in regions of Canada and Australia. An analysis of first encounters indicates that the introduction of Christianity was dependent on both evangelist and client population agreeing to a modus operandi for the mission. The structure and operation of the mission were determined by the pre-existing indigenous society and the financial and personnel resources of the mission organizations. Attitudes towards, and acceptance of, Christianity were not static, they depended on changing material and political circumstances both within and outside indigenous communities. This comparative analysis indicates that religious change was not only negotiated between missionary and "convert," but among indigenous peoples themselves. The decision to profess Christianity was not a one-off decision made by individuals or communities. Rather it was a long process of change which was contingent on the perceived advantages and disadvantages of the mission world and countervailingpressures from within indigenous and colonial societies.  相似文献   
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The COVID‐19 pandemic has prompted renewed attention among health professionals, Aboriginal community leaders, and social scientists to the need for culturally responsive preventative health measures and strategies. This article, a collaborative effort, involving Yanyuwa families from the remote community of Borroloola and two anthropologists with whom Yanyuwa have long associations, tracks the story of pandemics from the perspective of Aboriginal people in the Gulf region of northern Australia. It specifically orients the discussion of the current predicament of ‘viral vulnerability’ in the wake of COVID‐19, relative to other pandemics, including the Hong Kong flu in 1969 and the Spanish flu decades earlier in 1919. This discussion highlights that culturally nuanced and prescribed responses to illness and threat of illness have a long history for Yanyuwa. Yanyuwa cultural repertoires have assisted in the process of making sense of massive change, in the form of past pandemics and the onset of sickness, the threat of illness with COVID‐19 and the attribution of ‘viral vulnerability’ to this remote Aboriginal community. The aim is to centralise Yanyuwa voices in this story, as an important step in growing understandings of Aboriginal knowledge of pandemics and culturally relevant and controlled health responses and strategies for communal well‐being.  相似文献   
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Abstract

Museums have long been important tools of nation building and of helping nations deal with their increasing diversity. The Arab Spring of 2011 brought massive social upheaval and change to the Middle East. Egypt experienced particularly dramatic changes. Long-standing fissures around who qualifies as an Egyptian, which groups dominate in this secular or religious nation, and what it means to be an Egyptian today came to the fore. How did different groups fare within this negotiation and what role did cultural institutions play? We explore these struggles through the lens of the Coptic Museum and the experiences of the Coptic community. We argue that the Museum historici s es Copticism, or depicts it as an historical, bounded period in Egyptian history. It also embraces a historical narrative that sees Copts as the direct descendants of the Pharaohs, and therefore the original Egyptians, although some later converted to Islam. By so doing, the Museum positions the community centrally but unchallengingly within the ever-changing ‘master’ national narrative, whether in its more religious or secular form. By telling this particular story, the community saves itself and its materials, but it also constructs and perpetuates its paradoxically central, but marginal position in the nation.  相似文献   
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